Misuto – Rainbow EP (2018)

Totokoko

• Electronic pop 
• Toytronica 
• Alternative pop 
• Art pop 
• J-pop 
• Shibuya-kei

Comment: as it is well known to a wide audience the Japanese weblabels and related artists enjoy an exceptionally huge popularity within the homeland and beyond the borders at a lesser extent. Night clubs gather thousands of participants if there is the time up to celebration. One of such imprints is Totokoko, an imprint penchant for acoustic and electronica mixed issues for an approximately 10 years. Misuto's two track record is a gentle amalgamation of gracefully rolling piano chords, jangly acoustic guitars, faint and even naive electronic endeavours and angel touched glockenspiel chords being underpinned by upbeat carnival-drenched rhythms and thriving Japanese singing imbued with a decent joie de vivre and moderate articulation. Very nice.

Cinema Perdu – Amsterdam CS (2018)

Moving Furniture

• Post-industrial 
• Avant-garde 
• Experimentalism 
• Space music 
• Drone 
• Micronoise 
• Dark ambient 
• Electro-acoustic 
• Musique concrète 
• Field recording 
• Acousmatic music

Comment: this batch of 6 compositions is a conscience widening aural experiment with the aid of vibrant peripheral drones, sheer sonic layers and humming static, orchestrated noises and concrete sounds. In fact, Martijn Pieck aka Cinema Perdu is behind the concept based on recording at Amsterdam Central Station though his purpose was not to create a pure audio document. Instead of it he has managed to arrange more abstract, more artificial, more intriguing soundscapes even if you hear fast trains passing by and incisive loudspeakers to announce the schedule. That's good because the pure natural sounds used to mount the perspective for a listener in the middle of artificial sounds of natural origin. The release is a part of the discography of Moving Furniture.

Carcass Brook – A Good Day To Die (2018)

Death Roots Syndicate

Bandcamp

• Gothic folk 
• Americana 
• Singer-songwriter 
• Roots music 
• Appalachian music 
• Death country 
• Music hall 
• Vaudeville music

Comment: Jamie Landsborough's sophomoric album is a glimpse into Americana and roots music through murky lenses which could be described with such prefixes as "gothic", "dark", "death". Indeed, within this set of 11 compositions one can hear all the scope of profoundly America related sounds from a bit buffoonish vaudeville and music hall-induced rays to ominous noise rock and ghastly country instances. Technically it rings as if "normal" songs were played through distortion block with an additional reverb application. In fact, some compositions do sound exactly like new interpretations of oldie ones (End of the World, Crazy Fool). I have heard something like that before for sure. Given that there is no need for a gargantuan effort to create something truly otherworldly and mind-bending. Just up the ante for strong melodies and right sonic effects. It results in all being imbued with a strong emotional and emotive impact, full of sadness and grieve. It makes one`s soul to be scratched and a bit torn. Jamie Landsborough is helped by friends who mostly play electr(on)ic keyboards to add a sustainable droning effect to the mix. The relevant point is about how it works on the listener at a moment. The impressive outing is a bit in the discography of Death Roots Syndicate.

Humbra – 1/4 Para as horas (EP) (2018)

Crooked Tree

Bandcamp

• Lo-fi 
• Indie pop/rock 
• Alternative pop/rock 
• Psych-rock 
• Blues rock 
• Noise pop

Comment: this set of 4 tracks comes out of Rio De Janeiro, Brazil by a quartet called Humbra. Melancholic jangly guitars are mingled with dreamy singing that a bit reminds of Slowdive's late period astonishing ballads like Richard, and Summer Daze though the Brazilian ensemble used to exercise otherwise with appealing abrasive bluesy guitars and suggestive hisses coming somewhere in the middle of seedy Delta blues and early Beck. In another place mild noise pop frequencies come to fruition. Lots of beautiful melodies and catchy harmonies can be heard in the meanwhile in highly  appreciated, slight DIY/lo-fi sauce. That's all we needed for. As you have already figured out you get a variegated thrill just within a course of 4 tracks. The exquisite issue is a bit in the discography of Crooked Tree Records.

