Blogiarhiiv

6/01/2017

[Teaser of the day] Fabio Anile - When Nothing Happens


  • Modern classical
  • Soundscape
  • Post-classical
  • Ambient
  • Electronic music
  • Mood music

Artist: Fabio Anile
Release: Weigthless 
Label: Laverna
Year: 2011

[Teaser of the day] Mikr Tonalwsky - Passing And Mutating


  • Avant-garde
  • Electronic music
  • Sound art
  • Experimentalism

Artist: Mikr Tonalwsky
Release: End of the Rat
Label: Triceratupuz
Year: 2013

Tante Jules dan Pemuda Inisiatif – For Peace and Togetherness (2010)



  • Indie pop 
  • Singer-songwriter 
  • Alternative pop 
  • Noise pop

Comment: as the title says this set of 7 compositions is dedicated to peace, solidarity, and love. And the lyrics will affirm it. Behind the project are Singapore artist Juliana Yasin and Majalengka, Indonesia-based Jatiwangi Art Factory. Coincidentally I am reading at the moment William Somerset Maugham`s Far Eastern Tales so the idyllic outing used to resonate with it. Indeed, some lyrics are represented in English, and some in a local language (I shall have to apologize for my stupidity). However, music is an universal language so it is my pleasure to understand a subtle stringed accompaniment for a light-hearted singing at times being accompanied by male voices as well. At times gentle flute whiffs and magically sounding melodica based droning are embedded in the gentle singing and calm guitar strums. Only the final track Damaikan Bumi used to employ panoramic noisy guitar dodges, making up the fine resonance for the whole. In a nutshell, it is a lovely issue being part of the discography of Cratediggers.

5/31/2017

[Teaser of the day] Debate Club - Elephant Shoe



  • Indie rock
  • Alternative rock

Artist: Debate Club
Release: Fish Fry EP
Label: Beko DSL
Year: 2017

[Teaser of the day] The Dreams - Mein Schatz



  • Post-punk
  • Shitgaze
  • Lo-fi
  • DIY
  • Alternative rock
  • Indie rock

Artist: The Dreams
Release: Morbido
Label: Kill Shaman 
Year: 2011

[Teaser of the day] Daniel Maze - Foodcourt


  • Deep techno
  • Alternative
  • Ambient techno
  • Ambient dub
  • Deep dub
  • Electronic music

Artist: Daniel Maze
Release: SKUBA
Year: 2006

Schizoid Ops – Gerbil Feed (2012)



  • Dada music 
  • Experimentalism 
  • Avant-garde 
  • Non-music
  • Freeformfreakout 
  • Plunderphonics 
  • Sound collage

Comment: I can remember for a time when I decided to reverse the tape of The Fall`s dadaist post-punk issue Perverted By Language (1983, Rough Trade) and then listened to it from the beginning to the end. In fact, the result was not more frantic and weird with regard to the original one (being the favourite of mine by them). Schizoid Ops` 7-notch issue is a bit different case though obviously there is something which may remind of it. More profoundly, this issue is based on more and less known pop song structures which are heavily and thoroughly chopped up and warped. And they have done it with great pleasure. Furthermore, the volume level is very unstable, at times it is barely audible and at times it shouts into your ear. I guess the intention of it is to demonstrate its hostile antipathy against the music industry, towards the RIAA, against the established norms in producing mainstream music and representation of it. By its ideological context it is remarkably more enjoyable than by its nihilistic musical approach. The issue is a part of the discography of Eye Machine Recordings.

5/30/2017

[Teaser of the day] Muhr - De La Gouache Dans Le Ciel


  • Post-classical
  • Modern classical
  • Ambient
  • Art music
  • Electronic music

Artist: Muhr
Label: Zymogen
Year: 2006

[Teaser of the day] Oldboy Melody - Different But Equivalent


  • Indie pop
  • Dance rock
  • Alternative dance
  • Electro-indie
  • Alternative pop
  • New Wave
  • Indie dance

Artist: Oldboy Melody
Release: Metronome EP
Year: 2012

[Teaser of the day] rin la - In The Name Of Dub



  • Hip-hop
  • Experimental hip-hop
  • Urban music
  • Rap
  • Avant-hop

Artist: rin la
Label: Self-released/Bandcamp
Year: 2014

Sabrina Siegel / Bryan Day / Tom Djll / Bob Marsh – Ocean Of Lakes (2015)



  • Improvised music 
  • Electro-acoustic 
  • Avant-garde 
  • Psycho-acoustic 
  • Sound poetry 
  • Avant-jazz 
  • Experimentalism 
  • Free jazz

Comment: in fact, there is much to say about this set of 6 compositions because it is musically and emotionally complex, intense, and mind-provoking. All the music is conjured up by such instruments as kalimba, modular synth, cello, bass guitar, trumpet, voice, and invented instruments (so listen to the issue to figure out the instruments more concretely). It can be said the issue is an fine example of interesting sounds yet all of that will constitute a perceivable whole subsequently. For instance, Sabrina Siegel`s vowel effects and other kinds of sound poetry (additionally I remmond listen to such artists as Maja Ratkje, Jaap Blonk, Roomet Jakapi) used to range from soothing to hirsute, the same could be said about Tom Djll`s synthesiser effects which used to lay over the whole spectre atop, at times changing into something being close to emergency signals. At times it is free jazz with modifications, at times it is more electro-acoustic music with creepy variations, at times the combo enjoys its more silent yet idiosyncratic soundscape being obviously winded from intense sections. Yet its architectural buildup is somewhere between the aforementioned styles. More profoundly, the tempo is slowed down, in fact it is the main approach of determining the pace which is accelerated by spasmodic trumpet whiffs, zigzag acoustic noises and Siegel`s incisive vocal acrobatics now and then. The lower tones are conjured up by a cello, and a bass guitar. The issue is a part of the discography of Pan Y Rosas Discos. As Heraclitus said many thousand years ago that no man ever steps in the same river twice the same could said about the recent one with regard to the perception of it.

