9/02/2011
Ceptual - Songs for the Sun (2011)
Test Tube
9.2
9.2
/Ambient, Experimental electronica, Hauntology, Organic electronica, Minimal/
Comment: Desmond Hollis aka Ceptual aka Palet aka Katrah-Quey aka A Sankip Hummad is definitely an exemplar of sort of genius. There are represented 14 tracks of ambient music which would be an affair of honour for every (experimental) musician by the past and now. More concretely, skipping snippets of guitar-based explorations are adhesively coated with haunting, ancient memories (in a physical approach!), heartbreaking melody threads, orchestrated sections and, at all, cohesive feeling of organic sense. All of that is wrapped up in dense hiss-relied mist (which is one of the most important aspects pertaining of ambient music a jot). However, this kind of accomplishment might be called as symphony either. Indeed, it is much more than our usual perception is keen to figure out for.
.crk - Informal Definition (2011)
9.0
/Industrial techno, Jungle, Bhangra, Crossover, Breakbeat, Neoclassical, Avant-garde/
Comment: In principle, lots of elaborated breaks (jungle, breakbeat) are relentlessly floating over you offered by a Lisbon-based one-man project - at times mixed up with rotten bhangra sounds or variegated with stammering sonic effects, hashed spoken word lines or ghastily sounding elements popped out from murky industrial landscapes. Moreover, some tracks are embellished with otherworldly ringing (neoclassical) orchestrations which used to keep their way hence getting somehow quite close to avant-prog appearances. An off-kilter shit which is not thought for dance stages for sure.
aiRless pRoject - Dopamine Entities (2010)
/Downtempo, Trance rock, Experimental rock, Crossover/
Comment: This 8-track album is created by Vladimir Mitreski, a Macedonian musician. He is another example from the Balkan country following the quality of fydhws (the first and very qualitative name I could tie up with Macedonia). However, Dopamine Entities is the seventh publication of him, demonstrating a sort of sublime gliding over the downtempo-esque peaks and glowering trance rock hooks a la Spacemen 3`s Recurring. At times it is soothing, at times it is pleasantly awakening. A masterful accomplishment indeed.
8/28/2011
8/27/2011
Anastasia Vronski - The Kursk (2011)
9.2
/Noise, Drone, Lobit, Experimentalism, Conceptual, Found sounds, Electro-acoustic, Acousmatic/
Comment: The Kursk was in a modern way designed Russian submarine which drowned (or was drowned - at least it was claimed in one French documentary film seen years ago) in 2000. Anastasia Vronski used an analogue synth and underwater microphone recordings to create an illusion of the sounds heard by the sailors who perished in the wreck. The soundscape of this 29 minute track is rough and jagged, dense and abrasive. Inspite of being morally ambivalent conceptually, however, the goal is reached perfectly on its sonic side.
Grids/Units/Planes - Her Sound Became my Prayer (2011)
/Post-rock, Shoegazetronica, Electronic, Crossover, Epic, Indie, Emotive electronica/
Comment: While this 5-pieced issue embarks on with a depressive description regarding a woman talking about her child and pain and frustration, it manages to get soon transmitted into a flourishing towering consisting of the elements of shoegazing, post-rock, and chill electronica. There can be drawn parallels upon such kindred souls as M83, Dykehouse, Super Random Knowldege Porridge. Behind Grids/Units/Planes is Andrew Foley, a musician from Brisbane, Australia.
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