Juan Antonio Nieto – Mercury (2018)

Antena.art.br

Bandcamp

• Post-industrial 
• Avant-garde 
• Experimentalism 
• Musique concrète 
• Field recording 
• Electro-acoustic 
• Micronoise 
• Abstract 
• Psycho-acoustic

Comment: Juan Antonio Nieto is an adept sonic alchemist from Spain having been active since the beginning of the 80s by starting as the drummer in a combo called Alphaville. Later on, by doing music under the pseudonym Pangea and his own name the sound would get more abstract, more industrial, more austere, more profound, more ominous. Mercury is thoroughly imbued with metallic echoes, light noises, invisible ghosts of those innumerable and anonymous persons and masses who have lost their lives by feeding a horrendous moloch called capitalism. It is being against humanity, it is being against nature by changing the planet into a lunatic asylum. However, a huge concentration of human beings into very large cities to have happened some centuries ago and still is the catalyst for it. Given that, indeed, real life can be seen more ghastly and anxious than a shitty horror movie. Regarded that we deserve it. Yet the positive side of that is related to inspire such sort of music. Indeed, the listener feels the aforementioned painful anxiety and depression oozing out of it. A part of the discography of Antena.art.br.

Lavoura – Mirã (2018)

Bump Foot

• Art pop 
• World fusion 
• Psych-funk 
• Yacht pop 
• Smooth jazz 
• Dance pop 
• Ethnotronica 
• Chill out 
• Mood music

Comment: this couple of tracks was created by seven artists who identify themselves as producers, arrangers, beatmakers, musicians, visual artists and inventors. The release which consists of tracks called Ametista, and MM Moods was issued approximately 4 years after an album, Photosynthesis. All will be picturesquely blossoming here due to psychedelic vibes which in turn are based on worldwide ethnic motives and on the other hand by bumping up on modern styles as funk, jazz, and yacht pop. Analogue synths and other electronic keyboards (electric organs and electric pianos) add unusual sonorous flickers and some sort of depth and marine easiness simultaneously to the mix while woodwind instruments have been managed to up the ante upon moody changes. At times it reminds of 80's Miles Davis and then azure-tinged cinematic yacht pop and in the meanwhile one can hear faint yet indistinguishable Afrofunk churning. All is finely balanced and sequenced. Similarly as the first outing of the combo the outstanding release is a part of the discography of Japanese records Bump Foot, a legendary netlabel. Perfekto.

Ecovillage – Sacred World (2018)

Constellation Tatsu

• New Age 
• Dreamwave 
• Art pop 
• Ambient 
• Post-rock 
• Organic electronica 
• Post-pop 
• Avant-pop

Comment: the duo of Emil Holmström and Peter Wikström aka Ecovillage's music has been changed a bit in comparison to one of their first outings since the beginning of the 10s. While the complicated formula they did have established then can be superimposed upon the recent sound as well. The influences obviously come from intellectual rock and experimental music scenes like krautrock, progressive rock, and Kosmische Musik. For instance, some rarefied extractions you can map out on this 5-notch issue used to hark back to Manuel Göttsching's experiments on atmospheric guitars and spaced-out electronic treatments in the beginning of the 70s. Howerer, at times one must go further back in time by getting to the exuberant flickers of tiki and exotica music. Thirdly, though, it is an example of contemporary indie music being a part of chillwave, glo-fi and hypnagogic pop movement. Undoubtedly, you are not going to have objections by drawing parallels upon the likes of The Real Estate, Ducktails, x. y. r., Tont, and Monster Rally. From the aforementioned line apart an album called With Fragile Wings We Reach The Sun (2013, Parallax Sounds) was more a poppy case of shoegaze, baggy and dream pop amalgamation. More profoundly, in comparison to one of their first issues being released on EverythingIsChemical, and Beko DSL, those heavenly sonorous bows of droning strings are traded for blissful laid-back flute whiffs and sultry field recordings, and trance-y tanpura meanders chiming as if the parable of having been living with the world at peace for a while. Musically it used to be more than ever before in concordance with the term "ecovillage" due to sustainable and contemplative intentions and accomplishments. I also added the term "post-rock" among the tags though it is similarly as conditional as it is related to late period Talk Talk' music (in the sense the phase of the style is left behind or followed it just with the purpose to get rid of it). The masterpiece is a bit in the discography of Constellation Tatsu. For me, alongside with Joxfield ProjeX, another duo, the most blistering Swedish act now.

