11/27/2011
3 Way Split - Trifarious Assault (2011)
Torn Flesh
9.0
9.0
/Grindcore, Noise, Brutal metal, Cybergrind, Crust punk, Post-metal; Doom metal/
Comment: I love this split recorded by three artists and issued on Torn Flesh Records. Indeed, it is ill-natured and a little bit sick, yet, offering up much energy which pours out from the walls of grindcore and doom-veiled anxiousness and angriness. Their posture while gourmandizing the mire assisted by ultra heavy guitars and permanently punching drums and "throat singing" is truly impressive. In true, there are up three artists - What Makes a Time Bomb Tick; Dog Snot; Skull Incision - who convey the brutal forays of metal, and demented punk (or just call this combination grindcore-ish as I mentioned it already above). However, Skull Incision displays more electronic visions differentiated with the help of pure, digital noise-inflected strikes and slaps. An intense yet matter-of-fact listening.
The Never Years - Beko_98 (2011)
/Chillwave, Glo-fi, Electronic pop, Poptronica, Dreamwave, Experimental indie, Alternative/
Comment: behind this project is none else than Jamie Long who was previously known writing electronic-soaked pop music under his own name. Now he is back with a handful of tracks running on the verge and soaring over the plateaus of chillwave/glo-fi plateaus. There are represented blissed-out and lucid ones appearing like the episodes of an unforgettable dream. Let`s call it just panoramic pop which used to gluttonize the stars.
Simon Bird - V (2011)
Bandcamp
9.3
9.3
/Poptronica, Post-psychedelic electronica, DIY, Epic, Shoegazetronica, Electronic pop, Experimental indie/
Comment: Simon himself sent me this album and he did it f..king rightly indeed. He is a young composer from Dublin, Ireland who makes an astonishing sound comprising the elements of solemn-angled shoegaze, sober post-psychedelic electronica, DIY-ish "wastelands" and "junkyards" backed up with the "disaffected" rhythms of big beat and downtempo. You could call it urban tribalism if you wish. While you can see the traces drawn upon the likes of Fuck Buttons, M83, and Seefeel, yet, his sound seems to be even more variable thus being more powerful and sympathetic (except Seefeel). Unlike M83 Bird`s sound is not heavily soaked in sugar or so monotonously running regarding vis-à-vis with Fuck Buttons. His project can also be compared with Superficial Random Knowledge Porridge, a mesmerizing Sankt Peterburg, Russia-based duo. However, for instance, listen to Bird`s track Baphomet Vs. The Great Winged Horse II and you can probably see the dubliner does have a huge potential to be discovered and approved. A great output of 5 tracks for sure.
11/26/2011
Athletes in Paris - Heartbeat (2011)
Bandcamp
8.5
8.5
/Remixes, Alternative pop/rock, House, Soul, Dance rock, Speed garage, Alternative dance, Electro/
Comment: it is a quintet from UK, offering up a single with 5 versions/remixes of it. Indeed, yet bubblegum-ish, dance-appealed track Heartbeat will further be buried under the layers of synthetic sound and natural drum beat will be displaced by house vibes and frequencies in the most dramatic remix by Francophilippe Little Bit Daft Punk Edit which consists of vocoder effects and glamorous ambiance within it. There is also dull 80`s DiscoTape Remix, an acoustic version at BBC 6 Music Live Session, speed garage-ish/electro-soaked/jungle-infected Stevey P Remix, and more soul-tinged AJS Remix.
Lanark - Historia Naturalis (2005)
/Avant-garde, Dark ambient, Experimentalism, Noise, Illbient, Avant-electronica, Abstract, Hauntology, Dystopbient, Avant-industrial, Martial music, Neoclassical, Abstract electronica, Epic/
Comment: Lanark is a composer from Buenos Aires, Argentina who has let his recognizable trace on the field of experimental/avant-garde/electronica/dark ambient/neoclassical music. He has issued lots of albums and shared the record labels (Comfort Stand; WM Recordings) with such legends as Big City Orchestra, R Stevie Moore, Dan Deacon, Chenard Walcker, Phil Reavis, Roy "Chicky" Arad, Jan Turkenberg, Happy Elf and others. However, this 18-track opus takes on an epic vision observed from the dystopic, oppressive point of view. The compositions are filled in with endless, dirge-drenched echoes and undertones as if the world were conquered by ghastly, truly malicious creatures. Indeed, his notches extend from pessimistic, glacial glow-dazzled ambient to wraith-alike (neo)classical conjuring at the portals of death. By now and then Lanark used to exploit more tenuous, bleak electronica, reminding of the first steps made by electronic music pioneers once many decades ago (for instance, Desmond Leslie, Pierre Schaeffer, Vladimir Ussachevsky). All in all, you must listen to the legend`s classic one.
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