5/18/2012
Gene Rodemich Orch - Shanghai Shuffle (1924)
10.0
/Big band, Jazz, Mood music, Exotica pop/
Comment: Gene Rodemich (1890-1934) was a pianist and conductor from St Louis, Missouri, USA who had accomplished scores for numerous films (for Charlie Chaplin, and Frank Buck`s ones) and introduced many NBC programmes. Shanghai Shuffle is a composition to function as an example of the sequence of amusing big band-played chords embellished with more exotic seeds and shades. It is funny, pleasant, and masterfully composed. Indeed, let`s take a trip into history.
Interlard - Gland (2011)
9.3
/Noise rock, Harsh noise, Experimental rock, Crust punk, Avant-rock, Non-music, Screamo, Goregrind/
Comment: Interlard, the Birmingham, UK-based musical project is undoubtedly one of the most extreme collectives in Europe. Over years they have practiced grind-ish, soil-eating noise rock (gore metal) which is full of flourishing power and suggestive impetus/ultra heavy thudding or just being more inflected toward instances of unambiguous harsh noise. More concretely, the ensemble can be compared with the likes of Black Dice, Black Pus, and The Lightning Bolt. Gland includes 4 tracks (or, say, foreign bodies by their contrasts to the whole of pop music) which are deliberately slow-paced, suggestively repetitive ones which at times are accompanied by desperate shouts (Put to Sleep) or used to swivel around an example of grained harsh noise (Doubloons Aren`t Round).
Vèvè Seashore - Seven Years of Gulliver (2011)
9.2
/Post-psychedelic electronica, Avant-folk, Indie folk, Neofolk, Psychedelic folk, Folk indie, New Weird Europe, Experimental folk, Alt-folk, Krautrock, Dark folk, Anti-folk/
Comment: Seven Years of Gulliver is the debut album of the Finnish avant-combo Vèvè Seashore. This 15-track album involves a shitloads of elements and a wide array of experiments veering away from examples of quite bucolic (mostly neo) folk-ish guitar twangs and clear-cut singing to much more dizzy explorations which more concretely used to take on musique concrète-infiltrated frames and knee-deep psychedelic krautrock-esque visions to more epic yet otherworldly moments (Seven Inch Script IV (Warsaw Warpig)) and warped folk indie manifestos (I`m a Full Cloud (I`d like to rain)).
The Smallest Bones - Cross Mountain (2010)
9.4
/Post-rock, Experimental indie, Dream folk, Folktronica, Indie folk, Art-folk, Folk indie, Post-pop, Alternative/
Comment: this is a blissful experimental indie/post-rock release which used to talk to you without words and syllables /except the secong half of the last track). More profoundly, it is filled in with highly harmonious guitar progressions-arpeggios and ascending, a little haunting chords which in turn are embellished with slight dust of concrete/street sounds and silentful rolling of synthetic marimbas and flourishing electronica ultimately having a vast amount of power to enthrall the listener. Behind the project is Julia Kotowski who is being known as Entertainment For The Braindead in the first place. The fabulous result indeed.
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