Gnaw Their Tongues and Crowhurst – Burning Ad Infinitum (2018)

Bandcamp

• Post-industrial 
• Avant-metal 
• Black metal 
• Death industrial 
• Noisecore 
• Abstract 
• Power electronics 
• Grindcore

Comment: this collaborative act between two cult one-man-projects (of a very prolific extent by Maurice de Jong, and Jay Gambit, respectively) obviously seem to base on the storm and stress effect. Intense greyish and blackened noises, painful drones juxtaposed to merciless screeches and indecipherable chaotic nuts imbued with an endless pool of desperation do externalise an overwhelming issue being very far away from the borders of mainstream music. I can not fancy it otherwise but a perverse dream to ruin the mood of contemporary half-fledged soul(less), rap and poptronica stars. On the other side, some black metal artists are emblematic of having ridiculous credibility (let's pass without names at the time). This cannot be attributed to the current issue of making up a trajectory from deadly industrial drones and disorienting black noise to be loaded with high voltage to more contoured, even noble-minded black metal boasts to trudge to the area of hardcore, grind and noisecore mixed noodling. A kind of sway from earthly matters to heavenly matters. Could you imagine the sound of your domestic refrigerator is magnified up to 50 or even 100 times by showcasing (mostly unpleasant) sounds you haven't heard before? It seems to the listener it is the case at times. Last but not least I am being impressed by the visual aesthetic of the aforementioned harsh styles. The one is not an exception by providing warning ideas of impending doom. It is an example of ominous religious music at its very core by my humble opinion. It is a case as embarrasing as watching for hours the mostly religious works of painters from the Middle Ages and Early Modern Europe (the experience I have had at Museo del Prado in the capital of Spain). In a word, let's take more responsibility and act reasonably as much as it is temporally given to all of us. That may be an ethical point of the issue. Fairly pro.

Paul A Rosales – Wonder Wheel II (2018)

Bandcamp

• Chillwave 
• Indie pop 
• Alternative pop 
• Lo-fi 
• Singer-songwriter 
• DIY 
• Hypnagogic pop

Comment: Paul A Rosales is a multi-instrumentalist from California, USA who has issued a thread of releases under the pseudonym Wonder Wheel. My first meeting with his music did happen sometime 10 years ago due to a single release on French imprint Beko DSL. The single was an excellent example of a bit blackened cinematic shoegaze obviously influenced by the likes of Joy Division, and Siouxsie & The Banshees. This bunch of 6 tracks is an outtake from the years 2008-2011 (although recorded a few years later). Fortunately one cannot hear exactly the same sonic example of the Beko DSL single instead of it the whole is more DIY-oriented and creates rather a chain between Ariel Pink bedroom magic and hypnagogic and chillwave music. Anyway, the attitude of the releases is the same and a beatific bliss from the beginning of the 10s is guaranteed.

Crowns in the Rain – Ashes from the Past (2018)

Hortus Conclusus

Bandcamp

• Post-rock 
• Art rock 
• Experimental rock 
• Avant-rock 
• Epic 
• Live

Comment: this bunch of 11 compositions comes neither from The United States of America, Great Britain, Canada nor any other outstanding post-rock countries but instead of it an Iranian quintet is behind this masterpiece. Fortunately the music (and recent double album embracing a couple of recuperative live performances as well) is not succumbed to the sanctions (much thanks to Italian imprint Hortus Conclusus). The nucleus of these long-running tracks is based on slow picturesque developments as if depicting a full-fledged autumn full of bright colours and contrast between warmth and chill. And if there is the autumn around there is also some sort of purgative sadness around. The purpose of post-rock, I mean the main branch of it, consisting of massive guitar-induced sound masses and flirtation with eargasmic crescendos, has rarely had to deal with sonic alchemy on its own. It's purpose has been to provide tour de forces, it is like achieving happiness as a process comprising movement from one point to the next one and so on until once one will feel nirvana and absence of suffer in his/her mind and spirit. Yet clarified sadness and light melancholy may be important premises in achieving ennobling happy sensations. Technically post-rock is a multifaceted genre where one can perceive rolling and orchestrated guitars, bold bass lines and rumbling drums to create new ways to fasten and sometime start destroying and rebuilding them. In some ways it is a sort of polyphonic music where instruments are played and modified in their own way yet all the stuff ultimately will constitute a sublime coherent whole even though all of that may run at different speeds at a time. Additionally to happiness as mentioned already above beauty as a phenomenon either seems to be a compound one – one beatific sensation is magnified by another until one can consider it to be overwhelming. It can freely be discerned in music, probably at most. This is an enchanting pickup by including many layers emotively and artistically.

