Blogiarhiiv

9/29/2017

[Teaser of the day] Chris Lynn - 60734


  • Non-music
  • Field recordings
  • Musique concrète
  • Ambient
  • Organic electronica
  • Avant-garde
  • Experimentalism
  • Electronic music

Artist: Chris Lynn
Year: 2010 

[Teaser of the day] wk[es] - Abyss



  • Avant-techno
  • Experimental techno
  • Minimal techno
  • Electronic music

Artist: wk[es]
Release: Hz-A001
Label: Hz-records
Year: 2016

[Teaser of the day] Boutros Bubba - Green Green Bread of Home



  • Math rock
  • Experimental rock
  • Avant-rock
  • Art rock

Artist: Boutros Bubba
LabelNarrominded
Year: 2011

9/28/2017

[Teaser of the day] Marcel Pequel - Four


  • Modern classical
  • Post-classical
  • Mood music
  • Ambient pop
  • Piano music
  • Contemporary classical

Artist: Marcel Pequel
Year: 2017

[Teaser of the day] Offthesky - Memories Feign


  • Glitchtronica
  • Experimental electronica
  • Ambient
  • Organic electronica
  • Electronic music

Artist: Offthesky
Release: Dwelling Spells
Year: 2008

9/27/2017

The Last March of the Ents – Rotting Forevermore (2017)



  • Screamo 
  • Brutal metal 
  • Hardcore 
  • Stoner rock 
  • Crossover 
  • Doom

Comment: The Last March of the Ents, a trio from Phoenix, Arizona, US provides a couple of tracks which can be considered very suitable for an intense mosh worship. Screamo, stoner, doom, and hardcore will get channelized into a powerful whole. In fact, Hollowed Out has been managed to add more atmospheric guitars to the mix thereby chiming like a stoned blackgaze combo. The issue is a pat of the discography of Torn Flesh Records. 

[Teaser of the day] brunk - Violence On TV



  • Freeformfreakout
  • Avant-garde
  • Plunderphonics
  • Crossover
  • Cyber-metal
  • Sampledelic
  • Leftfield
  • Experimentalism
  • Psychedelic
  • Acid

Artist: brunk
Year: 2009

[Teaser of the day] Martin Dot - White Roses III


  • Piano music
  • Ambient
  • Modern classical
  • Post-classical
  • Mood music

Artist: Martin Dot
Release: For You 
Year: 2006

[Teaser of the day] Outrun - Over The Edge


  • Italo disco
  • Dance pop
  • Electronic pop

Artist: Outrun
Release: Knife Sports
Year: 2011

9/26/2017

Roger Haddad – 27 White Miles (2008)


  • Noise 
  • Avant-garde 
  • Experimentalism 
  • Microtonal 
  • Drone 
  • Leftfield 
  • Non-music 
  • Minimalism 
  • Ambient noise

Comment: noise as a genre is considered as the counterpoint to the music. Undoubtedly there has been a set of strategies. One of the purposes of the noiseniks is to undermine the role of pop music through conquering the area by taking it over. Given that there must be attributes belonging also to the (pop) music. For instance, melodies and harmonies. By talking about such artists as Glenn Branca, and My Bloody Valentine you can agree about the fact their inner power and verve was adeptly bound to something larger-than-life. Truly melodic, truly epic something which used to be bigger than life. At some point even better than dreams in fact. Because it used to be witty as well. The same strategy seems to be the base for this 3-notch outing by Roger Haddad whose music is very loud and resonant yet involving majestic climaxes even if it is minimally running through microscopic changes and colours in timbre. Noise can be negative and noise can be positive. The first of them is clearly pointed to destroy the structure of something, the other pigeonhole is to represent something on its own. On the issue there are represented both of the categorisations. The release is a part of the discography of Rack And Ruin for this 3-notch outing by Roger Haddad whose music is very loud and resonant yet involving majestic climaxes even if it is minimally running through microscopic changes and colours in timbre. Noise can be negative and noise can be positive. The first of them is clearly pointed to destroy the structure of something, the other pigeonhole is to represent something on its own. On the issue there are represented both of the categorisations. The release is a part of the discography of Rack And Ruin (rr023).