5/29/2017

[Teaser of the day] Massimo Ruberti - Antipol Propol


  • Live recording
  • Post-disco
  • EDM
  • Robot pop
  • Acid electro
  • Kraut-electro
  • Electronic pop
  • Electro pop

Label: Nostress
Year: 2017

[Teaser of the day] Oudeis - Virulent



  • Experimental electronica
  • Glitchtronica
  • Kosmische Musik
  • Abstract
  • Synthwave
  • Microtonal

Artist: Oudeis
Release: Incision
Label: Self-released/Bandcamp
Year: 2017

[Teaser of the day] Chancius - Time and Space Died Yesterday


  • Alternative pop/rock
  • Experimental pop
  • Singer-songwriter
  • Space pop
  • Indie pop/rock
  • Art pop
  • Electronic

Artist: Chancius
Release: Bando
Label: Jamendo/Bandcamp
Year: 2015

Sleeping Policemen – ePop028 (2012)



  • Indie pop 
  • Alternative pop 
  • Folk indie 
  • Twee pop 
  • Alt-folk 
  • Indie folk

Comment: Sleeping Policemen is a 4-member ensemble from Hamburg, Germany who represent the main line of a record, Eardrums Pop of which choice is based on cute indie/twee pop. I would prefer the term “meadow pop” as if music being produced somewhere in the countryside if people (especially human persons coming out from a city, “civilization”) after running around in the middle of a herd of cattle, and across the meadow and picking flowers and then arrive at a barn in the evening to produce an upbeat music. A contemporary approach to be the hippy. Even if the combo sing about visiting friends in Italy and French philosophy. Such sort of music has been popularised in the Scandinavian peninsula (mostly in Sweden during the 90s, and 00s). So if you are keen to hear such sunshiny, cloudless and careless music then do not hesitate to come close to the discography of the imprint. Yet it does not mean the release is somehow aesthetically second class even if they do not produce hell out of this 4-track outing. Bucolic guitar twangs and female and male mixed singing are wrapped up by cute synthesised strings and reverberant chords. The tempo is up and upbeat. Business as usual with regard to the outings on Eardrums Pop, one of the tracks is a cover version of the combo`s comradeship group Big Ideas` composition Jack Of All Trades. Get it for sure.

5/28/2017

[Teaser of the day] Majka Is Board - TinyBrightStatic


  • IDM
  • Electro pop
  • Electronic pop
  • Synth-pop
  • Acid
  • Alternative dance

ReleaseTinyBrightStatic
Label: No-Source
Year: 2010

[Teaser of the day] Someone Else - Alis Heart Shaped Cushion


  • Electronic pop
  • Chiptune
  • Post-disco
  • Noise
  • Electroclash
  • Tracker music
  • Electro pop
  • Hi-NRG
  • 8-bit
  • Acid dance

Artist: Someone Else
Year: 2005

[Teaser of the day] Antoine Trauma - Laika, the Sputnik dog


  • Illbient
  • Post-industrial
  • Avant-garde
  • Experimentalism
  • Leftfield

Year: 2015

Wes Leslie, the Bedroom Player – Bedroom Soul (2017)



  • Soul 
  • Alternative pop 
  • Singer-songwriter 
  • Indie pop 
  • Americana 
  • Soft rock

Comment: as the title says it is about closeness to bedroom and soul music. Indeed, the San Francisco, California, US-based artist Wes Leslie does not lie at all though there is a gap to interpret the term “bedroom” in different ways. Is it his approach to record music in a bedroom or is it his intention to seduce girls. His soundscape is clear, all parts are segmented and having no specific lo-fi/DIY approach which can be related to. Wes Leslie`s vocal is full of mellow touch and gentle murmurs though lyrically it is a painful yearning for broken relations, ex-girls, and passed memories created together once. So if you have had the similar experience (and of course, you do as a contemporary person, isn`t?) then is painful or at least bittersweet for you as well. At Oh My Golly Gosh especially arouses me due to Leslie is singing with Mae Powell in unison. That`s very sexy. The most important – Wes Leslie is very convincing in all aspects of his music. Calm fingering on the guitar are backed up with sporadic horn sections and orchestrated flavour and hazy electronics adding an appealing Americana touch to the soulful blend. Last but not least – it is an outing for a contemporary listener – it embraces 18 minutes during the course of a handful of ditties. Fairly accomplished.

