4/03/2012
Spuntic - Out Of Step (2011)
/Dubstep, Ambient dub, Experimental electronica, Glitchtronica, Dark ambient, Dystopbient, Illbient, Crossover/
Comment: this project originates from Tehran, the Islamic Republic of Iran providing a 6-piece issue which will be finished off at the length of almost 23 minutes. However, it is a remarkable effort taking on dystopic, formidable compositions which used to appear like the margins of a black hole only infrequently emitting the rays of light and more lighter tonalities bailing out from within the centre of the abyss. In conclusion, there can be said that the ideological point of the release is determined at the crossroads of ominous dubstep sequences, threatening ambient/illbient panoramas, and ghastly silence-near appearences, and glitch-fringed shimmer passim. Yet, a track called Emerging Space seems to have been managed in a way to get into a more spacey, kosmische inquiry as if it were the sonic description of a trajectory of a space shuttle.
Istari Lasterfahrer - That's the Story (2001)
Commie
9.0
9.0
/Industrial techno, Avant-techno, Experimental techno, Robot pop, Avant-industrial/
Comment: just one track spreaded out over 5 and a half minutes. It takes on brooding techno progressions being embellished with spoken word snippets (obviously snatched from an old movie), burning out possible air inbetween the layers within it. Indeed, it is essentially artificial and synthetic, more profoundly, it may be deemed a bow toward machine/robot-deflected, Kraftwerk-esque emotionless aesthetics, and on the other side, it celebrates the tradition of nihilistic old school industrial music particularly running in the vein of Cabaret Voltaire, and Throbbing Gristle. Istari Lasterfahrer is an artist from Hamburg, Germany and the single was released on Commie, a Finland-based blueprint.
Abc100 - Exit Site (2012)
/Electronic pop, Noise, Experimentalism, Avant-electronica, Experimental electronica/
Comment: there are up 13 notches recorded by Alexandr Sinyagin, a literature student from Moscow, Russia. It is assumed his music used to be directly influenced by literature. His sound used to extend from the structures of quelled but chopped electronica to more bubblegum bouncing ones which sometimes run along more poppier pathways. For instance, Sous Cari does have such marks being highly suggestive through its exulting hooks and sequences. Or on the other side, it exploits the templates of more experimental and even pranky details (different kind of noises, pitchbent effects, somehow weird sounds and disrupted developments, radiophonic samples etc). Thus the spirituality of the album used to superimpose with the main slogan of the Headphonica Records. In a nutshell, the whole is brisk, disquieted and lively.
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