Recent Music Heroes

Comment: this bunch of 5 compositions consists of minimally evolving tracks where glowering drones are tightly mingled with ever changing sinuous poly-rhythms being frequently subjugated to stereophonic effects and mind-provoking pitch trickery. Machines are keeping us from being the slaves of our own including listening habits. They introduce us to a universe being wondrous simultaneously due to its fidgety roughness and restless mysticism. While listening to the intense record you can catch your breath. Indeed, it is fortunately all but a mentally oppressive shit. Although it does not involve many layers it will get hold of our thoughts and secretive wishes in a linear way. Throughout the course the artist provides a steady feedback to the previous points passed by. The result is coherent nevertheless how serpentine and disjunct it may be perceived. This pre-eminent outing is a part of the discography of Soisloscerdos Netlabel.

8/09/2017

[Teaser of the day] Color By Numbers - Hyacinth Miasma

Autoplate

Ambient
Ambient rock
Post-rock
Electronic music
Glitchtronica
Avant-rock
Experimental rock
Alternative

Artist: Jason Corder

Release: The Transitions

Label: Autoplate

Year: 2004

[Teaser of the day] Krill.Minima - Holzwurm

Stadtgruen

Alternative dance
Glitch techno
Electronic music
Ambient techno
Deep techno

Artist: Krill.Minima

Release: Borkenkaefer

Label: Stadtgruen

Year: 2004

[Teaser of the day] iMMANENT. dOMAIN. - Kingdom Hearts

Vaatican

Hip-hop
Rap
Urban music
Experimental hip-hop
Avant-hop

Artist: iMMANENT. dOMAIN.

Release: persona non grata (Vaatican edit)

Label: Vaatican/Free Music Archive/God On Safari

Year: 2017

Arcane Waves – Atom Dust (2017)

Murmure Intemporel

Free Music Archive

Dark ambient
Sound art
Illbient
Acousmatic music
Post-industrial
Avant-garde
Abstract
Conceptual
Musique concrète
Experimentalism
Drone
Electro-acoustic
Ambient drone
Experimentalism

Comment: these 53 minutes and 4 compositions are “dedicated” to nuclear accidents in the atomic energy plants around the world. More profoundly, at Lucens (1969), Chernobyl (1986), Kyshtym (1957), Three Mile Island (1979), and most recently at Fukushima Daiichi (2011). These are probably the most remarkable ones though smaller accidents may have been happening. Shit happens if people are doing things even if these processes are indispensable because of the mooch of the human induced economy is going to move on without possibility getting to decelerate the process. I do not think of it the nuclear reactors must be shut down just measures to avoid such sort of disasters should be even more enhanced and possible deviations to be foreseen. However, musically I tagged it as an instance of post-industrial music among the other classifications. Furthermore, one can figure it out in a very straight way. The music over there is to depict industrialized scenes being abandoned by human beings. Besides having gotten informed factually and chronologically about these highly clutch and events the audible result is staggering – lots of memory loaded hisses and glitches, arousing sonic effects, concrete music drenched glimpses, metallic drones at times being variegated with orchestrations and less abrasive electronics. These 53 minutes is a subtle play with shades between darkness and lightness, between a burden and redemptive freeing. The adverse effects are adeptly converted into a state of art. The issue is a part of the discography of Murmure Intemporel. Behind the nom de plume is Jean-Luc Hervé Berthelot, a prolific artist within the netlabel scene for many years.