5/27/2017

Drehkommando - Die Toten haben Strassen


[Teaser of the day] Momus - Rhetoric


  • Singer-songwriter
  • Alternative pop
  • Synth-pop
  • Art pop
  • Indie pop
  • Electro-indie

Artist: Momus
Release: Timelord
Label: Ubuweb/Creation
Year: 1993

[Teaser of the day] Ajna - The Coldest February


  • Ambient
  • Avant-garde
  • Drone
  • Post-classical
  • Microtonal
  • Soundscape
  • Minimalism
  • Epic
  • Ambient drone
  • Experimentalism

Artist: Ajna
Release: Elusive Spaces
Label: Treetrunk
Year: 2015

[Teaser of the day] Talkative - Dub Jag

  • New Weird America
  • Neo-psychedelia
  • Psych-rock
  • Alternative rock
  • Acid rock

Artist: Talkative
Release: F Sharp Voice
Label: Self-released/Bandcamp
Year: 2016

The Fucked Up Beat – Insomnie (2017)


  • Sampledelic
  • Avant-garde 
  • Experimental electronica 
  • Ambient 
  • Plunderphonics 
  • Modern classical 
  • Leftfield 
  • Electronic music 
  • Hauntology 
  • Oldie music 
  • Piano music

Comment: it has always been a great event while Brett Zehner and Eddie Palmer aka The Fucked Up Beat have issued a subsequent outing. Their music pretends to be the best one worldwide and I have no arguments against it. Why should I? Furthermore, it is ageless because it used to base partly on ageless facets. The duo has employed the samples of oldie music as a main habit to process the sound. I really hope they will get their merited place in the history of electronic and experimental music. So I hope Simon Reynolds, and Simon Goddard and other popular music journalists could find their way to the artist`s music. In fact, they outdo most of the recent sampledelic artists because of representing their music over the restrictions of decades, and technical possibilities, and ideological outlooks, and human-related stupidity and misanthropy as a logical consequence to it. It is just the music. The duo`s music used to sound in an ancient and modern way at the same time wherein different generations are either present in nearby samples or superimposed on each other. If to compare Insomnie to The Fucked Up Beat`s earlier issues then I have to admit it is a little bit sparser and even more slowed down, however, it does not mean its production is inferior and weak in some way. No, it seems to be the duo`s deliberate choice to add fewer glacially glistening synthesised templates to the mix. Frequently it chimes like a post-classical release being tapped out on a dust-coated piano with intention to fade away (at least a listener can perceive the intention throughout the course with regard to many tracks on it). In fact, the miscellany of 19 tracks (clocking in at a 57 minute) is to have a tight focus on ambient and piano songs being recorded from 2011 to 2016. It is bucolic, and majestic, and yearning, and melancholic in its clear mind. And the duo`s 33rd outing is a very sad event because this will be their very last one to start off with new project. The king is dead, hail to the new one. Brett Zehner and Eddie Palmer have been a fine exemplar of democratization of musical production because of issuing music at their own disposal whenever and how much they would like to issue annually. I tmakes me glad that more and more people are finding their way to the duo. Insomnie will again be mentioned in the end of the year 2017. At least in the chart of Recent music Heroes it will be done.

Recent Music Heroes Mixtape #16 (27.05.2017)



1) Calla Soiled - Rhincodon Typus (2015, Lucoq)

2) Seuora - 34512 (2014, The OddBeats)

3) Loose Link And Option Command - Karramantha (Jostle Throng's Ratatak Remix) (2011, Karramantha)

4) Ev3nmorn - Until The Sun  (2012, Solar Waves)

5) Bluebridge Quartet - Karp (2007, Adjusted For Low Noise Tape EP)

6) Chravis Phranklin - Drumset (2016, Loosened Cheap)

7) Decktonic - Dancing All Alone (2016, Unbox Me)

8) Florian Wahl - Cherry Fairy (2016, 14)

9) Heyhill Muangle - Inside (2016, Heyhill Muangle)

10) Spooky Cigarette - Oh Well (2016, As Loud As I Can)

11) Sympathy Points - Height Width Depth (2016, Negative Space)

12) Tunnelbirds - Dark Side (2015, Hohner Sessions)

ST★RS – Four Letter Words (2014)



  • Electronic music 
  • Experimentalism 
  • Lo-fi 
  • Alternative 
  • DIY
  • Darkwave 
  • Synthwave 
  • Drone 
  • Avant-garde 
  • Minimalism

Comment: behind the nom de plume ST★RS is Jay Stevens from Portland, USA whose 4-track debut outing starts off with Gold which chimes like an old tape broken up and being played on a tape player with smeared cartridge. One can hear faint droning and powerless drumming around it. By using headphones one can hear almost nothing. Because of that the purpose of that track seems to be totally unclear. It might be it is thought to introduce the other tracks to create such a sort of effect before. Indeed, the situation will change with the second track, Frag, which is based on a reverberating, vibrant drone showcasing its very minimal approach in the first place. Haze is also a drone-based issue though abandoning its minimal approach and employing blackened smouldering of somehow glistening synthesisers and intense drumming. The final track Tosh is the most hovering one and opened toward outer space. Indeed, Jay Stevens watches the stars in a magnificent way. The solid outing is a part of the discography of Bayshore Records.

