Ak'chamel, The Giver Of Illness – Fucking With Spirits (2013)

Free Music Archive

Centipede Farm

• Avant-garde 
• Experimentalism 
• Freeformfreakout 
• Abstract 
• Drone 
• Post-industrial 
• Improvised music

Comment: this set of 7 tracks continues to unveil the madness of the artist whose first outing was Old Norse Mara (2013) being issued some months before. The title is appropriate, of course, I feel myself like being a witness of a live bed show directly coming out from the Brocken/Blocksberg mountain. I first thought the issue to be pigeonholed as lo-fi and DIY among other ones yet obviously lo-fi says very little about it – it might be it is a simulacrum of it yet on the other side, there is no obvious need to create it – it is an original synthesis which might be something between a new coming of Captain Beefheart, and Sun City Girls. Or it might be a five times darker version of Animal Collective's Campfire Songs. More profoundly, blackened dirges are up there to slowly change into abstract sort of slowed-down drones, then again trance-inducing rhythms are set up to create hypnotic loops and serpentine labyrinths in one's soul. Intensities are up there to get variegated – it is the true algorithm of it. From lethargic witch dreaming to exalting bipolar appearances to come in a way you will find eventually yourself in a state of mind where time and space as the parameters of our physical world are completely eradicated. The mind-provoking outing is a bit in the discography of Centipede Farm.

Càtodo Dùo – Al Tiro (2012)

Pan Y Rosas Discos

Bandcamp

Free Music Archive

Archive.org

• Improvised music 
• Avant-garde 
• Live 
• Experimentalism 
• Electro-acoustic

Comment: Amanda Irraràzabal (double bass), Ramiro Molina (electric guitar) aka Càtodo Dùo´s music first appeared at RMH some months ago when I wrote about their sophomoric issue Sizigias. Let's have the conversation introspectively. The debut album was different due the scope of instrumentation, the debut one was without analogue synths (played later by Amanda Irrarràzabal) by resulting in more dry timbres, suppressed noises and clanging and fewer electronic effects. However, it is an intriguing 36-minute improvised collaboration between Chile, and Argentina. If they meet once in a while it will result in music. Given that one does have enough attention in music and inclined to jazz and improvised glass bead game. The 2-track composition was recorded live on June 3rd, 2012 at Piso 3, Santiago De Chile. Similarly to the second issue the debut album was also recorded on Pan Y Rosas Discos, an imprint from Chicago, Illinois, USA.

The Rabbits – That Cave of Love Part 1 (2008)

WM Recordings

Archive.org

Free Music Archive

• Avant-rock 
• Alternative rock 
• Art pop
• Cinematic
• Noise pop
• Fuzz pop 
• Comedy pop 
• Experimental pop

Comment: The Rabbits` third outing on WM Recordings is playful and sardonic, entertaining and poignant at the same time. I have no understanding why such sort of music does not make up music charts because in fact it does have everything. Obviously it is way too dizzy for masses and all those influencers, opinion leaders and bosses of music labels who wish the world would be full of "of chickeny softness” while the world need heroes instead of it. The 9-notch outing was issued in 2008 yet it would predict what used to happen today when bloody political correctness embraces all within a society. I do not think that all sort of the so-called liberal activists with gleaming eyes could change world into a better place. I guess their pretension to make it is filled in with half-truths, faulty assumptions and partial knowledges while pretending to be idols by their public ambitions. More profoundly, one of the consequences is that young people are eunuchised by it and locked in porn sites. In truth, it is ridiculous to see all of that for a critical bystander. Do you think is it possible to change someone into a god who is a sort of animal (even if he/she does not recognize it) and headed by drives and subjugated to natural laws? Of course, it is the premise for so-called divine comedy. I do not believe in revolutions anymore, I believe in art and music and an organic way of living instead of it. I believe in a sort of patchwork through music which is represented over there – from dadaist outbursts and noise/fuzz pop spans to slightly pop-oriented developments and astounding blissful cinematic undulations and ork-pop quests. And the most important point – there is up freedom one could not find out from a recent society anymore.

gunctrl – Obituary Cocktail (2017)

Reverse Engine

Free Music Archive

• Lo-fi 
• American Primitivism 
• DIY 
• Krautrock 
• Experimental rock 
• Electronic 
• Drone rock 
• Art pop 
• Americana

Comment: Joe Wozny and Dave Merson Hess spawned the idea to get together in music while having a strike as mattress sellers in Houston. As musicians they both did have a base from earlier times and therefore one should not surprise at all while hearing an adept and stylistically wide result. They play an impressive range of instruments on the 10-track debut album. From immersive acoustic guitar playing and epic Americana and ennobling drone rock progressions to lo-fi poppy electronic and convulsive kraut glimpses it can be considered their drive to come out and fulfill their need for new music. The solid outing is a bit in the discography of Reverse Engine.

