- Sampledelic
- Plunderphonics
- Lo-fi
- Electro pop
- Acid
- Chilltronica
- Easy listening
- Avant-pop
- Electronic
music
- Mood music
Comment:
to peel this 14-notch properly away there are many possible ways to
go. Just let it go, many listening times in queue, to get a vague
impression in your heart. And thereafter you can get a chance to
analyze it more properly. The same effect may be coincided with such
plunderphonic luminaries as Vicky Bennett aka People Like Us, Pogo
and Ergo Phizmiz, however, any new case is extraordinary (indeed, the
crucial question is about how to handle this enormous set of
informative bits which used to succeed rapidly to each other). At
times those lysergic wry synth progressions used to keep the pace
with the assistance of wonky, a bit weary rhythmic shuffles, and then
the previous hectic stylistic element will transition into a
laid-back, easy-running development which is up there to create a
stunning gravity-free atmosphere. And then the artist blends
seamlessly all the lines between genres. In fact, P.P. Roy fulfills
it all the time. A widely used deed in last years within the
experimental music scenes has been the sampling of ballroom music and
other elderly, slightly haunting sounds – here are also represented
high-pitched female vocals and exaggerated yet flair orchestrations.
I can see nothing else but every element lives up to the expectation.
The impressive outing is a bit in the discography of Upitup.