Cousin Silas – Twang 002 (2018)

We Are All Ghosts

Bandcamp

• Ambient
• Drone 
• Microtonal 
• Ambient drone 
• Progressive rock 
• Dark ambient 
• Epic 
• New Age 
• Art music 
• Electronic music

Comment: the Englishman Cousin Silas (born 1959) who does have a solid post-punk and new wave background continues to put up his magical alchemy consisting of gentle reverberant drones and extended ambient soundscapes which at times come close to atmospheric glimpses of progressive rock either. More detailedly, it does mean more vivid and picturesque guitar arcs have been drawn on top of soundscapes. At times the script of the artist changes into a more New Age-y nature with intense colours of northern lights and smouldering flames of implacable music following some sort of glass bead game. Thirdly, Dimension X is the distinctive exception of electronic and electro-acoustic obsession as if put out through warped wires and defective coils. That enchanting glimpse in Cousin Silas' vast discography is also a subsequent part of the one of We Are All Ghosts (by the way, in the very recent days a next brand new one was created and issued by the two, respectively).

Scouts Of Uzbekistan – Aimless And Drifting (2018)

Year Zero

• Kosmische Musik 
• Plunderphonics 
• Sampledelic 
• Electronic music 
• Avant-rock 
• Krautrock 
• Sound collage 
• Noise rock 
• Experimental rock 
• Spoken word

Comment: it is another heavily synthesiser and an old Akai-driven transgressive album to get commented over there today yet it does have a little to do with the genre called synth-pop. Similarly to The Flaming Lips who used lots of uncanny electronic applications and synthesised stuff to create marvellous Yoshimi Battles The Pink Robots (2002), or Primal Scream's outstanding ones Vanishing Point (1997), and Evil Heat (2002). Two previous releases by Scouts of Uzbekistan (Mark Carolan, Johnny Zchivago) being represented earlier at RMH, the self-titled outing (2011), and Hate Is Our Religion (2016) were stylistically from a different section, however, with regard to their cutting-edge method and intention of course I don't dare to bet though. At times it chimes like an obscure example from the downright tape underground of the 80s, for instance, regarding such a combo as Big City Orchestra by turning the initial meaning of spoken word samples upside down by giving them an ambivalent meaning or emitting a disorienting madness. At times it rings like a Kosmische Musik tinged shuttle ready to start into a heavily iterative and blissful chaos of squeaky sounds and undulating space. Behind the chaos fractals start to appear as soon as one can digest this whole of 10 compositions (it does mean a listener must do at least a couple of revs across the enchanting orbit).The title track is about Lord, about its characteristics in human terms and then stepwise progressing into a creepy guitar-induced noise symphony. The mind-provoking release is a notch of the discography of Year Zero. A best one of 2018.

Stillborn Blues – III (2018)

Eg0cide

Archive.org

Bandcamp

• Improvised music 
• Avant-garde 
• Avant-rock 
• Experimental rock 
• Art music 
• DIY 
• Experimentalism 
• Avant-blues

Comment: it is said at Lastfm site that Stillborn Blues isn't blues but minimalist, awkward, melancholic and lo-fi prepared/detuned guitar pieces played in the dark with too much delay and reverb. Even if it is a honest (self)-confession a listener can find out many layers and gushes of emotions bursting out of this 12-track outing. Musically the whole can be compared with such a cutting-edge guitar juggernaut as Loren Mazzacane Connors whose music is also not being considered blues yet by the experimental musician's own words all he owns musically is due to blues. And also obsessive, dissonant guitar treatments by Fred Frith appear to come to mind after the endless of flow of variegated moods and emotions – from laid-back and halcyon to highly tumultuous, aggressively spaced-out threads. All of that is a dynamical format of dichotomy between chaos and fining, between pain and endorphin-enriched peace. The artist eschews some natural characteristics of experimental music, for example, avoiding progressing into drawn-out improvisations. However, even without it, all these short compositions constitute a dynamical, seamless whole. Although being truly wrung out and stoned for the listener it chimes somehow very archetypical and deeply rooted in the tradition of rock music and because of that I dare to call it a sort of blues as the initial spore of it. The artist's music is anchored over there yet he deconstructs it in different ways. It is all about downright experimentation and invention, about simplicity and intention of giving no damn. No self-indulgence. Some sort of massiveness. It is an instance of true black power which leads the c(o)urse. The impressive outing is a notch in the discography of Eg0cide.

