Blogiarhiiv

5/13/2011

Coolrunnings - Dracula Is Only The Beginning (2011)



/Psychedelia, Avant-pop, Experimental indie, Poptronica, Alternative pop, Glo-fi, Art-rock/

Comment
: Knoxvillian quartet Coolrunnings is back after the great EP Babies Forever which was one of the peak albums in 2010. In fact, it can be considered the group`s first proper LP. In principle, they continue keeping on their current aesthetical tradition offering strong drifts toward Animal Collective-esque exulting psychedelia and Arcade Fire-like straightness in songwriting. This time their songwriting is way too restrainted and less shimmering, though, proffering some really great moments either (Megalomania; Burnout).

Apskaft Presents: 21st Century Schizoid Men (2011)



/Avant-garde, Covers, Conceptual, Experimental rock, DIY, Progressive, Experimentalism, RIO, Avant-prog, Experimental electronica/


Comment: Apskaft is used to be a platform for DIY musicians basically with clear-out vanguard-ish orientation. The collective has mainly publicized compilations. At times these miscellanies do have a reference toward some artists or songs. However, the recent compilation relies on King Crimson`s 21st Century Schizoid Man, offering 1o diverse versions on it, veering from frenzied RIO to noise-inflected lo-fi electronics and from reggae sounds to chaotic (near-) dance experiments.

Francois Bonne - Drek da'han le fou (2011)



/Soundtrack, Orchestrated music, Electronic pop, Mood music/


Comment: The main strain of Francois Bonne`s 4-track issue consists of fairy-tale-alike symphonies, intriguingly syntesized soundtracks, all of which is played up with huge impetus thereby particles in the sublevels will be changed very fast in any cases. Like a film score workout for a kind of plenty with pace, however, it is made out of lots of key changes and mood progressions. Indeed, it is art-y and at times even dizziness-induced. Masterful.

Naomu - Amanita (2011)



/Folktronica, Primitive pop, Weird folk, Acousmatic, Avant-folk, Minimal, New Weird Japan, Experimentalism, Weird pop, Toytronica/

Comment
: This semi-detached album under the Japanese label totokokolabel resembles of the first releases by CocoRosie - it is female voice-lead, deliberately primitivistic, swaying between the ancient eras and recent recording technologies. Beatific and weird and a little bit schizoid acousmatic pop. But satisfyingly relaxing in its naive and restrainted prosperity in any cases.

Emerald Park - Slow 2004-2005 (2011)



/Alt-folk, Indie pop, Britpop, Indie folk, Baroque pop, Folk indie/

Comment
: As the album title suggests, indeed the issue is about 4 songs being released 6-7 years ago. The group comes from Malmo, Sweden and showcases some examples of folk-inflected Britpop, Swedish (indie) pop carnival, and baroque pop, in detail, demonstrating its affinity toward mellow chords and pleasant melodies. By the recent point, however, it can be considered classic (indie) pop. Nostalgic and decent.

Ataque Escampe - Violentos anos dez (2011)



/Alt-folk, Indie folk, Baroque folk, Folk indie, Indie pop, Psychedelic/

Comment
: Aregueifa is a honest label from Galicia, dedicated to the Galician music and musicians who mostly used to sing in their native language (which reportedly is more close to the Portuguese than Spanish language). However, a smorgasboard of genres are presented under the label, from nihilist punk attacks to strongly Celtic folk influenced ethnic music. Ataque Escampe is one of the most profilic collective under Aregueifa, playing up folk music with a tough touch of indie pop. Exalting harmonies, joyous rhythms, more concretely, wherein alt-folk used to get embellished with orchestrated sounds, jangle-y strums, brass sounds and at times psychedelic easiness as well. It can be compared to the other Spanish-based harmony alchemists like Nodding by the Fire, and Wild Honey.

5/11/2011

Jose Travieso - Don`t Kill The Vinyl (2011)



/Downbeat, trip-hop, Hip-hop, Rap, Jazz, Epic, Experimentalism, Electronic pop, Film noir, Cinematic/


Comment: Are you used to enjoy high-tempered Spanish hip-hop/rap? Beside it, however, you can listen to smoky, cinematic trip-hop scratches (oh, Portishead, Portishead!!!), noir-filled downbeat progressions, solid jazz shakes, some cool glockenspiel interludes, reversed sound effects, and decent tributes to the Kraftwerk-ian tradition, however, all of those fundamental stones are finely juxtaposed to each other. Indeed, Travieso`s notch is whimsical and melancholic simultaneously. Deliberately perverted by language.