Crowcat - Color Bendin (2011)

Psychedelicate

8.6

/Screamo, Technical metal, Brutal metal, Hardcore/

Comment: this set of handful of tracks hits with a concise fist made up of manic vocal delivery and highly moshing guitars and punching drums and programmed beats. Additionally, the band do demonstrate slight flirtation with symphonic metal (at least some parts of the singer`s vocal lines do have hints at it). In conclusion, it is an intense, angry and desperate rush of sounds thought to convey the washes of mental pain  and anxiety. The issue is issued on an US-based underground label, Psychedelicate Records which has released a bunch of peripheral groups and extreme music, though, embracing divergent styles and genres.

[Teaser of the day] Cantaloup - Day By Day

[Teaser of the day] ACL - Where Will You Lead Me To

Archive

Biocultivos - Sacha na horta interpreta

Galeria Disco - Tenue EP (2012)

Monofònicos

9.4

/House, Electro-house, Remix, Deep house, Club dance/

Comment: this set of 6 tracks consists of fabulous house vibes filled in with repetitive rhythms and soothing plateaus. Deep carvings are varied with more uplifting, electro-tinged ones. However, every original track does include remix version either. This issue of contemporary disco music (or the sort of dream pop for disco music) is released on Monofonicos, a decent label from South America. Recommended to all and for any time, pertaining to visceral parts and brain-related parts of the body. Relieving and freeing.

Burn Without Me - Holy Blade Of Death (2009)

Archive

9.4

/Progressive metal, Grindcore, Crossover, Experimental metal, Technical metal/

Comment: Burn Without Me is the trio of Sydney Byron (bass guitar, effects), Kurt Allan (drums, samples, synths), and Seth Tracy (guitars, synths, programming) who are assisted by Dave Lanciani aka Dimaension X (guitars, synths, programming) in creation of this pleasing metal and grindcore and technical metal mixed album. More concretely, the group`s sophomore release is an instrumental one which takes on exactly measured rhythms which are covered with throbbing guitar riffs at times, massive washes of guitars and penetrating drums at times, however, embellished with funny spoken word samples, and crafty electronic glides now and then. The biggest shortage (which may be an advantage as well) is related to short-running tracks. Well-defined. Well accomplished. Great in any cases.