Blogiarhiiv

4/19/2011

Radiokoala - Meerkat Approved (2011)



/Avant-garde, Non-music, Avant-industrial, Noise, Weird, Experimentalism, Electro-rock/


Comment: Aarghhh...it is a really weird notch from Belarus. On the other side, all the topics under Paragrafo Records have been used to be very strange odes to the pop music so far. The first track Here We Go Spastic, Movement I. Grand Booze at the Hennery kicks off as a warped electro-rock hallmark, and the second track Ants-Conquerors Astride Aeneous Mammoths is getting more into a hell-ish flag, mixing up the indistinct borders of rock and nihilistic (proto-)industrial music and flash backed hauntology into each other. Furthermore, hazy experimenting with the radio waves has been one of the extremities of the experimental music for long time, thereby Radiokoala is intended to give it a serious launch at Badger Circuit-Bends Himself by Inadvertence - by hearing those dense tunings of shortwaves with diverse frequencies will make up some melomans remember for lots of worthy memories from the past times for sure. After all of this abovementioned bunch of sonic mayhem, however, intriguing chopped-up sounds, explorations in the spoken word world and heavily clattering riffs will be conjured up.

4/18/2011

Sea Things - See Thangs (2010)



/Glo-fi, Chillwave, Lo-fi, DIY, Experimentalism, Psychedelic, Avant-garde, Weird, Cut and paste, Plunderphonics, Crossover, Samplecore, Sampledelic/

Comment: The American Mike Froeling aka Sea Things` debut album See Thangs makes lots of chillwave/glo-fi grooves, on the other side, it is not an usual mix of lo-fi/DIY and chillwave/glo-fi album at all. Why? Because it used to exploit much sound collage/cut and paste/plunderphonics aesthetics thereby having more broader extension and off-kilter approach than usual to its adjacent styles. Moreover, a reliable reference to it may be founded out from the fact that there do shuffle 21 songs in total. Some examples? For instance, Drakewave (What Am I Doing) seems to use Knight Rider-esque theme-paces. All in all, I suggest you have a perspective of it as if a Chenard Walcker-like frenzied sampledelic session meets Blackbird Blackbird.

Plastic People - Good As You (2010)



/New rave, Post-punk, Art-punk, Dance punk, Alternative pop, Gothic, Electro-rock/


Comment: Today the frenchman Sèbastien Ficagna aka Plastic People just released the sophomore album Pink Narcissus. His first release Good As You takes on electro-rock, dance punk, post-punk, dark pop, art-punk sounds (some symphonic progressions, some whimsical synth burblings, treated effect-loaded appearances, cabaret-alike undercurrents), however, paying mostly tribute either to the British post-punk/gothic rock groups like The Cure, and Bauhaus through those bouncing dynamical bass guitars and rigidly stomping drum sections or the nowadays new rave sounds through its snooty approach though sounding even a little interesting than contemporary comrades like The Klaxons, and !!!, for instance.

Tsone - A Sound Beyond Reckoning (2010)



/Ambient, Microsound, Minimalism, Experimental electronica, Drone, Microtonal, Soundscape, Abstract, Avant-electronica, Ambient drone/


Comment: This is an excellent issue of the nowadays ambient music (actually masterpiece) filled in with subtle sounds of droning electronics, chopped-up microsounds, and fluttering, highly emotive electric piano chords (by its sound characteristics you may suppose this way). However, I cannot myself to tear apart from the Arctic-related ice plateaus and cold yet warm imaginations. Indeed, very minimal yet following the maxim less is more. The author of such blessing soundscape is Anthony Obr from USA (not to be confused with another tsone, an artist from Finland).

4/11/2011

Fuck Her, or the Terrorists Win - Up The Ante

Yves Rakotomalala - Ce matin encore (1981/2010)



Comment: A set of 12 tracks sung in French and English were originally released in 1981, though later being some times re-issued (most lately at Golden Pavilion and Free Music Archive). Cute folk songs wherein one chord is soothingly followed by another, where acoustic sounds are mixed up with electric ones, indeed, having all premisses for some commercial success on the album which physical copies have apparently been very rateable in the circles of old folk music completists.

Venice - Animals, Stars & Other Psychedelic Creatures (2011)



/Avant-garde, Avant-pop, No Wave, Post-rock, Post-psychedelic electronica, Electronic, Krautrock, Avant-rock, Experimental rock, Psychedelic/


Comment: The Rome-based Venice`s album kicks off as a kind of vanguard-ish tribal sound (Faust`s proto-industrial hypnotism) which step by step is getting evolve into...ehh...vanguard-ish tribal sound. A way too tautological, isn`t it? Indeed, but it so bloody cool. However, the second track makes some turns rightward (or is it leftward actually?), incorporating the elements from the vibraphone-centered post-rock a la the early Mice Parade and The Dylan Group and some full railing atmospheric layers of Kosmische Musik. It is almost undescribable how soft and subtle it used to be chiming throughout the course. The third track continues principially in the same vein, though, turning its focus more upon bouncy yet cutting edge paces, however, reminiscent of No Wave-drenched ones and besides it adding some treated guitar effects either. No doubt, a superb issue.