- Electro pop
- Breakcore
- Experimental
electro
- Drill and bass
- Electronic music
- Breakbeat
- Abstract electro
- Chiptune
- Bitpop
- Crossover
Comment: it is one of the
first issues by a French musician/activist and hacker, Jankenpopp
being released in 2006, however, the artist's sound is thoroughly
timeless because all the three temporal dimensions invented by us –
the past, the present and the future – used to reflect on each
other and through one another. Firstly, it is playful and puckish
based on unstable yet mapped rhythmic structures full of galvanized
electro, primitive video game-alike and rough breakbeat-induced
paces. A best moment on it happens relatively in the beginning when
these angular and loose cadences are backed up by a lofty deep house
synth layer. Later on, cut-up vowel samples are added to the mix to
make up a more personal experience. All those predispositions the
artist does have taken from the club scene are transmitted through a
tongue-in-cheek attitude (of course, there is an exquisite veiled
criticism/and irony behind it). One compartment within the set of 9
notches consists of more buried endeavours as if searching for a
silent corner to take a rest for a while. Just for a while for to
keep going over the ragged mountains and seas of a tumultuous sonic
universe. Given that is a short-running issue and on the other side
it embraces a lot of information and reflections it can be admitted
as an accelerated musical course. Very nice.
