Blogiarhiiv

11/26/2011

Ingemar Stalholm - About a Year EP (2011)


Bleepsequence

9.2

/Dub house, Glitchtronica, Remixes, Tech-house, Dubstep, Dub-tech, Club dance/

Comment
: the Swede Ingemar Stalholm provides a set of 6 tracks, half of them are remixes by the way. Anyway, I can only say nice words about his mesmerizing dub house/dub-tech/tech-house grooves and more progressive (dubstep) sequences at times demonstrating its more glistening yet always highly charming side. Sometimes the impetus will be slowed down to the extent of changing the oeuvre into ingurgitating, glitch-like vision. More detailly, those droning, acidic synth undercurrents and drifting plateaus of sounds do function as special components on it.

11/25/2011

Ashbrg - New Toy

My MIDI Valentine - The Fall Of Mesbla (2011)



/New Weird Brazilia, Electronic pop, Free folk, Electro pop, Leftfield, Chamber pop, Experimental indie, Baroque pop, Tracker music, 8bit, Primitive pop, Psychedelic/

Comment: if you direct the spot upwards upon the tags you can figure out the patchwork-alike characteristic of the album. I thought about what I had listened to and realized out that this Brazilian duo reminds somehow of Super Furry Animals. In the first place, both bands` methodology, their intimate approach does have a bunch of parallels evoked in my consciousness. More detailly, indie rock meets psychedelic, folk-drenched songs which are frequently undermined with different sort of electronica, ranging from lush, brass-induced orchestrations to sawtooth-shaped paces in the style of bitpop/chiptune/8bit or more general yet gritty electronic experimentation. No doubt, My MIDI Valentine`s vision used to be more primitive and challenging because of exploiting by far more elements for their own sake. Furthermore, there`s no many bands worldwide who could joint together Belle & Sebastian and Dopplereffekt, R Stevie Moore and ashbrg, Wild Honey and Beta Band.

▲NDRΛS - $LEΔZY (2011)



/Drag house, Witch house, Avant-electronica, Trianglecore, Witch-hop, Experimental electronica/


Comment: this 2-headed single ($LEΔZY; Less Than Zero) is as serious as the coverprint of it used to be. It is horrifying and exhausting. More profoundly, ▲NDRΛS used to invoke skull gleaming, drag-infiltrated backdrops to give his hip-hop approach a more expressive output. It is emotionally loaded and does have an epic, pessimistic gliss about the future, present and past. The result is mesmerizing for sure.

Electroacoustic Mexico 1960-2007 (2011)



/Conceptual, Electro-acoustic, Experimental electronica, Avant-garde, Experimentalism/


Comment: undoubtedly the music history is an exciting realm for any melomans to concern for. Indeed, any new compilation or discovered albums may release a new gambit for a new theoretical approach and concept. (The most well known are Sub Rosa`s anthologies of noise and electronic music). Here is an eligible legacy of 23 notches regarding the past of the Mexican electroacoustic music over the 4-5 decades. More detailly, such miscellanies are the clear-cut evidences of how electronic music has been developed, containing a loads of conceptual ideas (serialism, for instance), pitchbent textures and minimalism-induced phase changes, passionless sonic effects, ambiance-related bleak vistas and so on. And of course, lush appearances of analogue sounds. In any cases, take care of it.

Clinker - Stop!

11/24/2011

Masske - Masske (2009)



/Post-rock, Post-metal, Stoner rock, Experimental rock, Art rock, Instrumental rock/

Comment
: Masske (previously also known as Last Romantic) by the Englishman Dan Stone extend from crispy post-rock-ish steamrolling and massive post-metal-alike formations to more light-hearted fusion/jazz rock-esque gears. Similarly to Stone`s previous combo some of those 11 tracks do show off the inclination toward dance-appealed grooves and some of them living up to the creator`s name bucking along the stoner-dusted paths. By the way, he is a native of Exeter, a place for some great artists (Children Of The Drone and its subsidiaries; Speculativism). Great.