The Light Tracer - Landspace of My Flesh (2011)

Bandcamp
Lastfm

9.2

/Shoegaze, Indie rock, Space rock, Chamber rock, Post-rock, Instrumental rock, Dream pop/

Comment: resonating, highly spatial progressions are created on ground of amplifying and ascending guitar layers and guitar fingerpicking-headed motives. The best example of how to create the harmonies is laid out at What The Fuck Mogwai Means (sic!). In a word, massive and exultant by any means. However, there is a joint point connecting all these 4 tracks into the whole - clattery paces which used to incessantly trash around.The last track sounds like a melancholic chamber rock looming being deeply drowned in its enthralling self-pitiness. You can draw parallels upon the likes of Vlor, and Spell 336. Ultimately, the result is outstanding which deserves to be got more listening times.

Dainumo, Jeesh, P.SUS - 3 Flavors of 8bit (2011)

Bandcamp

8.8

/Chiptune, Mood music, Primitivetronica, 8-bit, IDM, Lounge, Chill out, Experimental electronica/

Comment: this 12-track miscellany is made up by 3 artists - Dainumo, Jeesh, and P.SUS. As the title already hints at it this trinity used to generate 8-bit alike sounds, though, doing it in a quite quaint way. More concretely, it is instrumental electronica which does have remarkable laid back, even lounge-alike angle. Its characteristics are naive, subtle, and graceful as if were brought out from a remote yet blithesome period of your childhood. Stylistically it rings like the kind of sci-fi chiptune/8-bit music - more detailly, the minutiae of chipcore is intertwined with glitch-inflected bits. The favorites of mine are Summer Magic, Yo-Ho, and Rare Candy.

Dudeldrum - Dudeldrum (2011)

Jamendo

9.4

/Celtic folk, Neofolk, Medieval music, World music, Experimental, Crossover/

Comment: Dudeldrum is a Celtic folk and medieval folk inspired ensemble from Moscow, Russia. A little bit surprising, isn`t it? However, the result is decent on an issue consisting of a three-quarter hour spreading out over a dozen of notches. The soundscape is intense, more intense than the average Celtic folk album used to be - in addition to droning bagpipes, frantic drumming threads and sparkling fiddle hooks it incorporates the undercurrents of ethnic music from elsewhere off Ireland, used to have flirt with New Age sounds, offers some glimpses of martial-tinged endeavours and a dollop of programmed (tabla) paces and a dollop of electronica either. At times it covers you with brooding veils, at times it used to shatter into the smithereens of melancholy and longingness. Pleasantly surprising indeed.

H.P. Sneakstep - Good Morning Mr. Herman

Exihibition Poland and the Helmut Orchestra - Like All The Leaders (2011)

Paragrafo

9.1

/Avant-garde, Martial industrial, Spoken word, Experimentalism, Dark ambient, Illbient, Neoclassical, Chamber music, Ambient drone, Musique concrète/

Comment: as so characteristic instance due to the aesthetical platform of the Italy-based Paragrafo Records, this issue comprises deliberately vanguard-ish progressions made up of the snippets of spoken word (more concretely, Parts of Speech), martial industrial-relied brooding epicness, glooming but dirty ambient droning, chamber-soaked or even jazz-esque bits and minutiae, however, all these tendencies are infiltrated with naturalistic shades and dust. Indeed, despite of many elements within it the issue is solidly produced, having neither shortfalls nor deficiences.

B.R.O - Etudes EP (2008)

B.R.O

9.5

/Nu jazz, Free jazz, Acid jazz, Cool jazz, Crossover, Experimental, Improvised music/

Comment: B.R.O is a Polish musical group which appeared to the world in 2008 by releasing Etudes, their 6-track debut issue. More detailly, by any means, the release is highly intriguing because of blending old and modern, burbly and soothing - traditional jazz standards/the whiffs of Miles-esque trumpet are enlaced with acid jazz-indueced programmed beats and noise-inflected glimpses in between. The enterprise will be ended up with an exertion based on the ridges of afrobeat/funk - once again, it is obviously the best solution for finishing the issue. All in all, the album is astonishing at any angles. It enters top 10 regarding the favourite jazz albums of mine.

Younnat - Duct (2007)

Bump Foot
Planear
Lastfm

9.3

/Poptronica, Easy Listening, Electronic pop, Retrodelica, Organic electronica, Lounge pop, Alternative, Chill out, Electro-indie/

Comment: if you are intended to search for poignant kind of loung/easy listening then Oleg Serdyuk aka Younnat`s music is one of the most reliable candidates for it. Duct was Serdyuk`s debut release (before he was known as the keyboard player in the line-up of Lюk (or Lyuk) from Kharkiv, Ukraine) issued both on Bump Foot, and Planear Records. More profoundly, you can enjoy enormously catchy surfing on retrodelic harmonies and frequent rotation of motives which at times resemble another slavic group, Messer Für Frau Müller, though, Younnat used to be unprovided with black humor. Anyway, the concluding track Djedai Arkadyi seems to exploit Los Kjarkas`s Llorando se fue (which was popularized by a cover of Kaoma, called Lambada).