[Teaser of the day] Derek Clegg - Turn Back To Me



  • Singer-songwriter
  • Indie pop
  • Soft rock
  • Alternative pop
  • Americana

Artist: Derek Clegg
Release: DC4t
Label: Self-released/Bandcamp
Year: 2017

[Teaser of the day] Baradit - Cyber Photo


  • Techno pop
  • Ambient pop
  • Alternative
  • Kosmische Musik
  • Synthwave
  • Crossover 
  • Electronic pop

Artist: Baradit
Release: Electro Lines
Label: Pueblo Nuevo
Year: 2017

Get- Effect – Trick Ladders (2015)



  • Krautrock 
  • Alternative 
  • Experimental rock 
  • Drone pop 
  • Motorik 
  • Avant-rock 
  • Art rock 
  • Electronic

Comment: this handful of tracks is based on contemporary tendencies of krautrock/motorik music which was initially started off by an early Kraftwerk, and Neu!, and later developed by such artists as Stereolab, The Notwist, To Rococo Rot, Mina, Contriva and Fujiya & Miyagi, for instance. Get- effect is a project from Glasgow, Scotland whose the most distinctive track is obviously Giant On The Hill which chimes like a tribute to Simon Jeffes through fable short waves, and white noise frequencies providing the intriguing background for the catchy, iterative melody. Otherwise, droning, glacially glimmering synths with acidic vibrations are represented there which used to hover over obsessively iterative rhythmic structures and pulsating guitar gears and throbbing synthesised basses. This fabulous outing is a part of the discography of Manchester, UK-based imprint Vanguardista Records.

5/25/2017

[Teaser of the day] Ruffle - Addicted To Your Mind



  • Kosmische Musik
  • Krautrock
  • Synthwave
  • Electronic music
  • Alternative

Artist: Ruffle
Label: Format Noise
Year: 2009

[Teaser of the day] Dust Mill - Light On


  • Electro pop
  • Post-rave
  • Electronic pop
  • Alternative
  • Post-disco

Artist: Dust Mill
Release: Post-Past EP
Year: 2017

The Harvey Girls – The Harvey Girls (2005)


  • Indie pop/rock 
  • Art pop 
  • Alternative pop/rock 
  • Jangle pop 
  • Experimental pop

Comment: The Harvey Girls` 9-notch outing can be considered a classic indie pop album where jangly guitar-based templates are mixed up with synthesised effects and with some electronic music around it. However, recent understanding of indie music is already changed because the synthesisers have conquered the scene and mostly the result used to be quite cold and making no difference. There is no naivety, there is no belief for better future. Frequently all is changed into a repellent electronic gross. Do you like such combos as Kasabian, and 1975? I do not like them. Do you like Primal Scream in the year of 2016 and 2017? I do not like it. However, Primal Scream`s Vanishing Point (1997, Creation) is one of the best albums throughout the time. The album starts off with Green Light, the first chords of it remind of Pulp`s Do You Remember The First Time. I like if guitars and synths are balanced on a release or the artists trying to avoid lame synthesised sounds (for instance, The Smiths` album Queen Is Dead, and Strangeways Here We Come, and Blur`s Blur, and Mercury Rev`s Light In You, and Animal Collective`s first five albums, and Sufjan Steven`s albums are great ones with regard to it). The point of mine is also related to the belief that sonic effect based approach cannot replace solid songwriting. The Harvey Girls succeeds doing it. The album embraces catchy melodies and experiments due to song structures and sounds. It is filled with hirsute noises and gentle jingle-jangling sounds, with expressive and restrained moods. Furthermore, I could not resist singing in unison by female and male voices. All is craftily balanced on the album being released under Imaginary Albums.

5/24/2017

[Teaser of the day] C. Reider - Isinglass



  • Dreamwave
  • Alternative
  • Chamber music
  • Epic
  • Post-classical
  • Conceptual
  • Electronic music
  • Ambient pop

Artist: C. Reider
Release: The Plangents
Label: Vuzh Music
Year: 2014

[Teaser of the day] Stefano Pasqualin - le dinamiche del fumo nella mia stanza male illuminata


  • Synthwave
  • Drone
  • Minimalism
  • Darkwave
  • Electronic music
  • Alternative

Release: Notturni
Label: Laverna
Year: 2016

[Teaser of the day] PREC - 100 Flowers


  • Experimentalism
  • Electro-acoustic
  • Free jazz
  • Crossover
  • Post-classical
  • Avant-garde
  • Improvised music

Artist: PREC
Release: Cultural Revolution  
Label: Test Tube
Year: 2011

[Teaser of the day] Rolling Calf Sinfonetta - Mano Tou


  • Sampledelic
  • Alternative
  • Jazz
  • Plunderphonics
  • Oldie music
  • Breaks
  • Mood music
  • Electronic music

Label: Webbed Hand
Year: 2004

NL 2X COMP – A SELECTION OF NANOLOOP 2 TRACKS (2008)


  • Bitpop 
  • Chiptune 
  • Acid electro 
  • Electronic music 
  • Nintendocore
  • Electro house 
  • Electro pop 
  • Alternative dance 
  • Tracker music 
  • Conceptual 
  • Electro

