- Ambient
- Microsound
- Minimalism
- Electronic music
- Microtonal
- Ambient rock
- Soundscape
- Alternative
Comment: this set of 6 tracks (clocking in
at a 28 minute) is viable to be listened to while you feel yourself
sad for some bitter events, for instance, if you remind of your
broken affairs though it is hard to figure out is it either the
effect of it or a very arousing reason for doing it. While
feeling an intense painful sense coming inexplicably out from very
deep of your heart. On the
other side, while driving across the
foggy and
very snowy highway you
could see even more details in comparison to a usual cloudless day
because you have to be more concentrated and you are tightly
surrounded by a milky ambience to catch sight of other kind of
details. Or you can experience the same feeling when you are driving
the bus and your head is leaned against the window and watching drops
running sinuously and at different speeds from top of the window.
There are represented some audible characteristics which chime on
their own and on the other side do interact seamlessly with one
another. The aforementioned whitened sublime progressions include
some reverberant sounds, some more light-hearted, clearly perceived
as more crude, directly played and untreated, synthesiser played
interludes (for instance,
Microsound).
For instance, the track called
Undertone
sounds almost in a psychedelic way. The following composition
Mute
Witness changes the path
of the course (back again) to thriving into something thoroughly
thoughtful and beatifically frost-bound and charmingly immobile as if
an audible example of an aporia by Zenon about moving and staying
still (the second part of the track evokes your soul to crawl). At the finishing
21 experimental rock tendencies stepwise begin to emerge and swim and lazily produce sonic waves of different shapes and range. The fascinating outing is a part of the discography of Webbed
Hand.
