/Sampledelica, Sound collage, Experimentalism, Samplecore, Weird pop, Avant-garde/Comment: Rack And Ruin was a shrewd label enriching the DIY-based musical scene from 2008 to 2010. By headed up by Dean Birkett, the label issued the kinds of idiosyncratic sound veering from anti-folk and the New Weird America to lo-fi indie and sampledelica, from primitive electronica and sound-art conceptions to dizzy conceptions of psych-rock and of-kilter psychedelia and much more else. Dylan Ettinger, starstarstar, Hungry Owl, Dublin Duck Dispensary, Testicular Manslaughter and many others were parts of the R & R`s roster. However, this album is a confronting act between the domestic Japanese artist _ and The British artist *. As the album title suggests, this case is compiled of sampling parts just following to each other. The most important characteristic is that between a loads of aspects can be perceived for refreshing synergy played astutely out, obviously thanks to different kind of elements snatched from metal music, chamber music, film scores, urban futurism. Heavily pounding rhythmic vistas are variegated with more subtle downbeat paces, industrial and electro-based motorik electronics, ordinary classical music snippets, suggestively vibrating harmonies and all of that mostly wrapped up in the sort of stealthy ambience.
