Blogiarhiiv

10/14/2018

Thuoom – reCycle 2 (2017)




  • Electronic music 
  • Electro-acoustic 
  • Avant-garde 
  • Experimentalism 
  • Abstract 
  • Minimal techno 
  • Drone 
  • Live 
  • Post-industrial 
  • Psycho-acoustic 
  • Abstract techno 
  • Experimental electronica 
  • Avant-electronica 
  • Avant-techno

Comment: as the Finnish artist Thuoom did close his second grand cycle in order to begin a studio hiatus, there are up a couple of compilation issues released simultaneously (10 years In Noise, and reCycle 2). These ones gather together a bunch of unreleased tunes having no particular fit with the albums he composed during the second cycle. Indeed, there is represented a bunch of 13 tracks full of different sort of sonic experiments with uncanny rhythms, heavily boreal infused soundscapes, throbbing techno cadences of recent Finnish witches, amplified electricity and elliptically trudging noises, interrupted yet still loopy circuits, extended guitar chords and bold drones from the tundra. All is changing permanently around the listener yet fulfilling it through slowly changing cycles the ultimate effect will grow even bigger. At a time one can discover he/she has stepped unremarkably into another forest or landscape. Without any doubt, there can be drawn parallels upon his outstanding compatriots Ilpo Väisänen, and deceased Mika Vainio aka Pan Sonic, obviously one of the best artists having ever existed within the history of electronic music. Furthermore, I can personally say I am very proud of my mighty paternal grandmother who is Finnish. But such sort of music adds an extra charge to it (of course, I know such sort of feelings are not very supported in the contemporary highly tolerant Western Europe). A must-have listening for any experimental music fan by a man who has established himself as a symbol within the weblabel world. And as usual, this mighty and cathartic miscellany is released on his own imprint called Textural Healing.

Gaetano Fontanazza – The Grandpa Lullabies (2018)




  • Ambient 
  • Post-rock 
  • Ambient rock 
  • Art music 
  • Experimental rock 
  • Drone 
  • Space music 
  • Improvised music 
  • Minimalism 
  • Electronic

Comment: Gaetano Fontanazza can be pigeonholed with such artists as Brother Saturn, I Am Esper, Glenn Brown, Saito Koji who used to create guitar-based ambient music which, I guess, may be quite obsessive by its method base yet truly relieving for a listener. You can hear extended chord licks which used to move across an artificial space (in fact, by creating and dilating it) and on the other side hover over the listener's mind. Additionally to the electric guitars he employs electronic keyboards and delay and reverb tools to sustain the vibrant ambiances (later the artist contacted me by saying all the sounds are created by using the guitars only). Due to those vibrant drones and faint wobbling which create a pleasant variety based on intermittent pressure and under pressure I would like to call it a dance album for the angels. Furthermore, is it an improvised music example or a designed music issue? Undoubtedly it is one of the best albums in 2018, and the 8-track composition is a part of the discography of Sucu Music.

Windy Hill Mill – Spring Carousel (2010)




  • Folktronica 
  • Folk indie 
  • Art folk 
  • New Weird France 
  • Electronic 
  • Dream folk 
  • Indie folk 
  • Post-folk 
  • Plinkerpop 
  • Indietronica


Comment: are these ditties dreamy incantations for folksy people? What about the members of royal palace? I think the latter ones are listening to dull established music where the etiquette is more important than the essence of a sonic example. This 8-notch outing is as fancy as the dreams could be. Electronic synthesised layers and swirling effects are counterpointed by bubblegum-ish guitar handling and a sensual female voice. Indeed, the electronics and the woman's vox dictate the pace of the issue. A cute virgin goes to a well, meets a handsome bride and some months later will have a profound, long-lasting sexual intercourse with the overcoming orgasm at the end with galvanized, amplified guitars and spasmodic yet stepwise relieving electronic bubbling (at Four Woods). And the following and altogether final track Sesame Chime is just caressing after that. This is mundane and divine at the same time.

No NITZ – Smutek Hmoty (2018)




  • Industrial 
  • Avant-garde 
  • Experimentalism 
  • Leftfield 
  • Plunderphonics 
  • Noise music 
  • Freeformfreakout 
  • Non-music 
  • Psycho-acoustic 
  • Black noise

Comment: as much as I have understood this issue was originally released as a two-track tape in 1998 by Oblast Records but now being released on CS Industrial 1982-2010 it is divided into 12 parts. Musically it is as frantic as one decent industrial record should be. Lots of cacophonous and disrupted sounds having a deranged, probably misanthropic mind behind it. Stoned drumming and whistling noises and some well-known snippets taken from the cultural heritage to merge all of that into a loopy machinery. Some fucked-up beasts released from the cage to carve the aforementioned patterns with growls, groans, howls, moans. At times it chimes like a very shitty lo-fi black metal composition. Or... . In fact, you can himself define where begins black metal, and where it is an essential part of the noise music. You can partake in all of that magniloquent madness which reflects upon the rational and the irrational side of the human being, it reflects upon the tension and fruitful gap between the two sides. In the case, it is moulded into a bit frightening yet arousing sonic world.

10/10/2018

[Teaser of the day] Monokit - v3


  • Electronic music
  • Alternative
  • Psybient
  • Ethnotronica
  • Crossover
  • World fusion

Artist: Monokit
Release: Monolyth
Label: Nishi/No Type
Year: 2005

10/09/2018

[Teaser of the day] Miche - Triangular Aggregate


  • Post-classical
  • Avant-garde
  • Epic
  • Electronic music
  • Modern classical
  • Glitchtronica
  • Crossover
  • Experimentalism

Artist: Miche
ReleaseAlong Yurikamome
Year: 2012

[Teaser of the day] Globoscuro - Nanomachine Messiah


  • Post-industrial
  • Dystopbient
  • Illbient
  • Psycho-acoustic
  • Experimentalism
  • Leftfield
  • Electronic music
  • Avant-garde

Artist: Globoscuro
Release: Research
Year: 2008

[Teaser of the day] Crows in the Rain - Cosmic Dawn


  • Post-rock
  • Epic
  • Ambient rock
  • Art rock

Year: 2018

Tatira – Fire Everlasting (2018)




  • Electronic music 
  • Alternative 
  • Avant-garde 
  • Experimentalism 
  • Synth-pop 
  • Drone 
  • Dark ambient

Comment: undoubtedly Tatira's 12-track issue is a solid resistance against the established pop music even if borrowing elements from within it. It is kind of playful resilience full of different abysses and jolly tricks. To get out of this established circle, a sort of determined machine, the only way is to subvert the well-known, paved clichès. Of course, the other way is to produce the sort of music consisting of unusual, uncommon sounds and strange structures yet such sort of music would be standing alone. The better way could be just partly hijacking the acknowledged elements to build up a new structure. In fact, such artists as People Like Us, Ergo Phizmiz, and Cassetteboy have proved that quirky manner used to work. More profoundly, at Fire Everlasting you can hear exaggerated rhythmic structures and overgrown synthesised aesthetics and a lot of monkey-shines in overall and additionally there are up some noise built dodges and drone-y glimpses to even doom rock/metal and flourishing murky ambient appearances. It is a frantic drift between rational, and irrational tendencies due to which the history of human race would have been progressing. The mind-provoking outing is a part of the discography of Inam Records.

10/08/2018

[Teaser of the day] Jan LF Strach - Niewiarygordon!



  • Noise rock
  • Avant-rock
  • Acid rock
  • Experimental rock
  • Indie rock
  • Garage rock
  • Psych-rock
  • No Wave
  • DIY

Artist: Jan LF Strach
Year: 2017/2018