Their Only Dreams – Mania From Heaven (2018)

Bandcamp

• Psych-rock 
• Space rock 
• Indie rock 
• Art rock 
• Alternative rock 
• No Wave 
• Lad rock 
• Experimental rock

Comment: this set of 3 tracks is an ennobling immersion in spaced-out and psychedelic music through joyous yet versatile guitar jangling, voluptuous singing as the hard core and a constellation of intriguing sonic effects and semi-orchestrations and even some faint dance and baggy frequencies around it. Both these spheres together create something enchanting and appealing in a dynamical format. You can find out some parallels from such disparate territories as lad rock, No Wave, psych-folk. There are up shades from the likes of Holy Modal Rounders, Hawkwind, Amon Düül II, Velvet Underground, The Brian Jonestown Massacre, Paris Angels. Behind the project is just one guy called David Lyudmirsky and he is doing really well. Simply the best.

Inaequalis – Bête Noire (2018)

Free Music Archive

• Psych-rock 
• Alternative rock 
• Krautrock 
• Experimental rock 
• Avant-prog
• Crossover 
• Avant-rock 
• Acid rock 
• Art rock 
• Psych-prog 
• Surf rock 
• Space rock

Comment: if anyone of us would decide to play music by following groovy trends then he/she should acknowledge such sort of music would result in nothing more than a soulless product. Because of that I admire such sort of musicians – sometimes being called as outsider musicians – who are obsessed by some definite ideas having no calculation in the case would it be popular or not. Music should be the case about being dead or alive. For instance, Sun Ra, Moondog, Bruce Haack, The Space Lady, Jandek, R Stevie Moore and early Ariel Pink (at the time of The Haunted Graffiti) showcased something truly earnest and unrepeatable worth to be remembered for now and forever. Let's call it the constellation from outside. Inaequalis' 19-notch outing is a joyous jam of daring amalgamation of rhythmic patterns and bass gears being embellished with an effect-laden guitar and vivid and fast changing synths by creating uncanny glimpses as if coming out from very hidden corners of progressive and psychedelic rock. It is knee-deep, it is thoroughly spaced-out. In a sense, it reminds of Trans Am, an unconventional post-rock combo from The United States who used to merge motorik/kraut, synth-pop/electronica, progressive/art rock and much more else into a blatant, vociferous fist. And also there are up some similarities with Amon Düül's fiery psych-prog obsessions. At times the listener is embedded in a deep stoned mayhem played in the key of surf rock. That's marvellous! In a word, listen to this untamed version of contemporary rock and roll. Please do not forget – rock is power, rock is defiance, rock is an ennobling feel. Rock is the identity. Top fare by any means.

La Houle – Première Vague (2017/2018)

Beko DSL
Bandcamp

• Dream pop 
• Alternative pop/rock 
• Indie pop/rock 
• Shoegaze 
• Alternative dance

Comment: La Houle is the duo of Simon Sockeel and Geoffrey Papin though by listening to this 10-notch outing it would be honest to admit Clementine Blue's remarkable role by adding her enchanting female vocal to the mix. In overall, it is a gentle nugaze/shoegaze album with groovy keyboards and celestial guitar noises and the aforementioned female and male mixed vocals. All the lyrics are represented in French thus making definitely some difference and adding some welcome exotics. A strong thread on this release is to build up from quiet elements into an eargasmic tumult and some tracks result in overtly dance-appealed frequencies. In other words, its absolute sum is definitely bigger than the sum of its initial parts because one get hit by an invigorating synergy. At times it chimes in a kind of symphonic way. In truth, it is a modern counterpart of symphonic music. Truly beautiful in its bliss being released on Beko DSL, another indie stalwart from France.

Leon – Philosophy (2018)

Dusted Wax Kingdom

• Nu jazz 
• Cinematic 
• Sampledelic 
• Acid jazz 
• Mood music

Comment: this bunch of 5 compositions seems to be suitable for listening to it on a hot summer day. The Mancunian Lofi.Leon (he describes himself in that way at Soundcloud) provides lazy, sun-stricken yet yawning trumpet whiffs being intertwined with dreamy female vowels and enchanting electric piano chords. At times the piano chords are traded for slightly warped string-based chords and as usual being supported by skiddy rhythmic patterns (if you wish it could be called lo-fi by their nature). There are up some funny titles like My Friend Went To South And Came Back With A Beard. Could you imagine such a sort of musical style with such a title? Thereafter you have listened to it for many times you will do it. Frequently it reminds me of another excellent artist called Mentz (who similarly likes to compose short-running tracks). The marvellous outing is a part of the discography of Dusted Wax Kingdom.

