fydhws / aiRless pRoject Split (2011)

Bandcamp

Lastfm

9.5

/Post-rock, Avant-rock, Experimental rock, Krautrock, Art-rock, Space rock, Conceptual/

Comment: behind this split publication do hide themselves two Macedonian experimental ambassadors whose 5-track album is tightly filled in with spacey flamingo-tinged guitar motives (sic!), intense, monotonous krautrock-esque vibrations and the washes of infiltrated guitar noise. Furthermore, the listener can hear lots of amplified guitar effects, "broken" chords, gliding textures, and shifts between still life and noise. In a few words, it is an example of how superb guitar music should be arranged for. You can draw parallels upon the likes...mhm, having actually no idea with whom it can be comparable with because it seems to be so idiosyncratic and refreshing.

ki††y c▲t - Radioheadache (EP 2011)

Bandcamp 

Lastfm

8.8

/Electronic pop, Post-dubstep, Electro-indie, Drag house, Alternative, Witch house, Alternative, Electro-indie/

Comment: these 8 tracks are made up of thick, brooding electronic/synth-driven layers and intense rhythms and epic thudding, though, sometimes is outreaches the borders of the witch house/drag electro/post-dub/dope step style, however, extending to more rock/electro-indie centered compositions. The artist originates from Russia who has issued a handful of EPs and singles (solid ones as well) over the last years.

[Teaser of the day] Remember Me - Eyes Wet With Clarity

CLLCT

Colateral Soundtrack - N/D

Gene Rodemich Orch - Shanghai Shuffle (1924)

78RPMs and Cylinder Recordings

10.0

/Big band, Jazz, Mood music, Exotica pop/

Comment: Gene Rodemich (1890-1934) was a pianist and conductor from St Louis, Missouri, USA who had accomplished scores for numerous films (for Charlie Chaplin, and Frank Buck`s ones) and introduced many NBC programmes. Shanghai Shuffle is a composition to function as an example of the sequence of amusing big band-played chords embellished with more exotic seeds and shades. It is funny, pleasant, and masterfully composed. Indeed, let`s take a trip into history.

Interlard - Gland (2011)

Milk Kitten

Lastfm 

9.3

/Noise rock, Harsh noise, Experimental rock, Crust punk, Avant-rock, Non-music, Screamo, Goregrind/ 

Comment: Interlard, the Birmingham, UK-based musical project is undoubtedly one of the most extreme collectives in Europe. Over years they have practiced grind-ish, soil-eating noise rock (gore metal) which is full of flourishing power and suggestive impetus/ultra heavy thudding or just being more inflected toward instances of unambiguous harsh noise. More concretely, the ensemble can be compared with the likes of Black Dice, Black Pus, and The Lightning Bolt.  Gland includes 4 tracks (or, say, foreign bodies by their contrasts to the whole of pop music) which are deliberately slow-paced, suggestively repetitive ones which at times are accompanied by desperate shouts (Put to Sleep) or used to swivel around an example of grained harsh noise (Doubloons Aren`t Round).

Vèvè Seashore - Seven Years of Gulliver (2011)

DFBM

Lastfm 

9.2

/Post-psychedelic electronica, Avant-folk, Indie folk, Neofolk, Psychedelic folk, Folk indie, New Weird Europe, Experimental folk, Alt-folk, Krautrock, Dark folk, Anti-folk/ 

Comment: Seven Years of Gulliver is the debut album of the Finnish avant-combo Vèvè Seashore. This 15-track album involves a shitloads of elements and a wide array of experiments veering away from examples of quite bucolic (mostly neo) folk-ish guitar twangs and clear-cut singing to much more dizzy explorations which more concretely used to take on musique concrète-infiltrated frames and knee-deep psychedelic krautrock-esque visions to more epic yet otherworldly moments (Seven Inch Script IV (Warsaw Warpig)) and warped folk indie manifestos (I`m a Full Cloud (I`d like to rain)).