7/06/2011
Sinead O'Connick Jr. - Live In My Bedroom (2011)
/Mash-up, Plunderphonics, Sound collage, Cut and paste, Avant-garde, Non music, Freeformfreakout/
Comment: This is as frenzied and wild as the mash-up/bastard pop/plunderphonics could be ever. There are 8 tracks, every of them can be classified as a single universe on its own (those relatively long running tracks used to contain bulks of incalculable cut-ups and relentless turnarounds and numerous shifts regarding the structure and mood) making up a connection between lettrist/situationist dètournement conceptions, ravecore, DIY culture, breakcore, speedcore, digicore, glitchcore, noise, pitchcore and (of course) samplecore. Indeed, besides being throughout all the course in extremely skidding-skipping position the whole shows up itself like a vast reference or quotation on its own.
Luminous - Or Burn/BG (2011)
Bandcamp
9.0
9.0
/Avant-garde, Industrial, Krautrock, Experimentalism, Leftfield, Weird pop/
Comment: First of all, it happened in the autumn of 2010 when I reviewed Factory Kids` album Get Gone (Noecho Records). This was a mesmerizing output by the Scottish duo (Christina Marie & Tom Chaplin). However, Luminous is the solo project by Chaplin (who has released music under his own name as well) who continues to exploit similar language as the duo has done. Only 2 tracks are represented here - you can enjoy from within coming flashing krautrock-ish (Faust-like) bleeps inbetween the monotone repetitions all of that wrapped up in the hazy soundscape; the second track is about vaporous noise progressions ornated with elliptical orbits of cadences. Similarly to Factory Kids those tracks are seemingly experimentally lopsided, yet, regarding its (inner) content the issue can be considered an example of (weird) pop music. A convincing result indeed.
Gutta Percha - A Crawlspace Companion (2011)
/Ambient, Avant-garde, Sound art, Hauntology, Organic electronica, Dark ambient, Experimentalism, Noir, Musique concrète, Weird pop/
Comment: A Crawlspace Companion is the sophomore effort by the brothers Hibbett from Illinois, USA The 5-pieced set rings out as if an indicative approach of ambient music on getting aware of itself. However, it subsequently gets conscious of itself. It offers up warm yet haunting arcs of soundscapes being synergized with the samples from the scenes of ancient music and dark-hued orchestrated pieces. In fact, being adequately accented it evokes lots of memories with no certain addresses and hints at, however, reminding of the genuine works by James Kirby aka Caretaker. Just great.
7/05/2011
Tunguska Electronic Music Society - Ellipsis: Tunguska.Shaman.Vimana (2010)
Tunguska Electronic Society
Jamendo
Bandcamp
9.0
Jamendo
Bandcamp
9.0
/Ethnic, World music, Big beat, Downtempo, New Age, Ritualistic, Chill out, Psyambient, Chilltronica, Psytrance/
Comment: In fact, the album`s content deserves its name. Tunguska Electronic Society is an intricate conglomerate of a wide array of artists mainly from the Russian Federation who have been active in diverse territories of art and culture (by the way, having their own net of bars and coffees). The collective has completed lots of albums/compilations since 2007 and this release of 14 tracks is one of the most convincing by them so far. It veers from psytrance /ambient and ethnic downtempo to fusion-like pop guitar riffs (EXIT project - Opium) to obscure experiments in the realm of littery electronics and shattering big beat (Jung - Sunrise On Pluton) and shamanic incantations alongside with soothing chill-ish paces. However, you can find out much more else from this miscellany, of course.
Comment: In fact, the album`s content deserves its name. Tunguska Electronic Society is an intricate conglomerate of a wide array of artists mainly from the Russian Federation who have been active in diverse territories of art and culture (by the way, having their own net of bars and coffees). The collective has completed lots of albums/compilations since 2007 and this release of 14 tracks is one of the most convincing by them so far. It veers from psytrance /ambient and ethnic downtempo to fusion-like pop guitar riffs (EXIT project - Opium) to obscure experiments in the realm of littery electronics and shattering big beat (Jung - Sunrise On Pluton) and shamanic incantations alongside with soothing chill-ish paces. However, you can find out much more else from this miscellany, of course.
Panta Rei - Panta Rei (1973/2011)
Golden Pavilion
9.2
9.2
/Avant-rock, Fusion, Progressive rock, Classic rock, Experimental rock, Psychedelic rock, Blues, Improvised music/
Comment: The eponymous album by a Swedish septet was firstly issued on the Harvest Records in 1973. Obviously influenced by then-progressive and fusion rock by the side of the Canterbury sound, on the other side, the Swedish combo used to rely on strong blues gears either (by this angle of view it can be compared to Grateful Dead, for instance). The last track The turk - as the title hints at - exploits the Orient-based influences. However, all of that is wrapped up in dynamical improvisations and effortless progressions, however, at times reaching out dizzy heights. Moreover, Panta Rei used to grow during its course and with each following listening time. In a word - classic.
Comment: The eponymous album by a Swedish septet was firstly issued on the Harvest Records in 1973. Obviously influenced by then-progressive and fusion rock by the side of the Canterbury sound, on the other side, the Swedish combo used to rely on strong blues gears either (by this angle of view it can be compared to Grateful Dead, for instance). The last track The turk - as the title hints at - exploits the Orient-based influences. However, all of that is wrapped up in dynamical improvisations and effortless progressions, however, at times reaching out dizzy heights. Moreover, Panta Rei used to grow during its course and with each following listening time. In a word - classic.
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