Comment: given that the description of chiptune/bitpop/nintendocore/tracker music is based on crashing and crawling rough bits being mostly related to rhythm I guessed I could hear classic chiptune music from the recent 13-notch issue. It is partly so because there are the crashin-crawlin` beats but mostly it chimes differently. More profoundly, the concept of the miscellany is based on Nanoloop 2, the advance gameboy program. It might be the reason can be dug out from there because of being a bit more advanced, developed platform than the previous ones and thereby reminding more of contemporary electronic music. Obviously rbtr`s Yourdogbitme is the only classical one represented over there in its thoroughgoing simplicity and roughness. However, even if I excepted something different to hear I am not disappointed at all because the result is intriguing and intricate full of good, better and even better examples. From minimally designed electro and straightforwardly acid oriented electro pop and sheer electro disco/house grooves (for instance, Tetris Hold`em`s fabulous Behaviour House, and Marcus Rafferty`s The Electron Theory as fabulous as well) and fast-speed galloping to cut-up electro undercurrents and incisive glacial-alike glistening in timbre and sonic effect drenched improvisations. The compilation is released by such label as CatchyNameRecords, and there are up such artists as Rhinostrich, rbtr, Tetris Hold`em, CatchyNameMusic, Marcus Rafferty, Little-Scale, LoBit, and 8bit-Meta. Great compilation. Everlasting.

5/22/2017

[Teaser of the day] This Mess Is Mine - I Have An Elephant In My Pocket


  • Indietronica
  • Alternative pop
  • Lo-fi
  • Electronic
  • Indie pop
  • DIY

Release: The Weekend EP
Year: 2006

[Teaser of the day] Uni - Bassein



  • Indietronica
  • Poptronica
  • Mood music
  • Chilltronica
  • Electronic music
  • Ulmetronica

Artist: Uni
Label: Self-released/Bandcamp
Year: 2016

[Teaser of the day] Viktar Siamashka - Lost In New


  • Free jazz
  • Improvised music
  • Modal jazz
  • Experimental music
  • Avant-jazz

ReleaseShetar dy Petar
Label: Foundamental
Year: 2013

Noskovsolegs – Urbanspace (2009)



  • Hard techno 
  • Leftfield 
  • Powerelectronics 
  • Digital hardcore 
  • Rhythmic noise

Comment: Recent Music Heroes arrives at the discography of Proc-Records. Noskovsolegs` two-notch issue (proc259) is unique in that context because there have been only a couple of releases since involving a video file. As the title says it involves an industrialized landscape of a city, robotically moving plastic statues of comics heroes with frightening angry faces all of that being subjugated to flashing video treatment. Musically it is logically bound because of providing a bond between harsh rhythmic patterns, and white noise drenched mechanic noises. Indeed, by watching the visual scale of my music player I can say all the frequencies are cranked up to the maximum degree. It can be assumed it is the kind of anti-rave music because with such frequencies it may be possible to kill the audience. Very harsh, very peripheral.

[Teaser of the day] Emerson Faria - Assalto (Madame Egocêntrica)



  • Singer-songwriter
  • Indie rock
  • Experimental rock
  • Post-punk
  • Art rock
  • Alternative rock
  • Avant-rock

Artist: Emerson Faria
Release: Terminal
Label: Self-released/Bandcamp
Year: 2017

[Teaser of the day] ps - Slick With Crimson Blood


  • Post-industrial
  • Dark ambient
  • Glitchtronica
  • Experimentalism
  • Illbient
  • Spoken word
  • Avant-garde
  • Leftfield

Artist: ps
Release: Volatile
Label: Enough
Year: 2017

[Teaser of the day] Number Eleven - Debris


  • Industrial electro
  • EBM
  • Dark electro
  • Alternative
  • Drone pop
  • Neoclassical
  • Electronic music

Artist: Number Eleven
Release: Autism
Year: 2017

[Teaser of the day] Acrossthevacuum - Stream


  • Improvised music
  • Guitar ambient
  • Electronic music
  • Post-industrial
  • Leftfield
  • Illbient
  • Avant-garde
  • Post-psychedelic
  • Electro-acoustic
  • Drone
  • Experimentalism
  • Minimalism

Release: Stream
Label: Mahorka
Year: 2017

[Teaser of the day] Graphic Antics - Giants


  • Hip-hop
  • Experimental hip-hop
  • Rap
  • Urban music

Year: 2017

Tarred Brigade – HoneyMoon (2008)



  • Psych-rock 
  • Weird folk 
  • Americana 
  • Free folk 
  • DIY 
  • Lo-fi 
  • New Weird America 
  • Psych-folk 
  • Drone folk 
  • Epic 
  • Chamber folk 
  • Blues

Comment: it makes no surprise altogether Tarred Brigade comes out from Baltimore, Maryland, USA because of representing either a second or a third wave of the New Weird America movement. For instance, all of us used to recognise the fact Animal Collective came initially out from this city though musically Tarred Brigade is a bit different, a bit more countryfied case. It is recorded on a 4-track recorder being rustic and majestic at the same time, being abrasive and hypnotic at the same time, being bucolic and solemn simultaneously. Its droning earnest halation being frequently mixed up with psychedelic templates may remind more of such combos as Espers, Six Organs Of Admittance, and Children Of The Drone (the last one is an improvisational combo from Exeter, UK). For sure, additionally to the aforementioned folk element there are also up certain indie facets and the downright Americana tradition. On the other side, at I Fear An Eclipse the listener can figure out a combo to be influenced by a British act called Penguin Cafe Orchestra. The only (format-based) problem is about the amount of the tracks represented over there. In my folder there are up 6 tracks in comparison to the amount of 4-tracks at Free Music Heroes (it is devoid of such compositions as Haunting the Majesties!, and My Jewish Blues). It might be these are the hidden ones while one is downloading the release. Outstanding issue in any cases.

