Blogiarhiiv

5/14/2012

Sanmi - Piano Explosion (2012)



8.9

/Piano music, Modern classical, Experimentalism, Conceptual, Instrumental music/

Comment: Sanmi is the nom de plume of Kyo Yanagi from Nippon who used to operate on the piano throughout the course of 5 tracks. Indeed, it can be considered piano music, though, played on in a very experimental way. It involves austere and poignant arrangements where fluttering chords and hammering phrases are conjured up to create a lot of moods and lot of changes. Everything will change at the time of this trip.     

Dingle - Bitches Get Glitches (2012)



8.6

/Harsh noise, Avant-garde, Non-music, Experimentalism, Freeformfreakout/

Comment: this 3-piece issue is abrasive, threatening, provocative and politically incorrect. The whole includes howling noises, frantic throbbing, ingurgitating signals and thick resonating sonic massives. Now and then it is variegated with phrases about "love of fuck", thereby as you have already figured out it is not thought for children. And it is out of pop for sure. 

MeDo`s Little Trap - Medicine Sound (2012)



9.2

/Baroque folk, Singer-songwriter, Indie folk, Folktronica, Dream folk, Folk indie, Art pop/

Comment: there are up 4 tracks which are filled in with warm guitar twangs and harmonious vocal and some vowel effects, being genuinely intimate and contemplative (the most eminent track it the title track). At times it chirps like an instance of doo wop vibes and providing more electronic and programmed seeds. The whole is issued on La bèl, the Italian qualitative music label. 

5/12/2012

ionoLa - Lo viejo (bizkaybay)

[Teaser of the day] JUNODEFiANCE - Please, Please. Please Let Me Get What I Want (Acoustic Cover/The Smiths)

árbore - Apenino & Raro (2006)



9.0

/Free folk, New Weird Europe, Weird folk, Indie folk, Experimental folk, Drone folk, Avant-folk, Freak folk, Sound art/ 

Comment: àrbore, the Spanish-based musical project provide 9 notches, all of them are instrumental and genuinely experimental progressions. In addition to treated guitar-based outlet a wide array of instruments are proudly represented there. For instance, arpeggio-laden guitar chords are accompanied by melodica-based drones and glockenspiel-based subtlety can be found from there. Furthermore, the whole starts off with sophisticated sound art-esque developments which can be categorized "abstract" if to regard folk-tinged things in narrow sense of this word. On the other side, àrbore`s sound does not follow the common understanding of folk music at all thereby rather being a solid representative of the New Weird Europe scene.   

Wreck And Reference - No Youth (2012)



9.2

/Post-metal, Avant-metal, Screamo, Hardcore, Experimental metal/ 

Comment: I can assume that Wreck And Reference`s previous (debut) album Black Cassette was one of the most fabulous albums in 2011. Without any doubts for sure. However, on their sophomore album they used to abandon their suggestive DIY/lo-fi/and noise-deflected post-metal approach, however, replacing it with more "serious", straightforward elements of metal or the genre-close details (screamo, hardcore, ambient, and elusive orchestrated fillips). Indeed, the listener is challenged of how to fit her/himself into new and a little startling shapes and patterns of the Californian ensemble. The more you listen to it the more natural and organic this 10-track album used to change for. Although the debut release was a more exclusive one the brand new one is very good as well.