Globular – Entangled Everything (2018)

Entangled

Ektoplazm

• Psybient 
• Electronic music 
• Alternative dance 
• Chilltronica 
• New Age 
• Spoken word 
• Psychill 
• Ambient trance 
• Organic electronica

Comment: this batch of 10 compositions is a sultry blend of psy-related styles with strong inclination toward New Age and other esoteric and transcendental practices, at least audible practices in the case. At times those skiddy rhythms and wobbly vocals add some exalting dub and reggae templates to the mix. As the title says – entangled everything (yet negative connotations of the word “entangled” and possible difficulties are naturally surpassed). Is this premise sustainable and could it result in an organic synergy? Indeed it does, at least in the sense of coherence between freely breathing beats and spacey and acid imbued upper layers. An additional flavour is added by slightly filtered vocals and spoken word snippets. Through the last mentioned elements it may remind of the music of The Orb. However, the more you listen to it the more you can hear elements coming from the bottom, from the left and right side. It is like a hidden reality which needs to be got aware of it (through the dimension of time and space), to be taken care of it. You will take care of it while listening to it again and again. Additionally, it does meet difficulties and possible conflicts and personal development in Heideggerian sense of Dasein. Entangled Everything is Morison Bennett's fourth album being released on Entangled Records and Ektoplazm. It is an outstanding issue worth to be added to best album lists of the previous year.

Globoscuro – 3+3+3 (2018)

Hortus Conclusus

• Post-industrial 
• Avant-garde 
• Acousmatic music 
• Experimentalism 
• Conceptual 
• Psycho-acoustic 
• Electro-acoustic 
• Art music

Comment: the Italian musician Globobscuro has been around for a while with his stunning industrial and experimental sounds to provide an alternative point of view about music and life in general. Emiliano Pietrini's recent work of a couple of tracks is inspired about semi-mythological philosopher Pythagoras and his fancy against the number 3. Additionally, Pythagoras did live in Syracuse, Sicily (recently a part of Italy). Musically it is highly arousing due to vociferous guitar noises, elliptic patterns of tape manipulation, hazy electro-acoustic litters at bottom and ennobling atmospheric hovers in between. Even if the guitars are the most prominent element within the whole it is not about rock music at all because the instruments are not treated in that way. On the other side, it is really beautiful in a rare sense of this term. Beauty is not a thing on its own it is a fertile and organic relation between the aforementioned characteristics even if they are uncanny, provoking and destructive. I like the industrial musicians because they used to be honest because of having no urge to provide aesthetical and economic compromises. Instead of it they have been providing measures to undermine general models and instructions with ultimate intention to liberate the energy of sole parts. The outing is a bit in the discography of Hortus Conclusus. And the cover print is amusing and deep at the same time.

Meti Edoc – Microb (2018)

Raw Coffin Rec.

• Avant-garde 
• Post-industrial 
• Drone 
• Dark ambient 
• Experimentalism 
• Abstract 
• Ambient drone 
• Microtonal 
• Psycho-acoustic 
• Power electronics

Comment: what else could you hear in between the layers of this handful of compositions but at times angry yet always ominous growling of drones and microscopic noises which are all about to depict a microbe – the horrendous microbe. The ghastly growling of serpentine drones is embellished with eerie gongs and metallic clanging, catty squalls and raving howling as if foretelling us something unpleasant which is going to happen in the future. About something invisible yet dangerous with the intention to destroy remarkably much bigger and slightly complicated as similarly as the human race used to stepwise yet permanently destroy a blue oasis called Earth, the gift by Lord for us. However, sometime in the future our descendants will be gifted by something truly unpleasant like it did happen in the middle of the 14th century in Europe. It will be as overwhelming and uncompromising as cancer but in terms of an infectious disease or diseases. It may be happening in a more adverse way as if the very example of contempt – imagine as if the disease was drafted in the human being and the next step by him and her is to have disseminated nothing else but death. Like the effect of King Midas in a different way. Let's call it dead touch. It ultimately may result in something which could be an enormous suicide machine. However, the third album by Meti Edoc on Raw Coffin Rec. is highly vital and uncompromising to convey an apocalyptic vision, a danse macabre. For the sake of our sober mental health to be endured. Thereafter I recommend listen to Pulp`s seedy and voyeuristic classic Different Class.