Thursday, June 7, 2018

Ayankoko – Selfies (2017)

  • Experimentalism 
  • Noise 
  • Experimental electronica 
  • Glitchtronica 
  • Leftfield 
  • Psycho-acoustic 
  • Avant-garde 
  • Sampledelic 
  • Improvised noise 
  • Abstract 
  • Microtonal

Comment: to be more hysterically happy and neurotically deranged please take selfies and push them even more onto the screen. Keep smiling with quavering hands and thereafter administer some relaxing medicine. France-based Ayankoko`s 10-track issue reflects finely upon madness based on noisy interruptions, transistor-based short waves and incisive high-pitched frequencies to be interspersed all through the lengthy (58-minute) course. On the other side, a listener can enjoy more mellow glimpses (more profoundly, cool jazz whiffs, melodic cut-outs) in the meanwhile though I guess it just created with strict purpose to establish a safety zone between our synapses and the predominantly belligerent sonic array represented over there. For instance, at 2017.4.25llrec15.32.29 one can take part in an uncanny dub exercise which eventually will progress into a peaky digitalised yet melody sustained mad situation. Undoubtedly those noisy torrents are highly appealing because one can enjoy how energy will set free in huge amounts very quickly. The moral conclusion of the issue is that your selfies to be taken and then posted to social media create more noise and fluence than the issue over there. It is a state of art over there which cannot be stated about taking those damned facial pics. The mind-provoking release is a part of the discography of Ayan Records.
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