9.2
/Avant-garde, DIY, Abstract electronica, Compilation, Experimentalism, Noise, Experimental electronica, Psycho-acoustic, Electro-acoustic, Acousmatics, Non music/
Comment: this compilation consists of 25 tracks each of them is produced by different artists (the most of them originate from USA, and a pair of artists come from Canada). The most well-known representatives presented over there are probably Big City Orchestra, and Hal McGee. All these relatively short-running pieces are genuinely experimental ones, setting up a blend of concrete sounds, frantic acousmatic visions, homemade low-end frequencies, noise-infiltrated endeavours and so on. However, the listener can perceive different accents, sometimes being more spotted upon analogue synth-relied effects, at times being more noiseful incantations or glass bead games-centered electro/psycho-acoustic outlets. Frequently you can catch yourself from thinking it is like a way of how early electronic music would chime once upon a time. In a word, this is mandatory for every meloman who likes to discover the boundaries of the sound.
