Blogiarhiiv

10/29/2011

Nice Age - Anything Nice (2011)


Bandcamp

9.4

/Punk, Noise rock, Psych-rock, Surf rock, Garage rock, Alternative rock, Fuzz rock/

Comment: the more I listen to Nice Age, a Denmark-rooted quartet the more it gets imposed on me. Why? Because of having pumped the simple concept of punk rock with enormous energy amount of garage rock/psych rock/surf rock energy wherein guitar feedback dims and hell-ish noise kinks (for instance, at the starting point!) figure out to function as really hitting. However, let`s stop here for this time. Punk is not dead as yet indeed.

Kent State - Spahn Ranch EP (2011)




/Alternative rock, Shoegaze, Garage rock, Fuzz rock, Experimental indie, DIY, Lo-fi/

Comment: in fact, it was not much time ago when I reviewed Nicholas Vance (with Emma Maatman, and Chris Camden) aka Kent States`s Challenger B/W single. By listening to Vance`s debut issue I can only admit that there is existing the flourishing indie scene (Dan Deacon, Ponytail, Romantic States, Cagey House, Wye Oak amongst others) in Baltimore. Spahn Ranch EP is described as psychedelic death pop at lastfm. Indeed, this cellophane-wrapped guitar fuzz is obviously influenced by the aesthetics of garage pop, Sonic Youth, and Slumberland-bound volatile guitar pop. By the kindred souls I recommend to listen to Andy`s Airport Of Love, and the Procedure Club.

My Silver Booster - 41 (2011)



/Experimentalism, Avant-garde, Noise, Improvised music, Experimental rock, Primitronica, Psychedelia/

Comment: just one, 42-minute improvised free form notch. It comes from Italy and its appearance is quite freaked out thanks to its slowly toiling and roughly resonating guitar work which is permanently undermined by unpolished, bumpily billowy electronica and greige sonic effects. The issue is released on the Italian avant-garde/experimental label Paragrafo Records, however, you should listen to other ensembles (analognoisemonster, due samoani, awaycaboose and some artists as much again) under it too.

Lorelle Meets The Obsolete - Waitin' For The Orange Sunshine

Lorelle Meets The Obsolete - Waitin' For The Orange Sunshine (live at Mentira Mentira's place) from LMTO on Vimeo.

Metsu - As The Earth Drinks (2011)



/Post-metal, Crossover, Avant-metal, Sludge, Post-rock, Experimental rock, Math metal, Drone metal/


Comment: As The Earth Drinks is a debut album by a trio from Toronto, Ontario, Canada providing a diverse set of skewed metal/post-metal music which used to incorporate the elements of screamo, sludge, math and drone rock. Indeed, throughout the course it used to run in a way to be described as slowly punching and dilating, yet, only sometimes showing its more mellow and calming side.

Nheap - Clouds Under The Table (2011)



/Post-rock, Organic electronica, Experimental rock, Art rock, Instrumental rock, Fusion, Jazz/


Comment: I can only agree with the statement that creative music can also be warm, for instance, if to regard Massimo Discepoli`s 8-piece brand new one. More profoundly, you can mention that it is a lofty trudge alongside the shores of vibraphone-drenched and emphasized live drum-driven post-rock, and electric piano-dominated intimate jazz (and even imbued with fusion) progressions having lots of similarities with such groups as The Dylan Group, and Tortoise, and on the other side you can detect for the influence by Steve Reich`s Drumming, for instance. Moreover, Discepoli`s project does have a strong retrodelic touch within itself.

Tree, Bosier - Hometown EP (2011)



/Nu jazz, Chilltronica, Trip-hop, Downtempo, Psychedelic, Mood music, Post-rock, Downbeat, Cinematic, Crossover, Dub/


Comment: this is a picturesque output consisting mainly of sunshine-filled chill out-ish electronica, trip-hop drops, dub vibrations, and cinematic (nu-) jazz and at times deep, longing motifs. By the way, before it this Russian-based artist had released an album, called as Motion Picture Soundtrack (2010, Mimonot). However, the second track Seconds Before Awakening (feat. Futuredub) displays even the grits of post-rock-visaged guitar waves and oriental flute whiffs.