Telepathic Teddy Bear - Reactions (2011)

Bandcamp
Lastfm

8.6

/New Wave, Glo-fi, Poptronica, Electronic pop, Synth pop, Singer-songwriter/

Comment: TDP is the project of Juan Carlos Padilla, a resident out of Boston, Massachussets. The sophomore issue of him harks back to the 80`s new wave/synth pop sounds mixing it up with glistening chillwave/glo-fi sounds sometimes. Yet, it is not all at all, indeed, showcasing the affinity toward piano-driven singer-songwriter-ism and soulful electronica either. The heart-throb of mine is The Music In My Headphones which should be towering in every sort of pop charts.

Amarok - Amarok (2010)

Orca Wolf
Lastfm

8.6

/Doom metal, Stoner metal, Experimental metal, Funeral doom, Avant-metal, Post-metal/

Comment: Amarok is a unit from the Northern California embarked on in 2009. The group was initially formed by Jeremy Golden, and Brandon Squyres (of The Makai). The current line-up includes Zeke Rogers (also of The Makai), and Kenny Ruggles. There are are represented two long-running notches running on doom metal/funeral/and stoner metal mode. More concretely, the decelerated layers of paces and thrilling moaning are up here to describe this fucked-up world in their very own way. This is why this album seems to be a bit bleeding on its own. As people at Doommantia already described it this is thought for the fans of Khanate, Burning Witch, Weedeater, Grief.

Sir Deja Doog - An Impossible Darkness (2010)

CLLCT

8.7

/Alt-folk, Anti-folk, Singer-songwriter/

Comment: Eric Alexander is one of those stalwarts along with Tinyfolk, James Eric, The Sarcastic Dharma Society, Adrian Aardvark (if to name just some ones) coming out from the Bloomington-based CLLCT collective. Sir Deja Doog is the nom de plume for his side project, however, demonstrating himself as a crafty solo musician. Highly loaded, strumming guitar gears are variegated with profound, contemplative songwriting exploiting just guitar and diverse approaches for singing and delivering his message. The lyrics of the 6-track EP are sometimes descriptive (regarding his loon state of mind), at times plaintive, or straightforwardly striking in its bareness, respectively. He has described the album in the following way - I believed I died and went to Hell. I ended up in the hospital in a catatonic state. This is what I saw.

Sally Paradise - L'Ascension du Mont Shing (EP) (2010)

Jeunesse Cosmique
Bandcamp

9.2

/Chillwave, Experimental indie, DIY, Shoegaze, Dreamwave, Glo-fi, Hypnagogic pop, Electronic pop, Post-pop/

Comment: First of all, Sally Paradise, a Montrèal-based group has itself had a lot of line-ups and shapes and peoples through time and history, but now they are formed as a powerful threesome, sometimes foursome. They used to be inspired by lots of guitars (krautrock, psychedelic fuzz, fucked up foreign pop, flailing female grunge bands), huge-fat-ass mofo-ing beats (Wu-tang, I AM, GI Joe Killaz, Dose One ) and freak noise/spaced-out things (all those Japanese noise bands, John Zorn, Klaus Schulze, Mitsou). L`Ascension du Mont Shing is the quebecois` kick-off issue. It is a multifarious release in its stylistical clutter, furthermore, by the sensual side of the album sexual appeal gets surfaced as the indispensable result of a tight interaction of searing chillwave-ish whiffs, half-stifled dreaminess and sultry shoegaze-inflected progressions (and sung in French, of course!). On the other side, the listener gets headed off as if into the very early stage of his/her childhood. By the way, this blissed-out combo is now preparing a little tour in the US for September (Detroit, Chicago, Cleveland, etc.) with their buddy Félix de l'Étoile and a special project with Téléphone Maison, both cosmic people at Jeunesse Cosmique.

Speculativism - The Land of Block

Ollie Cram - Jazzstow (2011)

45 Echoes Sounds

8.8

/Art pop, Flamenco, Improvised music, Contemporary classical, Experimental, Downbeat, Chamber music/

Comment: Jazzstow - a series of sketches collaborated by two friends (Ollie Cram - guitar/bass; Phil Gibbs - guitar/prepared guitars), on a visit to Cornwall, Great Britain. Those 10 sketches are mostly laid-back pathways based on "the firework" of guitar arpeggios and chord changes, and thudding bass lines-downbeat-ish gears beneath it, however, thus making up lots of lead motives first of all. Frequently the duo`s search used to head off into paying tribute to flamenco music. The album is thought as much for the fans contemporary classical music/classical guitar as for the ones of improvised sound. The duo`s output is released on 45 Echoes Sounds (previously known as 45 Rpm-Records).

Computer at Sea - Palace of the Lightbulbs (2011)

Bandcamp

9.1

/Chiptune, Alternative, Indie pop, Crossover, Electro pop, Electronic pop, 8-bit, Leftfield/

Comment: This 6-notched issue is a whimsical combination of rattling chiptune fringed fermentation (whooa!), mandatory indie beauty (however, which used to be for most of people as a sort of inconceivable task), and thumping electro pop (let`s dance!). The publication is a vision by Galen Richmond, a Richmond-residing musician who is up here to promote the sort of tracker/8-bit music which was the very beginning lot of contemporary computer music approximately three decades ago. If to speak about crossover artists who have mixed up sawtooth-designed programming with alternative pop, I recommend giving a try to Hipster Youth, 8-bit Betty, Depreciation Guild, and some Bliss`s issues. In conclusion, this album reflects upon the upcoming tendencies for tomorrow`s sound