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7/30/2019

Stillborn Blues – III (2018)





  • Improvised music 
  • Avant-garde 
  • Avant-rock 
  • Experimental rock 
  • Art music 
  • DIY 
  • Experimentalism 
  • Avant-blues

Comment: it is said at Lastfm site that Stillborn Blues isn't blues but minimalist, awkward, melancholic and lo-fi prepared/detuned guitar pieces played in the dark with too much delay and reverb. Even if it is a honest (self)-confession a listener can find out many layers and gushes of emotions bursting out of this 12-track outing. Musically the whole can be compared with such a cutting-edge guitar juggernaut as Loren Mazzacane Connors whose music is also not being considered blues yet by the experimental musician's own words all he owns musically is due to blues. And also obsessive, dissonant guitar treatments by Fred Frith appear to come to mind after the endless of flow of variegated moods and emotions – from laid-back and halcyon to highly tumultuous, aggressively spaced-out threads. All of that is a dynamical format of dichotomy between chaos and fining, between pain and endorphin-enriched peace. The artist eschews some natural characteristics of experimental music, for example, avoiding progressing into drawn-out improvisations. However, even without it, all these short compositions constitute a dynamical, seamless whole. Although being truly wrung out and stoned for the listener it chimes somehow very archetypical and deeply rooted in the tradition of rock music and because of that I dare to call it a sort of blues as the initial spore of it. The artist's music is anchored over there yet he deconstructs it in different ways. It is all about downright experimentation and invention, about simplicity and intention of giving no damn. No self-indulgence. Some sort of massiveness. It is an instance of true black power which leads the c(o)urse. The impressive outing is a notch in the discography of Eg0cide.