Comment:
by watching the narcotic and dreamy mixed cover print of this
12-track issue it can be admitted it is a fine introduction to the
outing. Indeed, it is full of psychedelic plateaus, the snippets of
free jazz and airy lounge boogie jamming and other insane approaches
both by lyrical and sonic side. All the lyrics are sung in very
Russian and the content of it it mostly phantasmagorical and
surrealistic. I guess if such an album were produced approximately 80
years ago the author of it would be Salvador Dali, or Joan Mirò or
somebody from the Russian Futurism movement. However, the
aforementioned celebrities are indirect authors as are the
forefathers of the Dada art movement and Italian noise artists like
the brothers Russolo because the influences of them are clearly
discernible within it. More profoundly, it is a discourse between
madness, and order, between correlated elements, indeterminacy and
incontinence (in many ways it can be thought). The issue is a part of
the discography of a legendary Moscow-based imprint, Clinical
Archives. The favourite track of mine is the final piece St. Abbas
because it is predominant by the shrill and slamming bass plateau
being introduced by spoken words and surrounded by loose sonic
effects. Fabulous outing.
Comment:
Zola Molnar (guitar), and Rajmund Takacs (bass) from Hungary do
explore something stunningly noisy being at the same time also
exhilarating. It is an artsy splash between calm arpeggios on a bass
and a guitar to cross over the borders of sublime noise music. Fine
improvised snippets and varicoloured timbres are up there to be
merged into three accomplished compositions. It can be said the
result as a whole is certainly much bigger than the sum of its
initial parts. In other words, it is surprising to get a fine outing
made up of a bass and a guitar only. Very cool by any means. It is probably one of the most weird title of an album being ever represented at RMH.