- Micronoise
- Experimental electronica
- Electronic music
- Glitchtronica
- Live recording
- IDM
- Avant-electronica
- Leftfield
Year: 2006
- No
Wave
- Alternative rock
- Indie rock
- Experimental rock
- Avant-rock
- Math
rock
- Avant-prog
- Hardcore
- Art rock
- Ambient rock
- Post-metal
Comment:
in principle, it is a sort of punk rock. Something which does have
similarities with it. In a refracted and deformed way, though. One
can perceive the energy of it, madness of it, compulsion of it though
all of that is magnified through powerful lenses of more artsy
approaches. More profoundly, hardcore meets math rock meets
progressive fragments meets post-metal meets whatever. It chimes like
a perfect mirror or ironic comment to reflect the decay and
shortsightedness of human kind. It is a final glimpse of a deranged
mind. Indeed, it is your pop music, do not hesitate it. It is the group`s fifth issue. In a word,
the result is a staggering mind fuck being issued on the Brazilian
imprint Sinewave.
- Indie
- Alternative pop
- Indietronica
- Art pop
- Experimental pop
- Electronic
Comment:
I am very pleased to be back at the discography of La bèl because
the Italy-based imprint has always been inclined to surprise with
something having never been within its discography. Feminine's
Lorelei, the 10-notch issue, is a stunning listening
experience due to crystal clear sonic plateaus on one side being
saturated with electronic glitches and sublime noises and some
oppressed droning on the other hand. A Ghost Too, the
composition featuring Laura Loriga, includes the shrieks of seagulls.
If you are going across an empty field being surrounded by cold wind
and dust you are feeling the impact of the song more remarkably. It
is somehow eerie and appealing at the same time. All the whole is
epic and artsy at the same time. Make indie great again.
- No Wave
- Alternative rock
- Avant-rock
- Indie rock
- Math rock
- Noise rock
- Screamo
Year: 2016
- Electro pop
- Synth pop
- Industrial electro
- EBM
- Electro pop
- Electronic pop
Year: 2016
- Kosmische
Musik
- Avant-garde
- Experimentalism
- Synthwave
- Electronic music
- Live
session
- Ambient
- Improvised music
Comment:
the last tenure of mine with regard to Chicago-based pan y rosas
discos imprint was dedicated to Dioxadol Borges' outing Siconauta
Tourist Class. It was an issue of being heavily keyboard-driven and
riveted with different kind of rhythms. The result was quite poppy
while flying in the face of some incisive experimental elements.
There is another synth-based issue though providing a little bit
different tendencies in comparison to it. Andy Cohn is a man of
having more than 3000 instruments worldwide in his mythical
warehouse. It is his 37-minute session with Elbio Barilari. Elbio was
playing a vintage JP-8000 Roland synthesiser, and Andy was playing a
Steinway piano, a Roland Juno-D synth, and a Yamaha CP-70M electric
piano. The outing is something peculiar and strange and ennobling at
the same time and stylistically a drift between Kosmische Musik,
wonky improvised music and analogue keyboard-driven synthetic
landscapes. Yet the process is punctually controlled – at least it
seems to be so. One can hear Tangerine Dream, and Sun Ra to appear
sporadically in some snippets, though some more abstract flows may
suggest early electronic music pioneers to be sitting on their rough
machines. What about the time to be described in conjunction with the
music? Does it exist as an entity or is it just an illusion or at
least an effect of our perception? By listening to these 2260 seconds
all these hypotheses are set up on air to last on. It needs no
answers to be answered for. Tension coming out of it it is up there
as an instrument. All in all, it is certainly an outstanding outing
from the previous year.
- Jazz
house
- House
- Club dance
- Remix
- Electro-house
- Deep house
- Electronic
music
- Tech-house
Comment:
Chelsea Faith Dolan aka Cherushii was a producer and an electronic
musician whose life abruptly ended in the fire of a warehouse in
December, 2016. Manic EP is a fine legacy to her doings, more
profoundly, consisting of a couple of tracks only though both tracks
(Rudy's Party, Manic) involve different kind of mixes
thereby resulting in five compositions ultimately. Especially good of
these mixes it is the Magic Touch Instrumental version of
Manic where smooth jazz vibes on the base of a blaring
saxophone by Marcia Miget are represented over there. However, the
best tracks are the original ones with truly mind-blowing gears and
enchanting transmissions and stunning progressions. It is a top tier
to pay tribute to Chelsea Faith's outstanding musicianship. RIP.