Ak'chamel, The Giver Of Illness – Old Norse Mara (2013)

Sirona-Records

Free Music Archive

• Apocalyptic folk 
• Dark folk 
• Neofolk 
• Psych-folk 
• Improvised music 
• DIY 
• Improvised music 
• Lo-fi

Comment: with regard to the title and first of all to the nature of music it is a very unusual case of folk music. It is like an example of folk music which were a more conventional case if European nations would have rejected Christianity and gotten overwhelming power from their gentile roots. Like their mighty precursors Vikings and Celtic tribes having power to fight like berserks and having much in common with Nature which is a true face of God. Christianity is a bloody occult of the guilt. The more you are the so-called civilised the more you think of yourself to be sophisticated the more you used to be more declined and rotten in reality. This bunch of 7 tracks is something getting its frenzied power from the remote past. Of course, any kind of life used to provide some sort of interruptions and disturbed visions yet the main course of this thing is right. Additionally to neofolk and dark folk threads one gets impressed by lo-fi approach and free form psychedelic folk numbers a la Sun City Girls. Old Norse Mara was the artist's debut outing released on Sirona-Records, and Chaos Of The Stars.

Alien Trilogy – Live at WFMU for Spin Age Blasters, 8/14/2018 (2018)

Free Music Archive

• Electro punk 
• Art punk 
• Post-hardcore 
• Live 
• Screamo 
• Crust punk 
• No Wave 
• Noise rock

Comment: there is no foreplay into the core of this 13-notch issue being released live at WFMU. Post-hardcore, screamo and noise rock influenced intense noodling based on angular guitars, screeching vocals, blasts of the drumming and discordant synth tweaks to present all that stuff in a repetitively overcoming manner. All of that reminds me of a resurrection of the No Wave movement a bit more than 10 years ago through such projects as Black Dice, Lightning Bolt, Black Pus, USAISAMONSTER, Hella. One can hear more clear moments varied by horrified flashbacks and decays of the mind. All but not least I am happy Free Music Archive and much amazing music got saved by another yet different platform.

Lucía Chamorro - Luna Anfibia (2017)

Pan Y Rosas Discos

Free Music Archive

• Abstract 
• Experimentalism 
• Avant-garde 
• Electronic music 
• Electro-acoustic 
• Improvised music 
• Post-industrial

Comment: in the second half of the 00s and the first half of the 10s a major experimental music platform was a prolific Moscow, Russia-based Clinical Archives, since then fecund France-based Sirona-Records, and after it ceased to exist fertile Chicago, US-based Pan Y Rosas Discos is up there to provide us sounds mostly from improvised, free jazz, sound art, and at times from experimental/avant-rock world. Fortunately there is also up Portuguese imprint Enoughrecords having already been active since 2001. This 9-track album is created from recordings of sound environments and free improvisations. She sought to recreate situations and sound environments of imaginary places, proposed new ways of listening and re-value the everyday soundscape. Musically it is intriguing as if consisting of elongated sonic snippets and warped ambiences which in turn seem to be created from concrete sounds, indecipherable voices and vowel and electronic effects. By the way, I can hear mutant cicadas and stoned cats to be singing. Now and then, for instance, at Pacto Roto one can partake in an enchanting rhythmic pattern which seems to come from nowhere and last for a while. She was backed up by such artists as Jimena Arruti, Lucía Campugiani, Nicolàs Gonzàlez, Ingrid Palacios, Laura Rodríguez, Elena Solis and Agustín Texeira. Indeed, very pro by any means and full of pleasure to be discovered.

