Blogiarhiiv

9/16/2012

Esa Ruoho - On The Hangar of Spaceship Earth (2012)



8.9

/Noise, Psycho-acoustic, Abstract, Soundscapes, Acousmatics, Avant-garde, Experimentalism, Ambient drone, Microtonal, Dystopbient, Illbient/  

Comment: Finnish musician Esa Ruoho is known as Lackluster in the first place. However, this time he has replaced flourishing IDM-esque propulsions mostly with pessimistic, white and grey coloured industrial soundscapes which in turn are composed of corroded and steel-coated particles. At times it sounds like a tribute to Luigi Russolo (whose rigid music already depicted possible shortages and deficits approximately 100 years ago) due to its incisive noise walls and reverberations. Indeed, these 9 long-running compositions used to slightly throb and change their pitch and shape therefore resulting in an alienated moloch and sinister signs reserved for all of us. More profoundly, by its hints and allusions toward the appearances of industrialization it chimes like a gigantic machine initiated by the human being built to maximize the pleasure of the human kind but unfortunately having no breaks to stop at a time and stay under our control. There is no hope and future. Only the last track Terra drones in a more poppy, psychedelic way like an abstract variant of Spacemen 3/Sonic Boom/Spiritualized. In a nutshell, let`s exploit our free will in relation with a particular moral coercion to change this miserable situation and madness.              

9/15/2012

[Teaser of the day] Plusplus - Song for Sonny










GIUSY L@ [DINGUE] - METALIK INSECTS

[Teaser of the day] Makunouchi Bento - Clipe Fericite




Kannabinõid - Kannabinõid EP (2012)



8.8

/Sludge metal, Experimental metal, Doom metal, Stoner rock, Post-metal/

Comment: Kannabinõid (Cannabis Witch) is a quartet from Tallinn, Estonia whose soundscape is filled in with massive bass and gritty drum induced low noise, growling and screaming vocal presentation and obscure lyrics (chanted in Estonian). The outstanding part of the EP is outlined throughout the self-titled track where nebulous vocal lines are dragged over a lopsided territory which is infiltrated with somehow charming malignancy and adorned with dexterous sonic effects and anaplastic shit. The more you listen to it the more you get suffocated in it (so be careful with it). Because of conveying some kind of deviousness and impurity the musical group can be compared with the likes of Talbot, and Wreck And Reference, for instance. In conclusion, they provide confidence and give hope for their sophomore album provided that it will be issued in the future.

Kamikaze Deadboy - Self Titled (2012)




9.2

/Crossover, Ambient, Breaks, Plunderphonics, Jungle, Samplecore, Sound collage, Experimental electronica, Musique concrète/ 

Comment: my first experience regarding meeting the arty aspirations of Halifax, the UK-based artist Keiron Ignorant aka Kamikaze Deadboy was related to the album If You Happy, Buy Me on Echoboy Records back in 2008 which was a 22-track dizzy blend of a tremendous array of frenetic breaks, poignant samples and innovative cores. However, he had been issuing a series of releases on Sociopath Recordings at the end of the 2000s either. This time the British musician gets involved in the list of Sirona-Records offering up 8 compositions spreaded out over 28 minutes which used to wobble in between a little lethargic but relieving spatial plateaus (which consist of dreamy and still life depicting soundscapes a la Pan Am, flourishing orchestrations and solemn church songs) and incisive rhythmic frequencies (based mostly on aggressive jungle rhythm sequences). Moreover, these elements are tightly interspersed with concrete sounds (the insects chirr and the frogs croak here and there). In a nutshell, I am very glad that Deadboy is back with a decent album.