Blogiarhiiv

4/07/2012

Cyril M. - Démesure Du Vide (2012)



/Noise, Avant-garde, Experimentalism, Guitar ambient, Experimental rock, Experimental electronica, Avant-rock, Ambient, Acousmatics, Improvised music/


Comment: there are represented 8 tracks spreaded out over 43 minutes. In any cases, these minutes are highly enjoyable due to its variegating nature and frantic characteristics and masterful accomplishment. In particular, the issue rotates technically around guitars and sound processing and effect blocks - it veers away from arty, arpeggio-induced fingerpicking and improvised hirsute guitar riffs to very noiseful orchestrations a la Glenn Branca, and Tore Elgaroy and otherwise quite straightforward but ultra-heavy rock and roll outbursts and desperate shrieks. Furthermore, at times these sounds are embellished with dashing electronics and witty samples thus providing lots of pleasant dodges and alternate corners.

Arcade Island - Spring EP (2012)


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Bandcamp

7.8

/Alternative pop, Poptronica, Pomp pop, Electronic pop, Glo-fi/

Comment: Arcade Island is the project by Alex Bew, an artist from Cumberland, Pennsylvania providing a handful of glimmering notches. However, stylistically it is a little startling because of mixing up a little bit mawkish boy band-alike vocal lines with more or less alternative pop/glo-fi-oriented sonic layers behind and around it. Theoretically it could reach the chart of the Billboard, or the stages of the Eurovision contest it would be welcomed to poison one of those seedbeds of mediocrity.

4/06/2012

[Teaser of the day] Butterfly Tea - Magic Of The Seventh World



(o)†HERS & The Implicit Order - Bribery And Winning Ways (2012)



/Hauntology, Freeformfreakout, Avant-garde, Noise, Experimentalism, Plunderphonics, Cut and paste, Acousmatics, Crossover, Sound collage, Non-music/

Comment: this collaboration act includes 8 tracks which are made up of the washes of gritty noise, snippets of vintage motion pictures, off-kilter experiments, heavily warped pop tunes, insect-alike drones and buzzes, and abstract, even haunting soundscapes. Sometimes these aspects are separated from each other, sometimes not. In a word, it contains an amount of irritating information. It can be compared with the albums by The Caretaker, BBC Radiophonic Workshop, and the compilations of halloween music taken out from the 60`s.

Dale Cooper Quartet & The Dictaphones - Beko_97 (2011)



/Noir jazz, Trip-hop, Post-rock, Nu jazz, Avant-garde, Crossover, Cinematic/


Comment: there are up a pair of sublime notches spreaded out over 17 minutes. The whole rotates around the noir-centered progressions and cinematic glimpses. In particular, these ghastly vocal whiffs and smoky bits are blended with minimal/cool jazz/glowering trip-hop in the first part and with more post-rock-esque guitar terrains and a profound, intimate interaction between male and female voices in the second one.

Arts & Crafts Label & Management Sampler Vol. 8 (2012)



/Indie pop, Alternative rock, Baroque pop, Electronic pop, Singer-songwriter, Synth pop, Alt-folk/

Comment: this is the eighth compilation by Arts & Crafts, a considerable Toronto-based indie imprint. (Chiming) guitar music meets poptronica/electronic pop/synth pop meets baroque pop - this would be one of the slogans of the miscellany. At times it allows for itself even more bombastic elements having powerful rises and ascending. There are represented such artists as Bishop Morocco, Antoine Reverb, Molly Rankin, Dan Mangan, Gold & Youth, Cold Specks, Parlovr, Trust, Eight and a Half, The Darcys, Zeus, Uncle Bad Touch, Bam Bam. The favourite of mine are Cold Specks`Holland which interlace an alt-folk and chamber folk template with soul(ful) tendencies, and Trust`s Sulk which is an instance of glimmering synth pop.

4/05/2012

[Teaser of the day] Maria Minerva - Pirate`s Tale