Wednesday, July 5, 2017

Alejandro Rojas-Marcos, David Area & Tomás Gris – Trails (2017)



  • Improvised music 
  • Experimental electronica 
  • Avant-garde
  • Sound art 
  • Electro-acoustic 
  • Experimentalism 
  • Microsound 
  • Microtonal

Comment: lots of noises being variegated with spans of silence and penumbras mixed of them. From noises to silence, and vice versa. From acoustically warped instruments to noise signal generated electronic dodges. At times the compartments are separated, at times they are superimposed to one another. This minimal approach has much in common with music being provided by early pioneers of electronic music of having experiments with such instrument as theremin. This is austere, rigid it is certainly an example of formalism rather than allowing an entrance to emotive music. One of them is operating in front of a clavichord, one of them is generating electronics, and one of them is playing soprano sax, viola, cello, and objects. It could be said, it is an intriguing blend of instruments. It is the course of this 3-notch outing being a bit in the discography of Greece-based Plus Timbre.
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