Blamstrain – Kavel EP (2002)



  • Dub-house 
  • Electronic music 
  • Ambient dub 
  • Dubstep 
  • Hauntology 
  • Abstract 
  • Ambient techno

Comment: Blamstrain is a Finnish producer whose 31 minutes being laid out at the legendary German imprint Thinner are something truly divine and mentally overwhelming. Something truly fascinating which must be heard. The words are too weak to transmit the flow of impressions coming out of it. All of that used to happen 15 years ago when Blamstrain was a young, 16 year-old guy. More profoundly, it happened in 2002 when dubstep as a style was not officially recognised and Hyperdub as an imprint was not established yet but there were certainly some artists who were going ahead of its time. For sure, you can hear slowed-down subwoofer frequencies dominating and driving glitched-out and microscopic noise blended vinyl-alike hiss and crackle-tinged terrains which stand there as on its own and on the other side it is also the fine background for fragmented yet bittersweet melodies as if a channel for the listener who would like to go back in time to visit sweet places and beloved periods (especially at Kuluntalahti). Hence the artist does have the similarities with The Caretaker, and on the other side, some ambient moments remind of Mille Plateaux related stuff like being produced by his compatriot Vladislav Delay, and Gas. By listening to it you do not think of people as the kind of clever swines (or some swines are clever than others – by paraphrasing Moz who does have birthday today). All I want to say it just one word – classic. Must own and listen to it.

5/20/2017

Momus - I Was a Maoist Intellectual

[Teaser of the day] Blit - Aire_Perplejo


  • Electro 
  • Alternative dance
  • Post-dubstep
  • Deep house
  • Electronic music

Artist: Blit
Release: Fauna Ficciòn
Label: Modismo
Year: 2017

[Teaser of the day] Monkey Warhol - Lunar Orbit


  • Electro pop
  • Alternative dance
  • Post-disco
  • Acid electro
  • Electronic pop

Artist: Monkey Warhol
Release: The Darwin LP
Year: 2017

[Teaser of the day] Amitron_7 - Tonicshifter


  • Electronic music
  • Experimental pop
  • IDM
  • Techno pop
  • Clicks`n`cuts
  • Indietronica
  • Crossover
  • Ambient techno
  • Glitch pop
  • Alternative
  • Avant-pop

Artist: Amitron_7
Label: Enough
Year: 2010

[Teaser of the day] Dya - Night Visions



  • Chipbreak
  • Chiptune
  • 8-bit
  • Avant-electro
  • Electronic music
  • Kosmische Musik
  • Electro pop
  • Nintendocore
  • Bitpop
  • Tracker music
  • Alternative dance

Artist: Dya
Release: HalloWIN
Year: 2016

[Teaser of the day] The Fucked Up Beat - Across the U.S. In Dream Auto



  • Dreamwave
  • Drone
  • Hauntology
  • Avant-garde
  • Ambient drone
  • Leftfield
  • Synthwave
  • Experimentalism
  • Sampledelic
  • Electronic music

Release: Insomnie
Year: 2017

Njotoz – Amazing (2012)



  • Indie pop/rock 
  • Alternative pop/rock 
  • Soft rock 
  • Pop rock 
  • Soul rock

Comment: there is another issue by an Indonesian artist and Indonesian imprint at Recent Music Heroes. The previous ones were The Barsand Mars, and Susu Ultrarock Records. Njotoz`s Amazing is clearly a disparate issue in comparison to The Barsand Mars` Teen Smiths Pizza (The Bars Version) because of playing gentle guitar-based music wherein the lyrics are sung in English and in Indonesian (or in local languages – sorry for my incompetency with regard to it). Hey You, and the self-titled track are gentle ballads with expanding orchestrated sounds and predominant vocal delivery. In fact, Hey You is a beatific soul(rock) ditty. At Selamat Ulang Tahun the ensemble employs more electricity to be pulled through guitars though providing a ballad song in principle. It is a short case – just three tracks and approximately 15 minutes. This fine release is a part of the discography of Mindblasting.

The Barsand Mars – Teen Smiths Pizza (The Bars Version) (2015)



  • Electronic pop 
  • Chiptune 
  • Tracker music 
  • Synth music 
  • Chipbreak 
  • 8-bit 
  • Bitpop 
  • Nintendocore 

Comment: Susu Ultrarock Records is a part of an imprint conglomeration called Indonesian Netlabel Union. Of course, there are represented the wide range of miscellaneous audible things within it. The recent issue is a frantic shift between wobbly 8-bit breaks and Nintendo intended rhythms produced on The Commodore 64 and catchy synthesised melodies and arousing harmonies (in fact, obviously being tapped out on The Commodore 64 either). The issue embraces 7 tracks yet being very short-running – just eight minutes and a half minute in total. On the 21st of May (by the way, the birthday of Kevin Shields, the frontman of MBV) while listening to it in early morning it makes difference for me. I think it will make difference for the upcoming mornings and afternoons and evenings as well. The issue is an example of music which may be considered to be produced on primitive, even infantile hardware by contemporary standards yet the music chimes agelessly. Get it and eat that pizza.

