8.8
/Dark ambient, Neoclassical, Drone, Modern classical, Classical, Dystopbient, Freeformfreakout, Non music, Minimal, Experimentalism, Abstract, Dark wave, Illbient, Martial, Avant-garde, Synth industrial/
In the same way as Jessie Martin aka Ylnez Payne`s previous, the debut album Oblivion EP (2010) used to be, indeed, the sophomore notch is a very brooding release as well. Actually it is even more articulated and channelized into a mighty form, obviously affording for itself vanguard-ish elements of sound processing and off-kilter sonic formations. What does it mean "serious" in the context of this set of 14 (plus 4) tracks? Firstly, it is an annihilator of your highest (i.e ecstatic feelings), on the other side - in the formal sense - it is an impressive drifting between dark ambient, obscure drone, film noir, dark wave, subdued cybercore, electronically mutilated messages, martial techno and beat-based mayhems and neoclassical orchestrations. Moreover, Payne cleverly takes advantage of not using the hermetical approach of sound recording, yet having no side-effects to be sounded somehow vulnerable. By the way, about those off-kilter sonic formations though? For instance, Beauty Inspired By Darkness (ft. Ricky Revenge) which is a silent, minor key-moulded piano track having a bunch of sinister progressions in the backdrop or Eternal Nightmares For Passive Dreamers which relies on hardly minimal, darkscape-driven developments.
