- Improvised music
- Electro-acoustic
- Avant-garde
- Experimentalism
- Post-classical
- Minimalism
- Modern
classical
- Art music
- Post-rock
- Chamber rock
- Avant-rock
- Experimental
rock
Comment:
it is always being the privilege to explore the discography of a
Chicago-based imprint, Pan Y Rosas Discos, the imprint of
multifaceted music. This time the British trio Bleak House (the
members of it are involved in Keshco, a represented and praised group
at RMH) blesses the listener with a 13-notch issue either imbued with
watery smooth piano shapes full of hypnotic iterations with the aid
of varied discreet electronic music and beguiling orchestrations or
improvising on hoarse yet artsy guitar chords which also have been
managed to establish round orbits in one's perception. However, the
abovementioned elements and details make up lots of different
combinations in balance and intensity inclined variations throughout
the pace. Alternately the instruments get along well, it seems to be
even complementary to swap an instrument for the other one. By
listening to either guitar or piano playing one can hear profound
serpentine layers of the echo flickering relentlessly behind playful
chords. Additionally, those repetitive chords have been set up and
bridged with one another in the way to ultimately result in brilliant
flashes of the music. In other words, the formative side is saturated
with the emotive side. For instance, enjoy a track called
Repaired
Swing Set. All in all, it is one of the most enchanting releases
I have heard during this year. And the issue is a good example of
recommendation how the energy of a human being should creatively be
transformed for. There can be drawn disparate parallels upon the
artists, from kindred souls like Hauschka, Max Richter and Lubomyr
Melnyk to chamber rock/post-rock acts like A Silver Mt. Zion to
vagabonds like John Fahey, and Vic Chesnutt to post-progressive acts
like Penguin Cafe Orchestra.
