- Electronic pop
- Alternative dance
- Post-disco
- Yacht pop
- Synth-pop
- Nu jazz
- Electro pop
- Acid jazz
- Breakbeat
Comment: oh
yeah, that's cool. Rome, Italy-born Jacques Malchance's sophomoric
release is really cool, you can feel a real life behind these more or
less twisted yet velvety synths and drum machines because all 10
tracks are performed and recorded live in a studio in Liverpool, UK.
It is for one's soul and body, furthermore, it integrates the both
dimensions of your body. I would like to imagine of how the artist
used to rush behind the machines by manipulating hastily yet adeptly
with knobs, keys and pads. Such a sort of sonic wizardry is being so
charming. It is an example of how machines can be humane, at least so
much as humane as a human being could be because the final result
indicates you are going to be a better human being after the
listening of it. One can hear soul, nu jazz, and yacht pop influenced
synth-pop over there. At times more aggressive electro and
breakbeat-induced rhythms will switch on to verify on the rule of an
exception confirms a rule. In a word, it is a new pace of synth-pop
over there having just a little in common with the classical
subgenre. And it is even more a case regarding the creating year of
2007. Of course, we as human beings have been cyborgs for a while and
today we create and are surrounded by a relatively dry autotune
rap/trap shit which is a quite obtuse stuff. However, Malchance's
sound is exuberant and positively magniloquent. The catchy soulful
and dance-appealed outing is a bit in the discography of Upitup.
