Recent Music Heroes

Comment: Gaucho Surrealista, Un Festin Sagital, Radikal Satan, Manuel De La Pileta, Onda Bidón, Tomates Rocky, Los Siquicos Litoralenos, Manuel J. Grotesque, Musicos Del Metro, Kellies, Dadalú, Caballo Loco, Collectivo No, Ø+yn, Pibes De Merlo, Los Pastores De Gelatina, Radio Chilena, and Oso* Y Los Mongos Freneticos are the names represented on this compilation of a fairly broad extent. Thanks to an imprint, Los Emes Del Oso to whom some glimpses from Chile, and Argentina are represented over there. Lots of improvised and immediate sounds (as if straightly from the street and a carnival) make me feel alright, although the processed sounds presented over there are also fine and freely floating – from Os Mutantes-stylized avant/prog mixed Tropicàlia pop (indeed, music does not recognize the geographical borders) and old school radio chirping to murky drone and darkwave flickers to deranged psychedelic addressing and spacey theremin/analogue synth-based developments and warped ethnic/world music extravaganzas. Undoubtedly you can find out much different attitude and parochial approach (in a good sense, of course) you are not allowed to discover in Europe, and the USA. Top notch which makes me psyched out.

Masato Abe – Author (2017)

Elementperspective

Free Music Archive

Post-rock
Modern classical
Art music
Ambient
Epic
Post-classical
Crossover
Piano music
Contemporary classical

Comment: In fact, in the previous year I decided not to send my review about the best albums to a public magazine because it should be the closed case. Yet it is ridiculous to expect to have a good review about the albums having been published during an annual span. If there is any possibility to represent it dynamically (via Internet) then do it. Let's consider this excellent Tokyo, Japan-based Masato Abe`s Author (also known from the duo Swan Kid Sue). I have been listening to it for hours today and there is no doubt it should be added to the list of the best albums 2017. It is the case. More profoundly, it is as easy as feather, it is as heavy as honey, it is as dreamy as your most dreamy reveries. This 8-track adept colossus does not distinguish the borders between contemporary classical, and majestic, chamber-tinged rock swathes. At times the course is amended by vocal glimpses, concrete sounds, and sublime piano tenures. All is floating slowly over your fragile soul and affected mind. There is no hurry and a listener should not rush. If you are listening to it this whole makes impact on you anyway. All is blossoming and inevitably wrapping around you. Like me too. Just hear at Small Window Shows So Many Delight those effortlessly rolling violins and charming orchestrations to make up your blissful Sunday. The release is a bit in the discography of elementperspective. So it can be said the case is Japanese wholly.

nula.cc – Trilogy (2018)

Bandcamp

Drone
Electro-acoustic
Avant-electronica
Abstract
Sound art
Experimental electronica
Microtonal
Microsound
Non-music
Post-industrial

Comment: nula.cc, a Prague, The Czech Republic-based artist is back with three tracks based on friction, and involving such materials as wood, metal, skin, water, and air. For many years ago such a sort of concept would have been interesting but I would soon realize that either the sound used to self-organize itself or there are certain limits for the sound to push the sound into a before existed form or forms. Or maybe human ears are way too weak to get into true new sounds. Or maybe your imagination begins to work in a way to produce sounds of having no existence in reality. It already enters into the philosophical question of phenomenon. However, it is yet interesting to listen to it even though it consists of off-white hisses, vaguely pulsating microscopic chips, exquisite electro-acoustic effects. I guess the artist has exploited contact microphones to provide the essence of the aforementioned materials and mediums. All in all, it is an intriguing whole which feeds your imagination and broadens some listening experience.

7/28/2018

Luca Calcagno – La Pioggia Rinfresca L’Estate (2017)

In Your Ears

Indie pop/rock
Alternative pop/rock
Pomp pop
Pop rock

Comment: it is nice to be back at the discography of an Italian imprint, In Your Ears Netlabel (for instance, I can remember such a great release as Drunkeninstrumentcorporation`s Always The Same 10 Fucking Songs (2016). Luca Calcagno is a self-taught musician who is working in a music store. There are represented a couple of tracks, the first of them, the self-titled track is a straightforward, deeply ploughing guitar-based composition without any adornments and magniloquent overstatements. OK, the whole adornment is embraced by the key changes on the guitar. It is an example of AOR and regarding the emotions it is more suppressed in comparison to the subsequent track. It is a decelerated chamber/soul/pop rock example with bombastic sweeps on the guitar and full-fledged fringes on synths. It is a rock balladry without growing into disgraceful sensations and embarrassing feels. All the lyrics are sung in Italian.

The Womb – Heavy Ghosts (2017)

The Womb

Free Music Archive

Singer-songwriter
Alternative pop
Indie pop
Art pop
DIY
Synth-pop
Ambient pop
Bedroom pop

Comment: the Englishman Alan Driscoll used to have been having always something to say although the song theme do rotate around one and the same – sex. Of course, he is artist and all the theme is coated with the curtains and veils to reflect upon the seedy light from behind it. More profoundly, one can discern drive, expectations, yarns, pain and pleasure coming from within the 10-notch whole. Its ideological side is punctuated by Driscoll's compelling singing and storytelling and the guitars and synths mixed background. It should be added, at times a female affected loon can be mapped out from songs as a warning example of how a male can lose himself as the purpose on his own. One should keep going on instead of dealing with one's regrets. I like heroes but real heroes are a bit thugs. Western Civilization is a bit poisoned by having been insinuated the sense of guilt and at the same time fostering the human being to be an apex predator to survive. These contradictory, schizoid tendencies do enervate the human race. Indeed, with regard to his discography Alan Driscoll has kept to a narrow territory to have an incisive spot on it with purpose to magnify it to the highest standard. He was born in the beginning of the 80s so his teenage years were partly amended by Britpop artists (because one of his self-issued releases was entitled Britpop), I guess by Jarvis Cocker's voyeuristic and sexually lurking themes, and by willful maverick Nick Currie aka Momus. All of that makes sense to me though there are up a couple of stark exceptions like Flirting on Your Deathbed which mirrors an irreconcilable state of mind by a dying man backed up by singing manner almost pushed to tears. The final track Every Little Tree Must Fall is the musically totally disparate case - it is a darkened, a bit low resolution ambient venture with speech samples and guitar-based echoes developing and slowly moving across the space.

Recent Music Heroes

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Blogiarhiiv

7/30/2018

[Teaser of the day] Marisol Celestia - All Throughout The Night

[Teaser of the day] Pollux - Souvenirs (Ceox Legal Edit)

7/29/2018

[Teaser of the day] So I`m An Islander - Træj Faue (Three Colours)

[Teaser of the day] The Peach Tree - Hammerhead

[Teaser of the day] Takeshi Nakamura - Base

VA – Gauchito Gil contra Colocolo (2010)

Masato Abe – Author (2017)

nula.cc – Trilogy (2018)

7/28/2018

Luca Calcagno – La Pioggia Rinfresca L’Estate (2017)

The Womb – Heavy Ghosts (2017)

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