8/22/2011
Pilot Cloud - Halycon EP (2010)
/Shoegaze, Alternative pop/rock, Indie, Dream pop, Post-rock, experimental rock/
Comment: Shoegaze, dream pop, post-rock - all of that has ruled for some decades and will obviously be ruled as well. Just some elements will be added to. All the aforementioned styles are gathered on an issue, carved out by the Philadelphia-based group Pilot Cloud, the combo of Justin Lerner (guitar/vocals), and Nick Biscardi (drums, synth). Their concept makes the listener feel really relieved and blessed. Blissed-out guitar lines used to tower up to the clouds having a little bit more disparate (technical) vision than the usual experience of it used to be for. Moreover, it is not a daily fact for shoegaze/indie groups striving for a bunch of street records/found sound aspects to interweave it into the mix.
8/21/2011
Telepathic Teddy Bear - Reactions (2011)
/New Wave, Glo-fi, Poptronica, Electronic pop, Synth pop, Singer-songwriter/
Comment: TDP is the project of Juan Carlos Padilla, a resident out of Boston, Massachussets. The sophomore issue of him harks back to the 80`s new wave/synth pop sounds mixing it up with glistening chillwave/glo-fi sounds sometimes. Yet, it is not all at all, indeed, showcasing the affinity toward piano-driven singer-songwriter-ism and soulful electronica either. The heart-throb of mine is The Music In My Headphones which should be towering in every sort of pop charts.
Amarok - Amarok (2010)
/Doom metal, Stoner metal, Experimental metal, Funeral doom, Avant-metal, Post-metal/
Comment: Amarok is a unit from the Northern California embarked on in 2009. The group was initially formed by Jeremy Golden, and Brandon Squyres (of The Makai). The current line-up includes Zeke Rogers (also of The Makai), and Kenny Ruggles. There are are represented two long-running notches running on doom metal/funeral/and stoner metal mode. More concretely, the decelerated layers of paces and thrilling moaning are up here to describe this fucked-up world in their very own way. This is why this album seems to be a bit bleeding on its own. As people at Doommantia already described it this is thought for the fans of Khanate, Burning Witch, Weedeater, Grief.
Sir Deja Doog - An Impossible Darkness (2010)
CLLCT
8.7
/Alt-folk, Anti-folk, Singer-songwriter/
8.7
/Alt-folk, Anti-folk, Singer-songwriter/
Comment: Eric Alexander is one of those stalwarts along with Tinyfolk, James Eric, The Sarcastic Dharma Society, Adrian Aardvark (if to name just some ones) coming out from the Bloomington-based CLLCT collective. Sir Deja Doog is the nom de plume for his side project, however, demonstrating himself as a crafty solo musician. Highly loaded, strumming guitar gears are variegated with profound, contemplative songwriting exploiting just guitar and diverse approaches for singing and delivering his message. The lyrics of the 6-track EP are sometimes descriptive (regarding his loon state of mind), at times plaintive, or straightforwardly striking in its bareness, respectively. He has described the album in the following way - I believed I died and went to Hell. I ended up in the hospital in a catatonic state. This is what I saw.
8/20/2011
Sally Paradise - L'Ascension du Mont Shing (EP) (2010)
/Chillwave, Experimental indie, DIY, Shoegaze, Dreamwave, Glo-fi, Hypnagogic pop, Electronic pop, Post-pop/
Comment: First of all, Sally Paradise, a Montrèal-based group has itself had a lot of line-ups and shapes and peoples through time and history, but now they are formed as a powerful threesome, sometimes foursome. They used to be inspired by lots of guitars (krautrock, psychedelic fuzz, fucked up foreign pop, flailing female grunge bands), huge-fat-ass mofo-ing beats (Wu-tang, I AM, GI Joe Killaz, Dose One ) and freak noise/spaced-out things (all those Japanese noise bands, John Zorn, Klaus Schulze, Mitsou). L`Ascension du Mont Shing is the quebecois` kick-off issue. It is a multifarious release in its stylistical clutter, furthermore, by the sensual side of the album sexual appeal gets surfaced as the indispensable result of a tight interaction of searing chillwave-ish whiffs, half-stifled dreaminess and sultry shoegaze-inflected progressions (and sung in French, of course!). On the other side, the listener gets headed off as if into the very early stage of his/her childhood. By the way, this blissed-out combo is now preparing a little tour in the US for September (Detroit, Chicago, Cleveland, etc.) with their buddy Félix de l'Étoile and a special project with Téléphone Maison, both cosmic people at Jeunesse Cosmique.
Ollie Cram - Jazzstow (2011)
45 Echoes Sounds
8.8
8.8
/Art pop, Flamenco, Improvised music, Contemporary classical, Experimental, Downbeat, Chamber music/
Comment: Jazzstow - a series of sketches collaborated by two friends (Ollie Cram - guitar/bass; Phil Gibbs - guitar/prepared guitars), on a visit to Cornwall, Great Britain. Those 10 sketches are mostly laid-back pathways based on "the firework" of guitar arpeggios and chord changes, and thudding bass lines-downbeat-ish gears beneath it, however, thus making up lots of lead motives first of all. Frequently the duo`s search used to head off into paying tribute to flamenco music. The album is thought as much for the fans contemporary classical music/classical guitar as for the ones of improvised sound. The duo`s output is released on 45 Echoes Sounds (previously known as 45 Rpm-Records).
Computer at Sea - Palace of the Lightbulbs (2011)
/Chiptune, Alternative, Indie pop, Crossover, Electro pop, Electronic pop, 8-bit, Leftfield/
Comment: This 6-notched issue is a whimsical combination of rattling chiptune fringed fermentation (whooa!), mandatory indie beauty (however, which used to be for most of people as a sort of inconceivable task), and thumping electro pop (let`s dance!). The publication is a vision by Galen Richmond, a Richmond-residing musician who is up here to promote the sort of tracker/8-bit music which was the very beginning lot of contemporary computer music approximately three decades ago. If to speak about crossover artists who have mixed up sawtooth-designed programming with alternative pop, I recommend giving a try to Hipster Youth, 8-bit Betty, Depreciation Guild, and some Bliss`s issues. In conclusion, this album reflects upon the upcoming tendencies for tomorrow`s sound
Die Stille Diastole - Experimental Little Monkey (2010)
Trastienda
Bandcamp
9.4
Bandcamp
9.4
/Indietronica, Experimental rock, Post-rock, Art pop, Organic electronica, Cover, Experimental indie, Crossover, IDM/
Comment: Die Stille Diastole is the nom de plume for Bolaño Lucas and Experimental Little Monkey is his 4-pieced issue really worth to try it now and then (at the moment now, of course). More concretely, indeed, it is a stunning exploration between organic sounds and mellow electronica, having its spot directed upon the creation process of a blend of jagged IDM-esque beats/indietronic progressions and lofty musique concrète/found sound/spoken-infiltrated evolvements, and even some esoterical sort of folk-alike sound. The third track is a cover of the Sonic Youth`s Little Trouble Girl. Onwards, by regarding Lucas`s soulmates, however, there can be appealed to Cantaloup and The Dylan Group, Tortoise and Monokle. In a nutshell, is a highly crafty yet effortless result.
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