Conveyor - Sun Ray EP (2011)

Bandcamp

9.4

/Psychedelic, Post-psychedelic, Free folk, Electronic pop, Art pop, New Weird America, Experimental indie, Glo-fi, Poptronica/

Comment: The debut EP by a Brooklyn-based combo is simply mesmerizing. Exuberant vocal lines backed by psychedelic, catchy synth-coated guitar strums remind by its core of the songwriting of Animal Collective (especially in the title song). But not only this is a case. The closure track Milkman plays up synth chords as similar as Air used to show up on their first albums (1998-2001). Through the same hole will run Foreword as well. Yes, Some Things Are So Heavy is one of the finest examples could be found out in 2011 - a fantastic instance of chord/stylistic progressions and vowel demonstration. This 4-pieced EP just cannot be forgotten.

fydhws/bc ranger/Gravity's End - Split (2011)

Mediafire

9.3

/Post-rock, Experimental rock, Instrumental rock, Avant-rock, Epic/

Comment: This is a split album compiled of tracks by 3 talented artists. fydhws is a musician from Macedonia who used to develop one of the most intricate post-rock soundscapes worldwide at the moment. This might be described as an instance of instrumental rock music made up through the methodology based on sound art/sound modulation. On the other side, bc_ ranger (from Ukraine) and Gravity End`s (from Germany) play up more established yet excellent riff based epic rock sound borrowing from the realms of metal, musique concrète, and spoken word. However, all of those rich textures and majestic vibes are fulfilled with lots of good memories and endless melancholy. Beautiful.

Exihibition Poland and the Helmut Orchestra - Poland Skulls (2011)

Paragrafo

9.2

/Psych-rock, Classical music, Dark ambient, Avant-metal, Avant-garde, Experimentalism, Ambient, Avant-rock, Crossover, Sampledelic/

Comment: Similarly to all of those issues released on the Italian label Paragrafo Records, this set of 13 tracks reflects upon a very strange mix of experimental music veering from Bardo Bond-esque slowly grooving psych/drone rock/metal and panoramic (dark) ambient to the snippets based on piano driven classical music being blended with Latin-hued rhythms or ancient sounds (resembling of Caretaker) and such kinds of sounds having no source and time. At times these sounds are slightly mutilated or seamlessly growing from one genre to another one. However, everyone can fix up this puzzle in its own way. An impressive accomplishment for sure.

Keshco - Real Sharp Twig

Peter Swimm - Live from Blip Festival 2011 (2011)

Free Music Archive

8.8

/Live recording, Tracker music, Chiptune, Crossover, Electro pop, Metal, Experimental metal/

Comment: This is a frenzied live session consisting of 6 tracks (the total time consists of 22 minutes). Peter Swimm fuses a rare but potent meting pot of metal/digital grindcore/doom and electro beats which are heavily dominated by gimlet-eyed chiptune/tracker music throbs and bleeping. Doom Cuties features B.Leo, a frontman from another chiptune-based experimental combo Shrimps. Swimm rocks off like a truesome rock star ever had. So let`s dance.

Dr.daddy - “à–ʐ¢ŠE‚Ö‚Ì—·—§‚¿B‚ ‚é‚¢‚ÍŒ¶Šoó‘Ô (2011)

Toyoneu

9.1

/Noise, Ambient, Dark ambient, Experimental electronica, Kosmische Musik, Experimentalism, Crossover, Electro-acoustic/

Comment: This is a 4-track accomplishment in an immense way released by a young artist from Japan. Three fourth of the notches are profound appearances of majestic (dark) ambient washed with dense vertiginous hiss noises and metallic electro-acoustic shadows. In some places, however, can not be defined properly for is it either an instance of the noise-based outfit or a bit harsher and malicious instance of ambient-influenced one, either neoclassicist hovering or even slightly new age-ish appearance? Inbetween those stylistic elements you can detect for pitched sonic effects/and phase changes/and modulated layers. However, the (really huge) exception comes from within the third track which sounds like a tribute to mid-70`s German krautrock/Kosmische Musik bands like Ash Ra and Tangerine Dream.

Astronote - Weapon Of The Future (2011)

Bandcamp

9.0

/Urban music, Hip-hop,Soul, Rap, R`n`b/

Comment: Astronote is a producer from Paris, France who represents a new album, Weapon Of The Future. Actually all is fine on it - irresistible rhythms and socio-critical rhymes (indeed, he used to chant in English) are highly synergically laced with each other, more concretely, all the stuff is made up through the influences of r`n`b, witty pop music, electro buzz, noir-filled snippets and the orchestrated layers of "beautiful" music. By the way, he has already collaborated with such luminaries as Talib Kweli, Jamall Bufford, Invincible, Donwill of Tanya Morgan, Joell Ortiz, Guilty Simpson, and Mayer Hawthorne. Altogether, all of that makes out as a sign of credibility and confidence. Masterful.

The Peach Tree - Absorbtion

Castles - Cancer (2011)

Mine All Mine
Mine All Mine

8.6

/New Weird America, Freak folk, Free folk, Indie folk, Lo-fi, Folk indie, DIY, Singer-songwriter/

Comment: Castles is Cassidy “Thunderhorse” David-Weber, a singer-songwriter from Milwaukee, USA who makes up uplifting folk music based on a bit abrasive guitar-driven gears. Suggestively jubilant vocal manner supplemented with catchy skidding chords and unexpected noiseful hooks reminds of Animal Collective`s sound and concept. No doubt, the enormous influence by Avey Tare & Panda Bear will obviously endure for over a long period of time on prospective artists, on the other side, if to watch the present case, it is positive on its own.

Rimar - A (2011)

Mediafire
Bandcamp

9.0

/Mash-up, Cut and paste, Sound collage, Hip-hop, Plunderphonics, Disco, Soul, Latin music/

Comment: The United States has always been a hotbed for idiosyncratic producers who used to have recherche sense for crossing beats and harmonies. The reason is very understandable actually - this has been a melting pot of a vast loads of music styles for more than throughout one century. Rimar is undoubtedly one of those (mash-up) producers who used to fuse different genres and eras with each other. Here are 6 tracks, most of them short-running ones. The first track is a mishmash of beatific glo-fi sounds and mc-ing. The second and third track are essential examples of sunshine-filled soul disco. The fourth notch reflects upon amusing spoken word samples with diffuse shattering beats behind it.