- Electronic pop
- Post-disco
- Singer-songwriter
- Dance pop
- Art pop
- Electro pop
- Alternative pop
Year: 1989
- Trip-hop
- Alternative
- Breaks
- Electronic music
- Sampledelic
- Smooth jazz
- Mood music
- Big beat
Comment: Dusted Wax
Kingdom is a tough record label from Bulgaria with a number of
releases reaching over 300 so far. One of those issues within it is Russian Cutside's Invisible Lines which is a sensual blend of sultry rhythms,
smooth jazz-based samples, and airy and fickle layers atop involving
a shitload of interesting minutiae within it. On the other side,
those sultry rhythmic patterns are represented with different and
changeable intensity therefore together making up something
dynamically magic and suggestive. You can perceive those slipping
patterns or some offbeat vibes showing up a charming appeal now and
then. Stylistically it is a drift between trip-hop, and big beat.
Truly fascinating by any means.
- Indietronica
- Modern classical
- Alternative
- Poptronica
- Electronic pop
- Ambient pop
- IDM
- Post-classical
Comment: this set of 6
pieces used to silently chug alongside angular landscapes of beats,
volatile piano chords and spacey motives. It is not supposed to be a
very interesting issue because of these elements being represented
only. However, it is an interesting issue because these elements are
designed and depicted in a very intriguing fashion. On the other
side, it can be called a solid one. One can perceive coherent tie-ups
between the aforementioned elements where one can see inner logic and
interior power pouring out of it. Elfin and miniature elements are
set up in the way to create something stunning in the macroscopic
level. Those rusty noises here and there are up there to be a sturdy
and caustic adhesive between the sonic blocks. It reminds me of those
times in the beginning of the 00s when such sort of sound was very
hype-y in Europe thanks to such label as Morr Music. This outing was
released at the same time. The issue is a bit of the discography of
another legendary imprint, Monotonik.
- Ambient pop
- Electronic music
- Chilltronica
- New Age
- Synthwave
- Alternative
Year: 2009
- Alternative
rock
- Post-metal
- Shoegaze
- Indie rock
- Dream pop
- Fuzz pop
- Trash metal
- Blues
- Technical metal
Comment:
Curitiba, Brazil-based quintet is back again with their brand new one
of being their ninth outing so far. I can remember for their first
issue An Endless Moment Everyday All The Time (2010) which was
a sublime drift upwards and downwards and left and right on the base
of powerful yet druggy guitar haze. Thereafter it can be admitted it
would have been always different, always the same. Lots of guitars
chords showcased with different penumbras and different power,
however, it can be said the combos is searching for new territories
to be conquered. For instance, at Go Where People Sleep And See If
They Are Safe the combo exploits
electronic beats and synthesised bass frequencies to vamp up their
mostly dreamy guitar reveries. Otherwise, there are represented cute
songs. For instance,
Vancian Noise is a
fine fuzz pop/dream pop. Yet
Florbela Ex-punk, and
Cliodinha`s Wave are
also fine ones though in other way showing up blackened energy with
unexpected explosions with
hints to blues and hard rock and trash and technical metal. The
lyrics of the album's songs are extractions from well-known classics.
This
stunning issue is a part of
the discography of Brazilian imprint Sinewave.