[Teaser of the day] Animal Collective - Applesauce


  • Experimental pop 
  • Electronic
  • Freak folk
  • Weird folk
  • Neo-psychedelia
  • Avant-pop
  • Live session
  • Indie
  • Free folk
  • New Weird America 
  • Alternative
  • Psych-folk
  • Leftfield pop

Label: Archive.org
Year: 2012

[Teaser of the day] Robert Farrugia - Above The Fog


  • Ambient
  • Art music
  • Post-classical
  • Avant-garde
  • Epic

Release: Mist EP
Year: 2016

[Teaser of the day] Ergo Phizmiz - Thirst Class


  • Avant-garde
  • Dada music
  • Sampledelic
  • Glitchtronica
  • Experimental pop
  • Plunderphonics
  • Avant-pop
  • Leftfield pop
  • Experimentalism
  • Electronic music

Artist: Ergo Phizmiz
Release: DIK DOK
Year: 2013

[Teaser of the day] Dream Girl - Belltower



  • Alternative rock
  • Post-rock
  • Crossover
  • Post-metal
  • Epic
  • Electro-rock

Artist: Dream Girl
Release: EP1
Year: 2017

[Teaser of the day] PS - Stevie Nicks


  • Ambient
  • Drone
  • Minimalism 
  • Ambient drone
  • Experimentalism
  • Avant-garde

Artist: PS
Year: 2017

Copy Wrong #1 (2012)



  • Avant-garde 
  • Experimental 
  • Plunderphonics 
  • Harsh noise 
  • Grindcore 
  • Sampledelic 
  • Non-music 
  • Electronic music 
  • Sound collage 
  • Leftfield 
  • Freeformfreakout

Comment: by Wiktionary the term “copywrong” does mean the unethical use of, or disregard for, copyright law. Indeed, this miscellany of 13 tracks by 11 artists (or 12 artists because one of the artists is tagged as unknown and by Luxurious Dagger there are up a couple of tracks) is an example of how popular music can be changed into something peripheral and extreme being heavily mutilated, slowed down and excessively mixed together (for instance, J-pop-based light-hearted harmonies are interlaced with harsh noise torrents, or Luxurious Dagger`s version of The Beatles` Come Together is thoroughly ravaged, or different styles used to play from the both channels at the same time or being switched on and off incessantly. There are also up weird samples, barely audible sonic layers as if being thrown into water. Reality around an average listener is substantially warped and changed into mayhem. There are represented such artists as Ben Presto, Public Domain, noiseoftherose, Luxurious Dagger, MBD, Captain Missouri, Third Organ, Ryder Farms, Hat Goblin, Otto V. Rhino, (o)†hers, and The Implicit Order. This miscellany is represented by Eye Machine Recordings. I guess ideologically a purpose of this issue may be related to capture some basic pop values and employ them ridiculously to derail the mainstream control and intention to manipulate with the people in a certain way.

5/18/2017

Arze Kareem – Akstrumentals Vol.2 (2011)



  • Nu jazz 
  • Breaks 
  • Sampledelic 
  • Acid jazz 
  • Sound collage 
  • Hip-hop 
  • Synthwave 
  • Trip-hop 
  • Electronic music

Comment: this bunch of 6 tracks is represented by the Latvian beat maker Arze Kareem whose cocktail is a sultry blend of crunchy hip-hop paces and scratches and trip-hop rhythms, cinematic samples and yearning vowel effects, hovering and boldly laid out synths and synthesised orchestrations, and lonely piano chords and even some rock music bottoms here and there. The short-running 6-notch outing is a part of the discography of Audiocast Productions. Belonging to the top tier of sampledelic/sound collage/nu jazz/trip-hop music. A logical consequence thereafter is to go to the first volume of Akstrumentals. And then to the other issues by the artists and then to the discography of Audiocast Productions.

5/10/2017

[Teaser of the day] Erich Schall - Saxblock


  • Improvised music
  • Dub-techno
  • Acid jazz
  • Sampledelic
  • Crossover
  • Sound collage
  • Electronic jazz
  • Alternative
  • Nu jazz

Artist: Erich Schall
Release: Sonde
Year: 2016

5/09/2017

[Teaser of the day] 16 Lovers Lane - Inside Outside


  • Indie pop
  • Alternative pop
  • Dream pop
  • Slowcore

Year: 2011

[Teaser of the day] Channel Surfing - Vietnamese Rainstorm



  • Experimental electronica
  • Ambient
  • Vaporwave
  • Acousmatic music
  • Field recording
  • Improvised music
  • Avant-garde
  • Sound collage
  • Micronoise
  • Electronic music
  • Leftfield
  • Alternative

Artist: Channel Surfing
ReleaseParadox In The Bathroom
Label: La bèl
Year: 2017

[Teaser of the day] Children Of The Drone - untitled 4


  • Improvised music
  • New Weird England
  • Free folk
  • Live session
  • Trance folk
  • Raga folk
  • Psych-folk
  • Avant-folk
  • Weird folk

Year: 2005 

[Teaser of the day] Enrico Falbo - Trance-Forme


  • Krautrock
  • Avant-rock
  • Kosmische Musik
  • Ambient
  • Experimental rock
  • Avant-garde
  • Electronic music
  • Experimentalism

