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8/13/2019

Erich Schall – No.7 (2017)




  • Electronic music 
  • Alternative dance 
  • Ethnotronica 
  • Deep house 
  • Musique concrète 
  • Organic electronica 
  • Dub house 
  • Minimal techno 
  • Tech-house 
  • Minimal synth

Comment: this bunch of 8 tracks contains lots of sublime moments throughout the vibrant course because a prolific German producer called Erich Schall (also being known from a group, Drehkommando) provides different patterns and mixtures though mainly based on house, techno and dub-induced frequencies and combinations. Additionally he plays with concrete sounds, most evidently and in the most exuberant way at Club Birds; the album embarks on an elegantly messy piano chord shuffle at Static Ram where a bit of aggressiveness dissolves to transform into profound nocturnal house vibes with remote dub reverberations at Night Prism. Gentle noises to be panning here and there used to add an extra gritty ingredient to the whole. At Usha Flute he mixes the predominant minimal, even obsessive techno treatment with ethno-tinged female singing and New Age-y flute whiffs. Contra Vs. Melo is a dynamical, catchy sway between obsessive tech-house and minimal synth(-pop) developments. Anyway, all the aforementioned dissents do not balkanize the whole, on the contrary, one can perceive of how the whole keeps growing on you with any next listening time due to its unfathomable depth based on the aforementioned omnium-gatherum. Erich Schall has done lots of tenures under different imprints, mostly being involved in the discography of such ones as basic_sounds, Der Kleine Grüne Würfel, Insectorama, and INFEKTUS yet this one comes out of another respected and senior weblabel called Phonocake being active since the beginning of the 00s. These decent compositions remind of those old good days with regard to the activities of such imprints as Thinner, Epsilonlab, and Humanworkshop, the releases of the ones still stand up 15-20 years on.