- Dub techno
- Tech-dub
- Deep techno
- Deep dub
- Tech-house
- House
12/19/2014
Mild Bang - One Million EP (2010)
/Tech-house, Electro house, Club
dance, Dub house, Remixes, House, Deep house/
Comment: One Million EP consists of 4 tracks,
one of which is an original one and the rest ones are the remixes of it. The
original track is a catchy, minimally ornamented dub-drenched house progression.
By the remixing activity, it stylistically extends from highly suggestive
electro bumpy house and obsessive tech-house vibrations to flourishing synth
propulsions or wind instrument based motives full of sheeny glamour and dynamic
refreshment. There are represented such remixers as Obando, Alberto Santizzo,
Low Deep. In a word, shake your hands and thrust your pelvis forward. Very
good.
The Vs – The Vs (2013)
/Americana, Alt-folk, Indie
folk, Folk indie, Alternative rock, Psychedelic rock/
Comment: although all
these 10 songs are written and produced by Simon Sixsmith at Black Box Studios,
Utrecht, Netherlands the whole chimes like it were created rather by an
American musician. It is mainly based on Americana music (having hints at
country, folk, blues rock). Maybe the only exceptions are Dynamite where the trio exploits readily acid drenched organs in
composing the song; the enchanting Let's
Tear It Up Some seems to be proper for some southern gothic TV series.
Overall, it is not surprising at all because three guys behind the musical
group took a road-trip across the United State before fulfilling the release. The
issue is written while staying in motels or driving the car. The result is a
bunch of chirpily sounding guitar-strummed ditties.
Radikal Satan – Clochette (2010/2013)
/Avant-garde, Crossover, New
Weird Argentina, Tango, Sampledelic, Experimentalism, World music, Apocalyptic
folk, Industrial, Drone folk, Spoken word, Dark folk, Neoclassical, Improvised
music, Neofolk/
Comment: Radikal Satan
is a duo from Buenos Aires, Argentina who has issued a bunch of albums since
2003. More profoundly, this 5-track release is unquestionably radical due to
the artist`s keenness to lace organically ominous folk progressions with gothic
concrete music snippets and brooding industrial panoramas. “Folk music” does
mean both “world music”, and “dark folk music” in the recent context. For
instance, concertina`s drones are juxtaposed against anguished vocal
progressions and emphasized spoken word rows and bold double bass chords to
express his feelings and senses. At times Radikal Satan`s sound makes progress
into exulting tango grooves which is simultaneously unbelievable and very
welcome. All in all, the result is truly impressive igniting for next steps to
explore the whole discography by this artist.
Coeval – Distante (2005)
/Ambient drone, Soundscape, Avant-garde,
Dystopbient, Organic electronica, Dark ambient, Improvised music, Musique
concrète, Experimental electronica, Noise, Experimentalism, Illbient, Abstract,
Glitchtronica/
Comment: this 6-track issue was initially just one
long-running track performed at Sonar in Barcelona, Catalonia in 2005. The
result is outstanding due to abstract droning, thought-provoking sonic phasing,
exploitation of different materials and field recordings to create genuine
sonic patterns and innovative sonorous landscapes. Some sounds on it chime like
deeply buried ones coming forth from underground mazes and ornamented with
glitch-y noises, signal-alike sonic pulsations, and overwhelming vibrating
effects. Emotionally Juan Carlos Blancas` compositions used to sway between
abstract and evil-sounding, however, giving no fuck to the listener. Is it a
soundtrack for the abandoned wastelands and landscapes? All in all, it is a great
shit for your pleasure.
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