Artist: Enrico Falbo
Release: Tranceformer
Year: 2017

Warchalking – Diplomancy (2013)



  • Indie rock 
  • Alternative rock 
  • Blues rock 
  • Psychedelic rock 
  • Americana

Comment: there are up 13 tracks clocking in at a 40 minute being released under such platform as Daydream Generation being closely related to another platform, Quixodelic Records and now defunct CLLCT (oh yeah, I miss all the music being ever released under CLLCT). The platforms have been existed to bring varicoloured music to the world. From alt-folk/indie-folk to New Weird America and space pop to lo-fi and DIY-tinged experimental pop. Unfortunately I have not yet listened to Warchalking`s two previous albums before it but there is said it embraces the drums and a bass guitar for the first time. Before it the project was just Kris Baranovic, a man with an acoustic guitar. A first thing you can perceive on it this is power (read: electricity) added to the mix though you can clearly perceive acoustic guitar induced stumming on it. At times it is Americana-tinged, at times it is the sort of adult oriented rock, at times it is psychedelic, at times it is blues rock coloured. It is a nice listening.

5/08/2017

The Bordellos – The Bordello underground tape vol 5 (2017)



  • Drone rock 
  • Alternative rock 
  • Indie rock 
  • Psychedelic rock 
  • Garage rock

Comment: for me, any of The Bordellos` subsequent issues is a special event. This is the fifth tape by the St Helens, English-based combo and one has no chance to get disappointed. And having had no chance to get disappointed with regard to The Bordellos` aesthetics so far. At Temperature Drop [wa12 radio session] it starts off with a slowed-down organ droning accompanied by the lyrics chanted by Dan Shea reminding slightly of Mozza`s own. Indeed, we`ll crumble into dust. That`s the fact. All the thing depends on a certain person`s strength is he ready to reach new goals or is he obsessed and be morbidly overwhelmed. In other words, it a man`s fight with his/her own. Take in Prozac, take in Xanax. On the other side, at Sun Storm [Brian vocal] chimes like a version of a decelerated Jason Pierce providing hints at Ian Curtis either. I'm A Man [version 1] is a wild mix of decimating garage rock and Tex-Mex tendencies being obviously the most challenging track within it. I guess there are up not enough tracks in the world being driven by harmonica, and in this case the instrument is very furious. It is followed up a tranquil ballad called Autumn Grey. But you should not be suspicious altogether – it is a ballad of The Borellos` on its own terms. In a nutshell, it is a short yet multi-faceted issue which seems to be a honest outing because of following the human nature. 

5/07/2017

More Material ‎– Snow Owls For A Better China (2004)



  • Hardcore 
  • Screamo 
  • Alternative rock 
  • Electro-metal
  • Technical metal 
  • Alternative metal 
  • Harsh noise 
  • Trash metal

Comment: it may be a sort of indie rock but it is certainly in the terms of a record label called NORTHAMERICANHARDCORE. More profoundly, it is based on aggressive guitar riffs, anxiety fuelled vocal and screaming mixed lines, incisive electronics and slightly haphazard drumming around it. It is not fake, it is lively true. It starts off with a math rock tinged pattern to progress slowly into something harsher and suffocating. In fact, I cannot resist such sort of thrusting yet somewhat controllable dementia. Indeed, a listener can often perceive mechanical patterns behind this tumultous firework. The final minute is only dedicated to penetrating harsh noise. There are up 5 tracks to be clocked in at a 20 minute. The overwhelming issue is the 26th release in the discography of the imprint.  

5/06/2017

F600 – Dos Puertas y un Puente para una Banda Sonora (2016)



  • Electro-acoustic 
  • Avant-garde 
  • Improvised music 
  • Experimentalism 
  • Post-industrial 
  • Techno

Comment: if to compare F600`s previous issue At Home Like a Tourist (2015, Pueblo Nuevo) to his recent one the new one is a little bit different case. At At Home Like a Tourist the listener could enjoy dub techno, ambient, electro pop, dubstep, and electro pop patterns but the recent one is wrapped up in electro-acoustic reverberations and incisive digitalized sounds. Indeed, it is also a rhythmic case but it is definitely different. It is a sort of abstract techno if the rhythms start to take shape. At times the sounds are boosted with thick, low frequency-ranged drilling synths. By the way, the album consists of two long tracks with total extent of a 32 minute. Similarly to the artist`s previous issue the recent one is a part of the discography of Pueblo Nuevo. 

5/05/2017

Nunun – Inner (2017)



  • Post-rock 
  • Indietronica 
  • Experimental rock 
  • Ambient rock 
  • Improvised music

Comment: after a span of five years and the album Seven Mirrors the duo Nunun (Cesare Discepoli – guitar, effects, and Massimo Discepoli – drums) are back again with a 32-minute issue called Inner. Partly it is improvised music, partly it seems to be a determined outing wherein one can enjoy spacey landscapes where shaky sounds of the drums and drum kits are mixed up with volatile synthesised strings and over-driven guitar chords. Of course, it is just a main line on the issue but one can discover more templates which used to describe the release. Murky moods are variegated with more silver-tinged lines, slowed-down compositions are to be replaced by more fast-paced numbers. The issue is a part of the discography of Acustronica. A solid issue.