indeed, it is time to give a comment on Ludo Maas' sequel to an
album, Rekordgate I which had been released in March 2018.
Similarly to it one can hear nylon-tinged acoustic guitars and
bubbling electronic beats and wobbly synthesised sounds popping out
for a while. In fact, Ludo Maas sings here as well though it is
shardly decipherable because of being catatonic and pushed to the
background. On the other side, it is not an example of shoegaze at
least (or at least, it is the one and only common thread). However,
in comparison to the previous notch it seems to be more restrained
and phlegmatic as if coming through the mindset of a person of having
suffered depression before it, he or she is yet fragile enough to
trudge forward with more steady steps; for sure, it is the artist's
choice as a step to go on and release brand new ones. Later on,
listeners would give a retrospective estimation about each release
within the series. Let's wait for the third one.