- Alternative rock
- Art rock
- Electronic
- Indie rock
Year: 2012
- Minimal techno
- Experimental techno
- Remixes
- Avant-techno
Comment:
minimally layered techno…minimal aspects of rhythms are solidly
magnified…minimally laid down echoes and whiffs of industrial kind of music are
represented nearby crunchy rhythms…bass frequencies of rhythms are variegated
to make up a highly enjoyable assortment. All these excerpts reflect upon
underground-like techno music, which is obsessive in its iterativeness and
principal in uncompromisingness. There is the original track and a couple of
remixes of it. Because of that the whole chimes like a signifier of
infiniteness. Breaks. Great. Find it out. This is a shaker of cerebral life.
Almost invisibly. Sorry – almost inaudibly.
- Experimental rock
- Art rock
- Post-rock
- Avant-rock
- Electronic music
Year: 2016
- Art rock
- Americana
- Experimental pop
- Indie rock
- Slowcore
- Soul
- Electronic
Comment:
by listening to this 4-track issue by the American combo Terrible Terrible I am
tempted by the hypothesis – if Terrible Terrible`s issue Fail Better or
the follow-up Get The New Computer were produced by Tame Impala and in
turn Tame Impala`s Currents were issued by Terrible Terrible then which
album of them were more popular ultimately? In fact, my intention to ask in
that way is all about outright subjectivity with regard to the popularity
within the music business. I guess Terrible Terrible would have been an amazing
pop act if they had a solid promotional team behind them. However, let’s enjoy
this fabulous, effortlessly moving soul/Americana/art pop/dream pop/slowcore
outing where sophisticated rhythms and poignant electronic threads are mingled
seamlessly into a harmonious whole. It is not muzak, there is no possibility to
consider it in that way altogether. Any second on it seems to be thoroughly
reasoned yet the flow is wondrous without any pockmarks. It is a perfect
congruence between thousands of sonic bits, which in turn is a platform to new
mental configurations to be cropped up. Additionally, let’s listen to Currents,
and Get The New Computer either.
- Ambient
- Electronic music
- Kosmische Musik
- Glitchtronica
- Experimental electronica
Year: 2016
- House
- Tech-house
- Dub house
- Remixes
- Club dance
Comment:
In general, the formula of house music is quite understandable. Catchy,
endlessly repeated rhythms (at least it seems to sound that way!) will slightly
be changed throughout the course. Secondly, the style provides a game between
the obvious and the remote (or the hidden). More concretely, I mean how those
sleek, fragile cadences are related to indirect sonic aspects, which come
through the sonic filters to us. Coming from a distance to nearby us. It does
mean house music shifts one’s perception about room with you and around you.
For instance, by listening to this 3-notch outing one could hear intriguing
melodica samples and loops to be developing in one (mainly in the right channel).
Furthermore, those vocal samples startle you because of chiming as if coming
out from a nearby apartment. So be warned – before you start to listen to it
you should be convinced about good relationships between you and the
neighbours. Indeed, it is all about house music even if there are up hints at
dub. It is a house carnival in the first place. Please take steps to be a part
of it. The issue is a part of the Italian imprint Ruzzinet.
