12/18/2011
Frank Molder - Come With Me (2007)
/Experimental electronica, Kosmische Musik, Psychedelic, Chill out, Breaks, Organic electronica, Downtempo, Mood music, Neokrautrock, Fusion/
Comment: there are up profound 10 tracks allowing you to get relaxed and watch inside yourself. Gleaming, dark blue-tinged electronic sentiments are hybridized with organic undercurrents and lofty kosmische progressions and, though less, with (psy)trance-hued breaks. Molder does chime at times like a decorous torchbearer of the best krautrock/Kosmische Musik and downtempo traditions. Those sonic effects, "whispers" and echoes based on the old school analogue synths are essentially captivating and uplifting. Indeed, we obviously come with You, Frank Molder.
aXid – Rave Addicts (2011)
/Psytrance, Electro, Rave, Club dance/
Comment: AXid is a producer from Israel providing a handful of piercing, electro-drenched psytrance notches, however, a pair of them are co-operated with XSlash, another producer from the same country. These tracks can be evaluated due to their changeable shapes filled in with lots of minutiae veering out from machine-alike visions to more amusing enterprises.
12/17/2011
fydhws - Eden i Dva (2010)
/Drone, Avant-rock, Experimental rock, Post-rock, Conceptual, Epic, Minimalism, Guitar ambient, Ambient drone, Ambient noise/
Comment: fydhws is the favorite musician of mine from Macedonia (I do not want to exploit the derogatory combination of certain initials and dots to have used generally for hinting at that former Yugoslavian country). I like fydhws`s sound because he used to head up the elements into an idiosyncratic, vanguard-ish rock maelstrom. Furthermore, at times the term "rock" or even "post-rock" can be described in indirect sense only. Here are up 18 minutes spreaded out over 2 tracks, however, both of them are dedication to Glenn Branca, an American guitar hero. Due to Branca, however, the dedication can be reduced to the pioneers of the minimalism, and ultimately to the brothers Russolos. More profoundly, the enterprise is made up on one guitar eddying in a tense, droning whirlpool, however, there can be detected for lofty, ascending high-registered keys and chords ringing subsequently like a new breed of noiseful symphony. The guitar tuning is arranged at E-E-E-B-B-B. Almost destroying!
Golden Cloud & O.S.I.S. - Split (2011)
/Avant-rock, Drone doom, Split, Ambient, Space rock, Dark ambient, Post-metal, Minimalism, Avant-metal, Guitar ambient, Post-rock, Experimental rock/
Comment: it comprises two long-running sonic explorations (each notch runs a little bit over 15 minutes) hauling the listener in sublime shifts within the trinity of extensive ambient, undulating space rock, and murky post-rock/post-metal/drone doom (O.S.I.S. does take advantage of the last named tendencies in the first place sounding like another version of the music of Sunn O))); the first part of Golden Cloud`s oeuvre reminds of the early period Slowdive`s contemplations). Of course, behind those highly oscillating but minimal layers you can perceive the traces of the likes of Angus Maclise, and La Monte Young and draw parallels upon such artists as Gamardah Fungus, Taiga, A Beautiful Machine, Glenn Branca, Axxonn, A Foggy Realm, Lengua Mortuoria and obviously many more). More detailly, the album growls and whimpers like a banished juggernaut somewhere in the underworld clambering round to find out the path back to the Earth crust. Epic and majestic.
[Compilation] Gone In 60 Sec - Uncut (2011)
/Experimental rock, Post-rock, Indie rock, Doom Metal, Alternative rock, Post-metal, Avant-rock, Shoegaze, Blues/
Comment: this is a lush compilation consisting of 8 tracks and artists (Female Demand; Shroud Eater, Drohnwerks; Dave Unger; Dead Leaf Echo; Deadhorse; Trunks; Nikki Louder). All you can take on it are lush perspectives regarding more or less experimental approaches veering from the bristled blues explorations and contained yet light-amplified ambient incantations to massive crust-covered guitar setups and aural post-rock/post-metal numbers. The favorite of mine is Trunks` Kniee which includes a shitloads of intriguing elements (droning, free jazz-induced whiffs) around its indie rock core. Special thanks must be delivered to I Heart Noise, a Boston, Massachussets-based recording, for selecting off and issuing this excellent miscellany.
12/16/2011
Birch Mouth - High Saturation EP (2010)
CLLCT
8.2
8.2
/Art pop, Experimental indie, Primitive pop, Drone pop, Alternative, Lo-fi, DIY/
Comment: at the first sight is seems to be an ambiguous release. Yet, after a couple of listening it either opens up its virtues or you warm up. Sometimes it chimes like a little brother of Beirut, and Bark Cat Bark, at times it used to back away from the approach of the aforementioned juggernauts due to its clumsy, tenuously programmed keyboards and other things. Generally it is a saturated issue, first of all at those places which do showcase more the witty use of lofty harmonies and joyous melodies ( for instance, Carousel; Spooky Clown Lullabye; Gold).
EDASI - Daytime (2011)
EDASI
9.5
9.5
/Noise, Black metal, Acousmatics, Dark ambient, Ambient noise, Psycho-acoustic, Psychedelic, DIY, Lo-fi, Experimentalism, Avant-garde, Non music/
Comment: did you know that noise music can be very sensitive in some cases? Especially if it is blended with restraint black metal (at the first sight), solemn psychedelic droning, and off-beat minimalistic yet obsessive incantations. Indeed, such sort of formula can be pulled out from within a 6-track release made by Mihkel Kleis, an Estonian noisenik previously known as the frontman of the retrodelic prog/fusion group Luarvik Luarvik (1998-2010). The outlet is consistent and steady by any means. A superb album which, in the first place, is thought for all of those melomans having been attracted to the ideas of underground black metal, extreme ambient, and lush noise music. (By the way, EDASI has been known due to its frenetic, improvised live shows since the first half of 00s where Kleis used to interplay with an ever-changing cast of musicians).
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