- Avant-garde
- Post-rock
- Post-classical
- Experimental techno
- Modern classical
- Art music
- Avant-rock
- Crossover
- Experimental rock
- Abstract techno
Comment:
behind IASM are two Italian guys who were living in the United
Kingdom at the time of the release of this 7-notch issue. More
profoundly, it happened already 5 years ago in London. Musically it
is an intriguing smorgasbord of sounds and styles, more profoundly,
meeting at an interface of modern classical, arty rock and
intellectual techno vibes spiced up by elemental noises and hisses.
However, the aforementioned styles used to stand to be mixed together
or just standing alone. Both versions are equally worth to be
enjoyed. Another fairly intriguing stance for me is how and by whom
these sounds are made up and performed. Of course, mostly one can
discern the human touch but there are up some very mechanical moments
where the process seems to be induced and usurped by rigid machines.
In a word, there is up a thriving clash between the human soul and
austere robotic configurations. By kindred souls one can discern
pathways coming from Mice Parade, Tortoise, and The Dylan Group to
Autechre, AFX, and Venetian Snares to Lubomir Melnyk, and Nils Frahm.
However, these ones are just mere comparisons because the artist used
to stand on its own. The issue is a part of the discography of Yo
[U-Turn] netlabel. In a nutshell, get this mesmerizing issue.