CLOUDWARMER – Anthropocene (2018)

Free Music Archive

Bandcamp

• Sampledelic 
• Plunderphonics 
• Sound collage 
• Hauntology 
• Avant-garde 
• Art music 
• Experimentalism 
• Electronic music 
• Spoken word 
• Exotica pop

Comment: CLOUDWARMER is the project of Brett Zehner, and Eddie Palmer, previously the duo was being known as The Fucked Up Beat (a favourite of mine). As if a couple of conspiracy theoreticians and practitioners in sound used to have had a fun on these as numerous as approximately 20 albums. In general, they continue along an analogue way by using haunting, by its nature ominous speech samples and exotic yet by its nature a bit frightening, a bit otherworldly twisted rhythmic patterns to convey a disaster-ridden world (where the human being and nature welcome each other in an acrimonious way) to us what catastrophic disasters have happened throughout the last 70-80 years. Musically the main difference could be considered by employing doom-laden, noisy sweeps occasionally. For misanthropists this 12-track issue would be a good source to formally refer to the adverse consequences and therefore to their own species as a failed one but for others it would be a pleasant journey through labyrinthine sonic corridors and arousing fear stricken moods to get travelled. For whom this world belongs to in fact? For me? For you? For them? If it so who are then those 'them'? Should it be owned by someone at all? Are we just the pawns in the field of the so-called divine comedy? The mentally overcoming release was issued at Free Music Archive, and Bandcamp.

Oblivian Substanshall – Finnish...But Don't Wait Till You Stop (2010)

Chinstrap Music

Free Music Archive

Archive.org

• Comedy 
• Parody 
• Dada music 
• Avant-garde 
• Art music 
• Storytelling 
• No Wave

Comment: this set of 15 compositions is something much more than one could expect from an ordinary, smooth issue after first chords. Of course, given that these 41 minutes are released by Chinstrap Music, the imprint led by Ergo Phizmiz (the cover design is also made up by him) then one should not have been surprised at all. All those surrealistic texts and impressively shifted storytelling reflecting upon the madness and tension being prevalent around us to be resulted in something totally different through our unnerving dreams and serpentine subconsciousness. It is a fertile sole for a genuine art. Undoubtedly the cognitive dissonance used to surface more distinctly being juxtaposed to an ordinary pop assemblage at the first glimpse (a part of the whole is an obvious No Wave din, though). You know an ordinary pop issue embodies something to be hold back and there is a twisted doctor to make experiments with it. Furthermore, to employ an ordinary approach it even more provides possibilities to undermine everyday's life and its dullness. Is it either a diagnosis or an effective result it does not make sense in fact. Let's say 2 in 1. Very pro to add it to a best list of surreal/dada music.

Tony Diana – Orbis Alius (2018)

Enoughrecords

Archive.org

Jamendo

Free Music Archive

Bandcamp

• Dark ambient 
• Electro-acoustic 
• Post-industrial
• Art music 
• Space music
• Abstract 
• Electronic music 
• Neoclassical

Comment: this 10-track issue consists of the collaborations by Tony Diana with different artists like Glen Sogge, Boson Spin, Tyler Jones, Darien Davis, Anthony Armondo, Lambmother, and Sergiu Salagean. In overall, the impression is mind-blowing due to intensifying and magnifying progressions based on murky ambient-infused landscapes, massive electro-acoustic rattling, spaced-out vocal ruffles and gleaming synthesised tentacles throughout the course. At times those impregnable blackened walls will be traded either for more softened rhythms or stellar sonic effects. What it would be like to travel to another dimension with music and then back again. You can hear it, you can feel it. Play it loud, partake physically and mentally in it. I guess the ultimate experience would be something mystical and out of this world. The powerful issue is a part of of the discography of a Portuguese imprint, Enoughrecords.

Macchiato Funky – Bugella 20-50 (2018)

La bél

Free Music Archive

Bandcamp

Archive.org

• Post-rock 
• Indie rock 
• Alternative rock 
• Yacht rock 
• Art rock 
• Electronic 
• Funk rock

Comment: Macchiato Funky is a quartet from Italy whose line consists of such musicians as Michele Seggiaro (guitar), Massimo Ferretto (guitar), Nicolò Seggiaro (bass guitar), and Adriano Bossola (electronic & production). I would like to compare Macchiato Funky with Tortoise but the main difference between the combos is that Macchiato Funky`s music used to lean more toward yacht rock-ish horizons rather than flirting with jazz-y edges. Yet, the line between these stylistic characterizations is relatively thin. At times even funky rhythmic patterns used to drive the course (however, it is a bit more synthesised funk than the music of Pop Group, or Gang Of Four due to prominent role by Adriano Bossola). Similarly to Tortoise they use electronic layers and sonic effects around the pace in an adept and intriguing way. Otherwise, the music is an artsy alternative rock/post-rock example being issued on an Italy-based imprint, La bèl. Great album by any means.

