Comment: Choky, skipping and voracious simultaneously, the seventh album by My Duck666 (from Moscow) is filled in with spontaneous and very malignant (mainly brown) noise attacks and zombie-esque moanings, however, it might be the best sonic reflection of a human being`s expression of despair, angst and angriness. By its conception it seems to be politically incorrect, anti-religious, personally offensive... and uncontrolled as already said. However, it reminds of the workouts of Japanese noise mongrels like Hanatarashi and Gerogerigegege, especially if to consider their frequent references toward the lowest part of the digestive tract.
3/07/2011
My Duck666 - Music For Believers (2011)
Comment: Choky, skipping and voracious simultaneously, the seventh album by My Duck666 (from Moscow) is filled in with spontaneous and very malignant (mainly brown) noise attacks and zombie-esque moanings, however, it might be the best sonic reflection of a human being`s expression of despair, angst and angriness. By its conception it seems to be politically incorrect, anti-religious, personally offensive... and uncontrolled as already said. However, it reminds of the workouts of Japanese noise mongrels like Hanatarashi and Gerogerigegege, especially if to consider their frequent references toward the lowest part of the digestive tract.
3/06/2011
Falco Subboteo - Pigged Rubble (2010)
/Live recording, Electro-acoustic, Avant-garde, Improvised music, Free improvisation, Free jazz, Turntablism, Freeformfreakout, Experimentalism, Psycho-acoustic/
Comment: How to come to grips with this 3-tracks album by a duo consisting of Val Perona (violin) and Gwilly Edmondez (tape/vinyl/samples)? Actually it is not needed to get as listening to this is pure fun on its own. Still, by its sonority it firstly reminds of free jazz via fastly changeable violin chords and playing techniques, on the other side it is a loosely formed output showcasing fine pitch-effect-based experiments on tapes, turntables and samples. Galopping near-rhythm sounds, warped chords, abrasive electronics, "uncontextual" dodges of samples, vocal interventions and much more make up a solid whole in any cases.
The Stars Ovation - here in the stillness, despite everything (2010)
Rack & Ruin
7.7
7.7
/Modern classical, Classical, Ambient, Piano music, Dark pop, Neoclassical/
Comment: Lonely piano chords-dictated music with some dark-hued backdrops and synth orchestrations which evokes melancholic moods in a good manner at times. No doubt, if you are a hard-nosed fan of (modern) classical music, however, you should listen to this one. Interesting chord patterns are conjured up from there and fringed by lots of space.
Comment: Lonely piano chords-dictated music with some dark-hued backdrops and synth orchestrations which evokes melancholic moods in a good manner at times. No doubt, if you are a hard-nosed fan of (modern) classical music, however, you should listen to this one. Interesting chord patterns are conjured up from there and fringed by lots of space.
3/05/2011
Non Dolet - Inner (2011)
8.8
/Downtempo, Chamber music, Experimental electronica, Avant-pop, Cinematic pop, Minimal, Modern classical, Ambient, Children music, Improvised music, Progressive, Electro-acoustic, Trip-hop, Film noir, Electronic pop, Crossover, Musique concrete/Comment: An album by a classically educated Russian musician (a young woman called Alisa) is full of diverse tendencies, different sorts of shadows and sonic shards, balancing between acoustic and electronic topics, manipulating with beats and without cadences, veering from silence to less silent, from pop realms to out of pop, from solemn to earthly, from restrainted contemplations to cinematic, orchestrated hooks, sampling of a snippet of a speech by George W. Bush and awesome motorik rhythms of trains, all in all having acquired a good overview regarding different styles and genres. Yet, please do not misunderstand that the recent case is not going about a bulimic output because all is solidly articulated and channelized into a segmented soundscape which is apparently a type of grower with each following listen time. Indeed, her music can just be classified as post-crossover which seems to be very opened to everything.
Maps And Diagrams - The Giant Woods (2009)
Yuki Yaki
10.0
10.0
/Ambient, Ambient drone, Drone, Epic, Abstract, Microtonal, Soundscape, Minimal noise/
Comment: An exhilaratingly epic effort by Tim Martin who played out some ambient music with subtly infiltrated (noise) hisses and into abstract mould designed dronescapes. Yeah, it sounds so warm and sensible via its amazing microtonal growings as the sweetest pop song album ever, anyway, reminding of Tim Hecker`s masterpieces like Radio Amor, and Haunt Me, Haunt Me, Do It Again. The Giant Woods harkens back to following statements that less is more and the beauty is covered behind (manipulated) imperfection. In a nutshell, one of the hallmarks of ambient music.
芳川よしの - Lovely Rainy Day (2011)
Maltinese Records
8.7
8.7
/Shibuya-kei, J-pop, Electronic pop, Club dance, Easy listening, Mood music/
Comment: Starting off with a kind of peeping sounds the recent album of Yoshino Yoshikawa is getting develop into national shibuya-kei/j-pop tunes. More concretely, in this case does it mean of having lots of dodges and references toward electronic pop and club dance grooves, though, avoiding hints at Morricone-esque growing tunes a la Fantastic Plastic Machine and Pizzicato Five or close flirtations with indie pop numbers a la Flipper`s Guitar. All in all, as it is usual to this kind of catchy tracks it always makes excellent out.
Tellimine:
Postitused (Atom)