Recent Music Heroes

Comment: listening to this 13-notch outing it is a cordial arrival at a couple of phenomena being darling to me. Stockfinster, a one-man-project from Malmö, Sweden crafts music representing tendencies in the indie scene having been strongly prevalent in the end of the 90s and the beginning of the 00s mostly in the mid-Europe. Secondly, Dead Line comes out of the roster of releases from a Lithuanian netlabel, Sutemos, being the most respected one from within the Baltic States. The tendencies mentioned above came mostly from Germany, and the Benelux Countries and being inspired by krautrock-infused experimental (pop) music. Just some names to be mentioned – Masha Qrella, Mina, To Rococo Rot, Tarwater, Kreidler, Lali Puna, The Notwist, The Go Find, Styrofoam, Pluramon, Bernd Fleischmann, Mouse On Mars, Radian. The virtue of this movement was not to get encapsulated within one genre but the tendency was to push forward the stylistic borders, mostly toward IDM, and post-rock. All these elements are adeptly represented over there, even more, Batti (with some of his friends) adds more elements to the mix, for example, atmospheric piano chords, concrete music chips, jazz-inflected toots and vague improvisations, and roughly cut-up yet catchy electro cadences in some tracks. In general, most of the tracks used to sink into a laid-back, contemplative mood based on slightly gloomy yet majestic electronic progressions and subtly tinkling guitars. Fortunately all these layers keep moving and changing and interacting with one another in a way not to lose excitement. Partly due to it these 13 compositions constitute a cohesive, worthwhile whole. Dead Line was the artist's third and also the last release so far.

8/19/2018

[Teaser of the day] Adamned.age - Der Dunkelmacher

Camomille

IDM
Experimental techno
Ambient techno
Glitch techno
Microtechno
Electronic music

Artist: Adamned.age

Release: Fragile

Label: Camomille

Year: 2011

[Teaser of the day] Synopterus [aka Blevin Blectum] - Olivier Suite

Dada music
Electronic music
Experimental electro
Avant-pop
Experimental pop

Artist: Synopterus [aka Blevin Blectum]

Release: All Day I Dream About Singularity

Label: Darling Dada

Year: 2017

[Teaser of the day] Darren Harper - The Eternal Search for the Elusive Now, Part 1

Earth Mantra

Dark ambient
Drone
Experimentalism
Abstract
Post-classical
Microtonal
Dystopbient
Post-industrial
Avant-garde

Artist: Darren Harper

Release: Time Forgotten

Label: Earth Mantra

Year: 2009

Nick R 61 – .tochka (2017)

Fusion

Archive.org

Big beat
Avant-hop
Experimentalism
Electronic music
Alternative
Industrial hip-hop
Leftfield

Comment: Nick R 61 is a prolific artist from Russia who has been heading an imprint, Fusion Records for years as well (a huge part of the discography is covered by his own releases). As similar as the title of the records suggests his music is also a platform to mingle different impulses with one another. For better or worse, it might be .tochka (Dot in English) is the most challenging issue of him by widening his legacy with the tectonic squalls of bouncing rhythms, industrial-inspired sonic effects, swirling currents of microscopic noises and scruffy ambiances. Yet it may freely be my illusion because Nick R 61 has been criss-crossing from dub and raggamuffin to glitched-out electronica and techno and hip-hop to drill and bass and breakbeat cadences. Furthermore, it needs a tremendous effort and an immense amount of time to get a solid overview about his oeuvre. All of that embodied in a set of four tracks results in an exciting crossover experience. Without a doubt there cannot be denied an influence of The Death Grips and Dälek on it but on the other side the artist adds his previous spiritual undercurrents to the 12-minute blend. At times one can feel as if shifting between the jungle, and an urban area, between the blossoming freedom and an oppressive, artificial system which is called the civilization. Superb.

Roel Goovaerts – we zullen wel zien e (2015)

BWAA

Newbreed
Electronic music
Leftfield
Experimentalism
Free folk
Avant-garde
Avant-rock
Experimental rock
Minimalism
DIY
Witch house
Crossover
American Primitivism
New Weird Belgium
Avant-folk
Weird folk

Comment: yesterday late night I had been listening to Ak'chamel aka The Giver Of Illness´ issue The Man Who Drank God (2015) which was sent to me by generous Field Hymns imprint. It chimed like an extreme fringe of the New Weird movement as if coming out from a cave of the Neanderthals. It was sung in low and wobbly chords while emitting an almost festive milieu from those heathen arrangements. Thanks to being so wobbly and rough it was an utterly organic experience. In fact, by listening to the recent issue of six compositions I felt partly the same feeling. In spite of being compositionally a bit different by employing guitar chords subverting filters and effect blocks and stark, intoxicated electronics the ultimate experience says it is almost about the sort of epic music (especially at Francy, which is a 13-minute iterative climax). I would not dare to call it lo-fi music because similarly to the aforementioned issue by Ak'chamel it is against the premises of lo-fi as a genre and attitude either. You can intuit this on the defiant nature of the issue. For instance, the issue starts off like a lost form of witch/drag house/newbreed. Later on, it will be mutating into guitar primitivism, gravitates toward uncanny electronic locations and the aforementioned minimalistic, slightly spaghetti western-alike majesty of Francy. Indeed, it will be the music of a new breed, more profoundly, for neo(n) zombies. This truly overcoming outing is a part of the discography of BWAA. All is moving, changing and disappearing. Heaven knows we will be dust.

Recent Music Heroes

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8/20/2018

[Teaser of the day] 2muchachos - Warmtime

[Teaser of the day] Zainetica - Warehouse Spirits Part1

[Teaser of the day] The Superfools - Latin Electronico

[Teaser of the day] Roto Visage - Small Steps

Stockfinster* – Dead Line (2009)