- Kosmische Musik
- Electronic music
- Alternative
- Synth-pop
- Ambient techno
- Cosmic fusion
- Soundscape
- Crossover
- New Age
- Deep house
Comment: I can
remember for Day Of The Triangle's albums called
Salvia Sundays,
48, and
Chair Conspiracy could be considered one of the
best albums in 2015. And today I can say that
bizarre world of non
is the favourite release of mine in 2018. Within the Estonian
underground scene Tartu-based artist's music was something truly
remarkable to provide such a refreshing sort of cosmic breeze up to
one's wearisome globe (by the Estonian artists Trent Hawkins and Tont
can somehow be compared to it in stylistic and sensual manner). And
it still does in the same way 3 years later up to one's cerebral
convolutions by trudging across a mystical universe with pulsating
rhythms, spaced-out synthesised cascades, and amusing vocal arrangements and tectonic yet transcendental drones. It may remind a bit of The
Orb's masterpiece called
Orblivion but just for a second (by
the way, it starts off with a bouncy synthwave rhythmic metric to
develop into an exuberant electro and tricky yet full-fledged
(contingent) synth-pop and astral techno and deep house mixed soup as
if produced by an outsider mastermind). What's the difference between
it and the artists of the so-called Berlin School? The synths and
soundscapes represented over there are more warm, less hollow and
more timeless. As if reflecting upon the working process of cosmic
furnaces full of colourful transformations, supernatural changes, and
lush heat emitting. Indeed, one obviously cannot pin down the exact
period and place of these sonic progressions. By changing the side of
a copy of the tape (indeed, the tape is issued as a limited edition
under Trash Can dance) the listener can hear more enchantingly
iterative New Age-y hovers as if depicting a flamboyant world beyond
the reach and power of our most potent telescopes. Could you see the
apparition of Creator? As I already said these 8 tracks do constitute
the best issue in 2018.