Brice Catherin – Best Hits – Recent Works For Percussion Ensembles (2016)

Pan Y Rosas Discos

• Improvised music 
• Avant-garde 
• Experimentalism 
• Electro-acoustic 
• Live 
• Conceptual

Comment: this bunch of 5 compositions is not a usual way for defining his/her own oeuvre. Indeed, the French composer Brice Catherin's music is being far away from an average pop album, far away from an average pop jazz issue either. It is a tight improvisation by exploiting magnified cello chords, droning melodica spans, storytelling, windbells, intense drumming. The description can be attributed to the chronologically second part of the issue dedicated to Baubo, the mystical goddess of fertility and performed live by the Norwegian Pinquins in Oslo. The first part being inspired by a Russian composer of classical music, (Galina Ivanovna Ustvolskaya), rotates mentally and physically around one piano being played by three pianists and two percussion players though they use their voices as well (Ensemble Batida). Musically it is an affair between tumultuous progressions and sonic clusters and on the other side by silent, as if still life incantations. This is the fifth issue by Brice Catherin on Chicago, the US-based Pan Y Rosas Discos.

Vavabond – No-Brain Improv (2016)

Pan Y Rosas Discos

Free Music Archive

Bandcamp

• Improvised music 
• Avant-garde 
• Microtonal 
• Glitchtronica 
• Experimentalism 
• Electronic music 
• Abstract 
• Drone 
• Avant-electronica 
• Experimental electronica

Comment: this issue being released on Pan Y Rosas Discos is played by Li Qing, Liu Xinyu, and Adam Macgregor in an exhausted state of mind with intention to reject the purposeful work of mind and brain being switched off as much as possible behind it. It is a paradoxical case to come out as a somehow conceptual work because the concepts are the brain related only. As I have understood the audience was also absent-minded at the performance so for a distant listener it is a privilege to try the both variants. At the moment while listening to it in clear state of mind it is a quite extreme case as if partaking in a recycling process of noisy debris being cut into a thousands of pieces and thereafter organised into either fluffy or faintly drilling droning process. Does represent such a sort of "faulty", messy thing for inability of the body to exist without the brain? Could you perceive any traces of mental energy? Could you see/hear bare electrified impulses running between the synapses across the brain? At least in the beginning the listener can hear a little span of piano playing to be rejected very soon. However, the piano playing seems to be rational and structured. Maybe it was just added to accentuate the following glitched-out chaos. Yeah, it is intriguing in its conceptual and non-musical sense through the process of creating and abandoning at the same time. By its minimal, even defiantly microscopic/tonal approach it reminds of Kaffe Matthews' some works. What's next? After having listened to such a sort of austere yet mind-provoking format for many times in a row I am tempted to put on The Commodores' United LP.

Visciera – Six Bits Of Black Broken Glass (2012)

Headphonica

Free Music Archive

Bandcamp

Archive.org

• Industrial rock 
• EBM 
• Alternative 
• Electronic 
• Synth-pop 
• Experimental electronica

Comment: as you have already figured out the title of this 6-track issue suggests both irony and desperation, humor and painful experiences, love and hopelessness, aggressiveness and humbleness. By considering the issue's cybernetic, industrial-imbued and machine-bent threads the question could be about the relationship between a human being, and a machine. Is the machine controlled by the human being, or vice versa? As you can see from the question and accents related to it the control is that the most important aspect which regulates our everyday's life between the groups, and how much the machines should be subjugated to the human being as a species? Earlier it was an urgent question about the relationship between the human race and nature. It seems that Florian Cziesla tries to find out a fine balance between the aforementioned compartments, between the touch, and determination. More profoundly, you can hear compositions from exquisite EBM-drenched synth pop and solid industrial rock to a stylistically pure EBM example with the lyrics of pessimistic allusions to downright noisy dead ends shedding no light and hope anymore. The solid issue is a part of the discography of Headphonica.

