Comment:
by listening to this 10-track issue you could discern it is produced by a
talented but young musician. The main proof is that the Israeli producer Ziv
Shachar used to run between different styles – from electronic pop to
indie-influenced electronic music to Ivrit-sung piano driven pop songs to some
funny interludes to enchanting post-dubstep threads. Indeed, the last stylistic
element is the one, which used to appear in the most prominent manner within
the whole. In truth, the style is also the major preference on it, providing
enough conspicuously remarkable moments where he demonstrates his expert
songwriting abilities and being adept in surfacing mind-provoking sounds. All
in all, I recommend follow the artist`s next steps very carefully because the
recent issue is one of the best issues in 2016. If it would have been written
by a more well-known artist it were praised all around the world. You can be
sure about it – just listen to it.
Comment:
this is a simplistic yet catchy album of 6 pieces just based on the twangs of
acoustic guitar, a few storytelling lines, some melodica whiffs and subtle
stereo effects. And the singing with a catchy impetus is placed in the front
page. For sure, it fits properly in to the lo-fi aesthetic of Rack And Ruin
Records because it is played with great enthusiasm believing in a better future
where one could perceive the thrill within it. The issue was produced in a time
when all seemed to be possible. More profoundly, the DIY scene had appeared
through blogs and independent music sites to get thousands of followers in the
end of the 00s. That`s all. The simple things make highly sense on it.
Comment: the UK-based Matt Catling aka Brideburger`s handful of tracks plays with the consciousness of listener both through volume loudness and an exquisite aesthetic standing on an interface of noise, shoegaze, post-rock, and guitar-based ambient. And of course, it shows how patient is your neighbour actually if you play it through the loudspeakers. Mostly it is quite silenced, however, you have to be warned, before the start of A Beautiful Mind 2, where the sound is strongly cranked up. Otherwise Brideburger`s aesthetic is quite silenced though the sound is intense and even glowering by its nature. By kindred souls there can be drawn parallels upon the likes of My Bloody Valentine, fydhws, Glenn Branca and A Beautiful Machine. Eventually it could be said it is a fascinating issue because it changes and ennobles your state of mind. This issue is a notch in the catalogue of Amnion Records.
Comment: this issue consists of one, long-running
composition, which slightly embarks on from nothing, then stepwise evolves being
cranked up in volume and added up with slamming drumming and distorted, warped
hi-hats. Indeed, the result is craftily composed therefore it might be
considered a mystified issue. However, it is feint. With regard to the title of
the track it reminds me of horrendous sea catastrophes being caused by the
human race and oil tankers. For example, the one what happened in the Gulf of
Mexico 6 years ago. Because of this it is not fun at all. Fuck off, those
droning doom chords resemble hundreds of thousands dying sea birds and fishes
and mammals who are killed by the human being's brain as allegedly the most
sophisticated object all around the Universe. The bad thing is this is just a
little part of all the atrocities perpetrated by us against nature. No respect,
no humbleness, just arrogance and exaggerated self-confidence mixed up with
stupidity. It is both against the own species and other species as well. Just
watch daily TV events to get proof against. All is being set up in flames
directly and indirectly. There is no future. The only positive thing in
relation to the human race is to create art in different appearances, which
provides hope and some salvation. These 32 minutes created by Danish Claus
Haxholm over there are thought for it. This is a great issue under the
experimental metal imprint Drowning.