- Cinematic
- Dream-hop
- Sampledelic
- Mood music
- Breaks
9/15/2014
Mount Eerie Live at Hurricane Creek Grange on 2011-10-05 (2011)
- Americana
- Indie folk
- Alt-folk
- Singer-songwriter
- Folk indie
- Live recording
- Psych-folk
- Dream folk
Comment: by listening to
this 10-track live session can admit that Phil Elverum aka The Microphones aka
Mount Eerie is one of the most imaginative artists showing up his depth and capability
to change every song into an event. The live is performed with another musician,
Julia (who is also from Anacortes, DC Washington, USA) who obviously plays keyboards
invoking fabulous synthesised panoramas and virtuous whiffs out of them.
However, in centre Elverum`s guitar and doleful singing are elliptically
shaped, at times being stretched out and sometimes more stripped down in his
trajectory. The result is a quite short-running but bewitching Americana/indie
folk footmark.
Irrlicht Project – Accident (2007)
- Acid electronica
- Speedcore
- Chiptune
- Breakcore
- Digital hardcore
- Gabber
- Crossover
- Chiptune
- Leftfield
Comment: Irrlicht
Project is a producer from Berlin, Germany being active since 2004. He has
issued 8 albums so far, the last one Dat
Fuzz this year. Accident
consists of more or less danceable music because of its very hectic nature
veering into different genres and manipulating with diverse stylistic elements
and playing with rhythm patterns and at different speeds and pitches. Of
course, he recruits mostly electronic sounds though some samples and
progressions seem to be acoustic and concrete sounds either. At times the
artist`s intention sounds very straightforward, at times more flickering or
spaced-out. The mood is changeable throughout these 12 compositions. In a word,
the artist does not underestimate the listener thereby we don`t give him a heck
as well.
The Sugarcubes - 20th Anniversary Concert, Laugardalshöll (2006)
- Alternative rock
- Indie pop
- Psychedelic rock
- Live recording
Comment: this monumental
live gig includes 20 tracks within 84 minutes by the legendary Icelandic
alternative group The Sugarcubes who was the first Icelandic group reached
international acclaim from the island. The collective and Bjork`s solo career
might indirectly open the way for other Icelandic groups either – Sigur Ros,
mùm, Mugison, Amiina if to name just some combos among others. Although I am
being Bjork`s fan for many years my experiences with The Sugarcubes have not
been so pleasant and expected because of chiming a little bit monotonous and
annoying in longer time spans. On the other side, Kukl was far
more sympathetic thanks to their more avant-garde approach in music and
concept. In true, in live they used to sound remarkably better mostly due to
Bjork and Einar Örn Benediktsson`s erratic and tumultuous singing manner. The
best moment is presented in midway – A Day
Called Zero is a gravity-lost jazz-y wonder.
9/13/2014
[Teaser of the day] Wreck And Reference - Abhorrence
Avant-metal
Experimental metal
Avant-garde
Angst metal
Screamo
Post-metal
Apocalyptic
Noise metal
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