Various Artists - Extremely Mild And Pleasant Tasting - The Best Of Bob Chaos Recordings 1984-1986 (2004)

WM Recordings

Archive.org

Free Music Archive

• Lo-fi 
• Psych-rock 
• Avant-rock 
• Dada music 
• DIY 
• Free jazz
• Experimental rock 
• Freeformfreakout 
• Noise pop
• Acid rock

Comment: this bunch of 22 tracks provides a good overview about the intention and music of such a cutting-edge imprint as cassette-only Bob Chaos (based on Muncie, Indiana, USA) due to a music label from the Netherlands, WM Recordings. Actually it was released in 2004, at the time home recording activities and the New Weird movement started appear in a dizzy way. Actually by such artists as Latent Chaos, Modern Exteriors, The Suadetones, Atomic Butterfly, MCRB, Disposable Air Sickness Band, Sonic Clams, Band-O-Fun, and Soul Celtics the listener can find out many those characteristics which started appear two decades later. Knee-deep psychedelia, at times being deliberately buffoonish and provoking by subverting the so-called established pop narratives. For instance, there is up a slippery version of Goldfinger by The Suadestones, there is also a song being obviously aroused by the Broadway aesthetics as a main sign of Western Capitalism and decadence. At times there are up themes being obsessive in their absurdity and madness being imbued with faint odours coming from the glistening aesthetic of Joe Meek, kitchen sink, space age music, radiophonic art, exploitation genres, and free jazz. I have always adored such sort of bands who dared to provide absurdity as a refreshing colour to the embodiment of music. And the most important thing is that we all are the apes in spite of bearing clothes and by using smart talk. By the way, our closer relatives used to do it as well. In a word, it is fun to partake in that decorous, spiky madness. Would you cut off your dick for art?

Open Work Stocking – Intrude into the Grey Slush (2008)

Enoughrecords

Jamendo

Free Music Archive

Archive.org

• IDM 
• Electronic music 
• Alternative 
• Epic 
• Experimental electro 
• Ambient noise 
• Experimental techno 
• Kraut-electro 
• Kraut-techno 
• Alternative dance 
• Art music

Comment: Open Work Stocking is the Russian producer Anton Tatarinov and this 6-cut issue is his debut release under the Portuguese imprint Enoughrecords. Quite much has changed since the year of 2008 yet it is a very solid result full of gentle melodies and lofty progressions while employing the sharp sounds of noises, glitches, unnerving pulsating electronic rhythms. Intellectually merging together the Detroit-based techno and electro tradition and Cologne and Dusseldorf-based IDM/techno/neokrautrock legacy to pop out somewhere in Russia. Additionally, it is keenly a dance-appealed case and those lightweight orchestrations remind of Arthur Russell. Ultimately I am going to say – it is absolutely stunning being perfectly balanced between the experimentally sophisticated and emotively full-fledged one. It must have towered as an IDM classic.

USAISAMONSTER – 5 (2017)

Mass Dist

• Avant-rock 
• Experimental rock 
• Psych-rock 
• Freeformfreakout 
• Electronic 
• Experimentalism 
• Avant-garde 
• Leftfield

Comment: approximately 10-11 years ago the indie scene was partly headed by such radical experimental combos as Black Dice, Terrestrial Tones and The Lightning Bolt who had made noisy, angular rhythms drenched music. Actually USAISAMONSTER chimes in a quite similar way imbued with squalling guitars, psychedelic electronics and slamming drum mazes and angst and artificial angst and dadaism mixed shouts and shrieks. For making sound is it their way to kill pain? However, additionally there are up some off-kilter spans within a considerable part of the whole for showcasing the combo as a part of the music library compartment and reminding of early electronic music explorations within the academic circles. It is the disparate, more abstract case. In turn, those more restrained moments do resemble a little Animal Collective's early post-psychedelic compositions. At that time USAISAMONSTER abandons more or less rock-alike structures by entering into a completely disparate area. For sure, they recognize conventions as much as a mere matter to get subverted and get destroyed just a bit. It is like a perpetrator used to play with his/her victim. Even if it may seem the negative approach it makes sense. Actually it is not an overtly negative statement. Even more, I guess by creating such a sort of din it is a natural part of their vital bloodstream. This overwhelming 17-notch release (clocking in at a 34 minute only) is a bit in the discography of Mass Dist.

Los Pilotos – The Process Of Learning (2016)

Pan Y Rosas Discos

Free Music Archive

• Krautrock 
• Psych-rock
• Electronic 
• Experimental rock 
• Avant-rock 
• Improvised music 
• Motorik

Comment: just discovered that the 4-notch outing was released exactly two years ago. Behind the project are three men, more profoundly, Eric Es, Alex Morales, and Keith Helt (I guess obviously the one and same person who sends announcements and information about coming brand new releases on Chicago-based imprint Pan Y Rosas Discos to your email address if you are subscribed at the site). They play guitars, the bass, the drums, and synths/electronic devices to produce a dizzy rock embodiment with incisive angle toward knee-deep psychedelia, and avant-garde/avant-rock. More detailedly, the combo employ many electronic manipulations and sampled spoken word cuts to create both disorienting and somehow lofty feeling as if tearing off the conventional social borders around them. They set themselves and the listeners free. All what we want to be is to be free. Scarf Of Hair is a stoned mix of speed metal and psychobilly. Lemmy would have been proud of it. One of the compositions, We Ooze In All Directions, can temporally be considered the central composition because it will have clocked at a 20 minute. However, musically it is an analogous yet exalting case. I like the trio's approach by crafting rehearsal room tinged raw sound (all that massively tectonic romp at the bottom and keyboard skronking atop). The mentioned track reminds of some anti-establishment bound rock compositions like Velvet Underground's Sister Ray, and Faust's Krautrock. It is followed by the self-titled track based on an electronically, filter-heavy and debris filled storytelling and the whole track as a disturbed composition in overall as if driven by a convulsive interplay between the closed and opened stereophonic channels. In a word, it is a truly overcoming, truly cutting-edge release even in terms of the era of postmodernism. What else could I add? The rest of the albums by Los Pilotos the listener could get from within the site of Pan Y Rosas Discos (and Free Music Archive) should also be listened to.

Tinyfolk – Incredible Snow (2011)

Free Music Archive

Archive.org

• Drone pop 
• Singer-songwriter 
• Electronic music 
• DIY 
• Electro-indie 
• Synth-pop

Comment: soon 10 years will be passed by from the moment when I did discover the incredible world of netlabels, platforms like Archive.org, Free Music Archive, Jamendo, CLLCT, The Daydream Generation and many outings within them. There was then the initial, true user-friendly version of Lastfm through which I did contact with Tinyfolk and discovered his releases. Indeed, all his issues were released through Bloomington, Indiana-based CLLCT which was a bottomless source for the contemporary DIY and lo-fi scene of the USA. It is redundant to speak out I truly miss those times. However, Incredible Snow is a 4-track issue and crafted after Ross Woods (now he is she under the name Sara June Woods) moved from Bloomington to the Windy City. Before that he had created a loads of issues of mixed quality but the recent one reflects on his maturity in coherent songwriting and because of it I would like to partly avoid the tag lo-fi although it is a stylistic lo-fi example. It is a great release with melodically catchy teasers although the release is more minimal than Ross/Sara's previous issues. I guess similarly to his previous issues it is created on Apple Garageband but without any guitars and ukuleles. It is fully electronic with synthesised drones and orchestrations. You can hear the female singing occasionally probably belonging to Meghan Lamb from Iron Like Nylon. This is her one of the latest issues before the project came to the end and she started a new project, Pretty Swans with Meghan, and Jim Laczkowski (Garden On A Trampoline).

elconEstharoe – Imenginations (2018)

Murmure Intemporel

Free Music Archive

Bandcamp

• Experimental electronica 
• Avant-electronica 
• Drone
• Experimentalism 
• Electro-acoustic 
• Ambient
• Electronic music
• Avant-garde

Comment: it is said that these 42 minutes come out from a pyramidic-machine, which converts electromagnetic signals and cosmic background into an audible spectrum. Subtlety and roughness are represented simultaneously through the compositions. At times it reminds me of a possible post-apocalyptic vision when all is destroyed but there is a new, powerful impulse to come out as soon as possible to embark on a new life. It contains a lot of metallic hisses and rusty noises as if a sign of the subsequences of a defunct civilization set in ruins due to the corrupted initial premises. Indeed, through all this technical debris as a sign of decay you can hear more mellow sounds like slight orchestrations, spatial ambient hovers as a sign of memories of a once existed full-fledged society. It is like a marred interface or circuit bending which does not function correctly. The bent title Imenginations provides an impulse about the tension and artificial wrongdoing between the abovementioned ones. By perceiving this in that way it is quite painful. The 10-notch issue is a part of the discography of Murmure Intemporel.